关于艺术教学:对梅根帕克的图形采访

Kay Sohini
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引用次数: 0

摘要

考虑到漫画是一种深度视觉媒介,令人惊讶的是,在尼克·索萨尼斯(Nick Sousanis, 2015)和乌木·弗拉斯(Ebony Flowers,吊桥和热梳子,2017和2019)的作品脱颖而出之前,很少有人重视将漫画作为一种学术探究的方法。在这个平面采访中,我采访了温哥华艺术家和艺术教育家梅根·帕克,她在西蒙弗雷泽大学(Simon Fraser University)把她的硕士论文画成了漫画,随后由Clover Press于2021年以《艺术教学》(Teaching Artfully)的形式出版。这些现有的图形学术的例子最终激发了我把我自己的博士论文“画不属于”作为漫画。在这次采访中,梅根和我谈论了制作学术漫画的过程,它的挑战,回报,以及介于两者之间的一切。我们还讨论了她的影响,以及她对媒介的选择如何影响她的学术和教学。考虑到这个主题,我们决定尽可能多地画出采访的内容。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
On Teaching Artfully: A Graphic Interview with Meghan Parker
abstract:Considering that comics is a deeply visual medium, surprisingly little emphasis had been placed on drawing comics as a method of scholarly inquiry until Nick Sousanis's (Unflattening, 2015) and Ebony Flowers's (Drawbridge and Hot Comb, 2017 & 2019) works came into prominence. In this Graphic Interview, I talk to Meghan Parker, a Vancouver-based artist and art educator, who drew her master's thesis as a comic at Simon Fraser University, which was subsequently published as Teaching Artfully by Clover Press in 2021. These examples of existing graphic scholarship eventually inspired me to draw my own doctoral dissertation "Drawing Unbelonging" as a comic. In this interview, Meghan and I talk about the process of making scholarly comics, its challenges, rewards, and everything in between. We also talk about her influences and how her choice of medium informs her scholarship and her teaching. Considering the subject matter, we decided to draw as much of the interview as possible.
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