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Inks: The Journal of the Comics Studies Society最新文献

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"It Was as Much Ours …": Reader Contributions to Teen Humor Fashion Comics “这是我们的…”:读者对青少年幽默时尚漫画的贡献
Inks: The Journal of the Comics Studies Society Pub Date : 2022-06-01 DOI: 10.1353/ink.2022.0011
J. Walsh
{"title":"\"It Was as Much Ours …\": Reader Contributions to Teen Humor Fashion Comics","authors":"J. Walsh","doi":"10.1353/ink.2022.0011","DOIUrl":"https://doi.org/10.1353/ink.2022.0011","url":null,"abstract":"abstract:Studies of participatory culture in comics frequently focus on the superhero genre and the participatory fandom communities and networks engaged with the superhero genre. This study focuses instead on participatory culture in the fashion subgenre of teen humor comics published from the 1940s through the early 1970s and again in the 1980s. I survey the many types of reader-contributed content in Archie Comics' Katy Keene comics and Marvel Comic's teen humor fashion comics such as Patsy Walker and Millie the Model. I examine the fan-led revivals of Katy Keene and Millie the Model in the 1980s. Finally, with the aid of an archival collection of reader submissions, I investigate the reader contributions to Marvel's six-issue Misty comic created by Trina Robbins. These explorations seek to recover a vibrant participatory community of comic book readers, consisting primarily of young women and girls, actively engaged in producing the comics they are reading.","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"229 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134095126","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Robin and the Making of American Adolescence by Lauren R. O'Connor (review) 《罗宾与美国青少年的形成》劳伦·r·奥康纳著(书评)
Inks: The Journal of the Comics Studies Society Pub Date : 2022-06-01 DOI: 10.1353/ink.2022.0016
Stephen M. Zimmerly
{"title":"Robin and the Making of American Adolescence by Lauren R. O'Connor (review)","authors":"Stephen M. Zimmerly","doi":"10.1353/ink.2022.0016","DOIUrl":"https://doi.org/10.1353/ink.2022.0016","url":null,"abstract":"222 Woo and Stoll conclude their collection by thinking about the role of the comics scholar in the comics world. Taking Bourdieu as a point of departure, they argue that “researchers are not separate from the worlds they study” (234) and choose to include, as a final chapter, an interview between themselves, foundational theorist and scholar Charles Hatfield, and early career scholar Franny Howes. The chapter is a meaningful conclusion to the collection not only because it effectively establishes the position of theorist and researcher of comics within the larger theoretical framework of the collection, but also nicely demonstrates the method of semi-structured interviews. In this way, the final offering of the collection effectively combines the theoretical and empirical focuses of the text into a single conversation and demonstrates how these two principles can contribute to better understanding comics, by better understanding their social context. This collection offers readers a glimpse into what Woo and Stoll call “the exciting, messy world around comic books and graphic novels” (xvi). It invites researchers to “go exploring” (xvii) in the comics world with the social scientific model of inquiry and advocates for an understanding of comics through an understanding of the social contexts that surround them. Through this work, Woo and Stoll have put together one of the most meaningful collections on the future of comics and comics studies in recent memory. They have provided a clear and articulate model for expanding our understanding of comics through approaches rooted in social scientific research and demonstrate how empirical research with the publics and human actors involved in the comics world can not only illuminate new meanings made within the fringes of what has traditionally been thought of as comics studies, but also radically redefine how we understand comics and other visual texts as a result.","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115285864","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Is Superman Circumcised? The Complete Jewish History of the World's Greatest Hero by Roy Schwartz (review) 超人割过包皮吗?《世界上最伟大英雄的犹太历史全集》作者:罗伊·施瓦茨
Inks: The Journal of the Comics Studies Society Pub Date : 2022-03-01 DOI: 10.1353/ink.2022.0005
M. Brake
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引用次数: 0
On Teaching Artfully: A Graphic Interview with Meghan Parker 关于艺术教学:对梅根帕克的图形采访
Inks: The Journal of the Comics Studies Society Pub Date : 2022-03-01 DOI: 10.1353/ink.2022.0003
Kay Sohini
{"title":"On Teaching Artfully: A Graphic Interview with Meghan Parker","authors":"Kay Sohini","doi":"10.1353/ink.2022.0003","DOIUrl":"https://doi.org/10.1353/ink.2022.0003","url":null,"abstract":"abstract:Considering that comics is a deeply visual medium, surprisingly little emphasis had been placed on drawing comics as a method of scholarly inquiry until Nick Sousanis's (Unflattening, 2015) and Ebony Flowers's (Drawbridge and Hot Comb, 2017 & 2019) works came into prominence. In this Graphic Interview, I talk to Meghan Parker, a Vancouver-based artist and art educator, who drew her master's thesis as a comic at Simon Fraser University, which was subsequently published as Teaching Artfully by Clover Press in 2021. These examples of existing graphic scholarship eventually inspired me to draw my own doctoral dissertation \"Drawing Unbelonging\" as a comic. In this interview, Meghan and I talk about the process of making scholarly comics, its challenges, rewards, and everything in between. We also talk about her influences and how her choice of medium informs her scholarship and her teaching. Considering the subject matter, we decided to draw as much of the interview as possible.","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"03 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131387875","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Strange Daddy: Uprooting the Environmentalist Family Romance in Nancy A. Collins' Swamp Thing 奇怪的爸爸:在南希·a·柯林斯的《沼泽的事》中根除环保主义者的家庭浪漫
Inks: The Journal of the Comics Studies Society Pub Date : 2022-03-01 DOI: 10.1353/ink.2022.0000
B. Costello
{"title":"Strange Daddy: Uprooting the Environmentalist Family Romance in Nancy A. Collins' Swamp Thing","authors":"B. Costello","doi":"10.1353/ink.2022.0000","DOIUrl":"https://doi.org/10.1353/ink.2022.0000","url":null,"abstract":"abstract:This essay examines writer Nancy A. Collins' 1991–1993 run on the DC Comics series Swamp Thing, an era of the series that has heretofore been neglected by scholars. The overwhelming majority of scholarship on Swamp Thing focuses on writer Alan Moore's tenure on the title, and much of this work lauds Moore's run for its development of an ecological consciousness that breaks down the distinction between the human and nonhuman worlds. As I demonstrate, however, the putative radicalism of Moore's ecological perspective is constrained by the conventional romance plot that organizes his run and that is particularly pronounced in its conclusion. I argue that the tension between the series' preoccupation with love and family, traditionally defined, and its putatively transformative ecological politics is central to Collins' run on Swamp Thing. Drawing on the growing body of scholarship on queer ecology, this essay examines how Collins' depiction of Swamp Thing as obsessively fixated on maintaining a normative family functions as a critique of what Nöel Sturgeon has described as the \"environmentalist family romance,\" the tendency in popular environmental narratives to idealize the white, middle-class nuclear family as an effective formation for addressing environmental degradation. With a particular focus on how Collins and her artistic collaborators—including Scot Eaton, Kim DeMulder, and Tom Mandrake, among others—depict Swamp Thing and Abigail Holland's daughter, Tefé, as a figure who exceeds the boundaries of Swamp Thing's heteronormative ecological thinking, this essay argues that Collins' Swamp Thing both reveals the ways in which normative understandings of gender and family constrain the ecological imagination and points toward the ways that alternative models of affiliation, community, and kinship can expand it.","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120953320","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Comics and the Body: Drawing, Reading and Vulnerability by Eszter Szép (review) 《漫画与身体:绘画、阅读与脆弱》作者:埃斯特·斯扎伊姆
Inks: The Journal of the Comics Studies Society Pub Date : 2022-03-01 DOI: 10.1353/ink.2022.0004
José Alaniz
{"title":"Comics and the Body: Drawing, Reading and Vulnerability by Eszter Szép (review)","authors":"José Alaniz","doi":"10.1353/ink.2022.0004","DOIUrl":"https://doi.org/10.1353/ink.2022.0004","url":null,"abstract":"","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115299354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Maus II's Emphatic Smoke: The Trace as Graphic Affect 鼠鼠II的强调烟雾:痕迹作为图形效果
Inks: The Journal of the Comics Studies Society Pub Date : 2022-03-01 DOI: 10.1353/ink.2022.0002
A. Ecklund
{"title":"Maus II's Emphatic Smoke: The Trace as Graphic Affect","authors":"A. Ecklund","doi":"10.1353/ink.2022.0002","DOIUrl":"https://doi.org/10.1353/ink.2022.0002","url":null,"abstract":"abstract:How is affect illustrated in Art Spiegelman's Maus II, and what implications surface from the shared air of its multilayered narrative spacetimes? Flowing across Maus II's pages, smoke inscribes the simultaneous presence and absence of approximately six million murdered Jewish people. The trace as graphic affect draws attention to the ways affect figuratively and literally materializes in quotidian spacetimes seemingly distant from the forces of catastrophe. This article blends the Derridean trace and Deleuzian rhizomatic thinking to read Maus II's smoke, smoke-like, chimney, and chimney-like graphics. At stake is the violence of essentialism and racialized nationalism, which is continuously institutionalized through the construction of linear history as an enclosure for time and space. This reading builds on Chute's analysis of spatial syntax in Disaster Drawn to show that Maus II's narrative frames fold, sidestream, and blur their boundaries. Smoke in Maus II functions as an affective force and inscriptive power which both smudges divides and marks the ongoing consequences of violence.","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116599120","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Typical Girls: The Rhetoric of Womanhood in Comic Strips by Susan E. Kirtley (review) 《典型女孩:连环漫画中的女性修辞》苏珊·e·科特利著(书评)
Inks: The Journal of the Comics Studies Society Pub Date : 2022-03-01 DOI: 10.1353/ink.2022.0007
Barbara Postema
{"title":"Typical Girls: The Rhetoric of Womanhood in Comic Strips by Susan E. Kirtley (review)","authors":"Barbara Postema","doi":"10.1353/ink.2022.0007","DOIUrl":"https://doi.org/10.1353/ink.2022.0007","url":null,"abstract":"","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116548933","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Privileged Witnessing and the Graphic Self in Sarah Glidden's How to Understand Israel in 60 Days or Less 萨拉·格利登的《如何在60天或更短的时间内了解以色列》中的特权见证和形象自我
Inks: The Journal of the Comics Studies Society Pub Date : 2022-03-01 DOI: 10.1353/ink.2022.0001
Amy Mazowita
{"title":"Privileged Witnessing and the Graphic Self in Sarah Glidden's How to Understand Israel in 60 Days or Less","authors":"Amy Mazowita","doi":"10.1353/ink.2022.0001","DOIUrl":"https://doi.org/10.1353/ink.2022.0001","url":null,"abstract":"abstract:This article examines Sarah Glidden's travel memoir How to Understand Israel in 60 Days or Less. Its primary focus is protagonist Sarah's quest for an authentic representation of Israeli and Palestinian lived realities, and her parallel journey towards self-discovery and acceptance. This discussion highlights the advantages of privileged touristic witnessing and illuminates the protagonist's struggle to embrace her Jewish-American identity in light of the ongoing Israeli–Palestinian conflict.","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122350822","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mysterious Travelers: Steve Ditko and the Search for a New Liberal Identity by Zack Kruse (review) 《神秘旅行者:史蒂夫·迪特科与对自由主义新身份的探索》，扎克·克鲁斯著(书评)
Inks: The Journal of the Comics Studies Society Pub Date : 2022-03-01 DOI: 10.1353/ink.2022.0006
Shawn Gilmore
{"title":"Mysterious Travelers: Steve Ditko and the Search for a New Liberal Identity by Zack Kruse (review)","authors":"Shawn Gilmore","doi":"10.1353/ink.2022.0006","DOIUrl":"https://doi.org/10.1353/ink.2022.0006","url":null,"abstract":"","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"2012 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114922463","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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