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Detroit vs. Everybody (Including Superheroes): Representing Race through Setting in DC Comics 底特律vs.所有人(包括超级英雄):DC漫画中通过设定代表种族
Inks: The Journal of the Comics Studies Society Pub Date : 2021-12-02 DOI: 10.1353/ink.2021.0024
Vincent Haddad
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引用次数: 0
“Writing for the Trade or Writing for a Trade?” “为职业写作还是为职业写作?”
Inks: The Journal of the Comics Studies Society Pub Date : 2021-12-02 DOI: 10.1353/ink.2021.0022
John Ayres
{"title":"“Writing for the Trade or Writing for a Trade?”","authors":"John Ayres","doi":"10.1353/ink.2021.0022","DOIUrl":"https://doi.org/10.1353/ink.2021.0022","url":null,"abstract":"ABSTRACT:This essay attends to “creator transitions” for serialized comic books: moments when a title changes hands in terms of creator or creative team. Tracing a history for how movements across creator runs are constructed within comics’ superhero genre, the essay contends that creator transitions are sites that disclose implicit assumptions about the nature of comics authorship and the terms of comics creators’ professional identity. Consequently, creator transitions can serve as an index for changing notions of comics’ authorship, which in turn bear not only on comics’ claims to symbolic value, but also on the labor statuses of comics creators. The essay ends by relating its account of creator transitions to ongoing patterns of casualization for comics labor.","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"61 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131166931","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The 1976 Project: On Comics and Grief, or How Our Lives Intersect with What We Study 1976年的项目:关于漫画和悲伤，或者我们的生活如何与我们的学习相交
Inks: The Journal of the Comics Studies Society Pub Date : 2021-12-02 DOI: 10.1353/ink.2021.0026
Dale Jacobs
{"title":"The 1976 Project: On Comics and Grief, or How Our Lives Intersect with What We Study","authors":"Dale Jacobs","doi":"10.1353/ink.2021.0026","DOIUrl":"https://doi.org/10.1353/ink.2021.0026","url":null,"abstract":"ABSTRACT:“The 1976 Project: On Comics and Grief, or How Our Lives Intersect with What We Study” describes a project that focuses on a year in comic book publishing and the personal grief that suffused my undertaking of this project. The essay moves back and forth between creative nonfiction and comics studies in a hybrid and fragmented style that embraces both academic and personal connections. I use scenes of creative nonfiction to tell the story of my mother’s death, the way the 1976 Project evolved, and my growing realization that this project was at least partially wrapped up with my grief at my mother’s death. Interposed between these snapshots are theories of nostalgia and grief, as well as theoretical ideas from comics studies. The essay also establishes how and why examining a single year in comics publishing—as I have done in reading all comic books published and distributed on newsstands in 1976—is a novel and valuable framework, both as a way of confronting grief and as an approach to comics studies.","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121205483","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“I Tell You I Know Nothing”: Redefining Accessibility in Sid Jacobson and Ernie Colón’s The Torture Report “我告诉你我什么都不知道”:在Sid Jacobson和Ernie Colón的《酷刑报告》中重新定义无障碍
Inks: The Journal of the Comics Studies Society Pub Date : 2021-12-02 DOI: 10.1353/ink.2021.0025
Susan Vanderborg
{"title":"“I Tell You I Know Nothing”: Redefining Accessibility in Sid Jacobson and Ernie Colón’s The Torture Report","authors":"Susan Vanderborg","doi":"10.1353/ink.2021.0025","DOIUrl":"https://doi.org/10.1353/ink.2021.0025","url":null,"abstract":"ABSTRACT:This essay discusses the meanings and interrogation of “accessibility” in Sid Jacobson and Ernie Colón’s The Torture Report: A Graphic Adaptation (2017), derived from the Senate Report on CIA Torture of subjects detained as suspected terrorists. I place the adaptation within a history of American comics documents, including both government comics and Jacobson and Colón’s own influential 9/11 Report adaptation and its successors, as well as within conversations about visual artworks in other genres, such as documentary film, that address torture. The book is also contrasted with several prisoners’ notes, interviews, and drawings. Report comics try to gain more readers for abstruse federal documents, but the graphic Torture Report’s strengths are arguably its breaks in accessibility—the authors’ admissions of not accessing the prisoners’ suffering and of possibly extending it, and their fear, shown in contrived, cross-temporal dialogues between torturers and the Senate text, that the US will disregard the report and continue to torture. Such questions and breaks can offer advice for future comics in this category.","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"183 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131609499","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Seeing Mad: Essays on Mad Magazine’s Humor and Legacy ed. by Judith Yaross Lee and John Bird (review) 《看到疯狂:疯狂杂志的幽默与遗产评论》朱迪思·亚罗斯·李、约翰·伯德主编(评论)
Inks: The Journal of the Comics Studies Society Pub Date : 2021-12-02 DOI: 10.1353/ink.2021.0030
Hayes Hampton
{"title":"Seeing Mad: Essays on Mad Magazine’s Humor and Legacy ed. by Judith Yaross Lee and John Bird (review)","authors":"Hayes Hampton","doi":"10.1353/ink.2021.0030","DOIUrl":"https://doi.org/10.1353/ink.2021.0030","url":null,"abstract":"","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"63 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131901325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Producing Mass Entertainment: The Serial Life of the Yellow Kid by Christina Meyer (review) 《制造大众娱乐:黄孩子的连续生活》克里斯蒂娜·迈耶著(书评)
Inks: The Journal of the Comics Studies Society Pub Date : 2021-12-02 DOI: 10.1353/ink.2021.0029
J. Kopin
{"title":"Producing Mass Entertainment: The Serial Life of the Yellow Kid by Christina Meyer (review)","authors":"J. Kopin","doi":"10.1353/ink.2021.0029","DOIUrl":"https://doi.org/10.1353/ink.2021.0029","url":null,"abstract":"","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126847175","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic Books by Esther De Dauw (review) 热裤和紧身衣:美国超级英雄漫画中的性别代表作者:埃丝特·德·道(书评)
Inks: The Journal of the Comics Studies Society Pub Date : 2021-12-02 DOI: 10.1353/ink.2021.0027
Anna F. Peppard
{"title":"Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic Books by Esther De Dauw (review)","authors":"Anna F. Peppard","doi":"10.1353/ink.2021.0027","DOIUrl":"https://doi.org/10.1353/ink.2021.0027","url":null,"abstract":"","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116855702","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Understanding Genres in Comics by Nicolas Labarre (review) 理解漫画中的类型尼古拉斯·拉巴尔(评论)
Inks: The Journal of the Comics Studies Society Pub Date : 2021-12-02 DOI: 10.1353/ink.2021.0028
Justin Wigard
{"title":"Understanding Genres in Comics by Nicolas Labarre (review)","authors":"Justin Wigard","doi":"10.1353/ink.2021.0028","DOIUrl":"https://doi.org/10.1353/ink.2021.0028","url":null,"abstract":"","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127598252","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Drawing Histories, Documenting Experiences: Clément Baloup’s Vietnamese Memories 绘制历史，记录经验:克莱姆·巴卢普的越南记忆
Inks: The Journal of the Comics Studies Society Pub Date : 2021-12-02 DOI: 10.1353/ink.2021.0023
Lan Dong
{"title":"Drawing Histories, Documenting Experiences: Clément Baloup’s Vietnamese Memories","authors":"Lan Dong","doi":"10.1353/ink.2021.0023","DOIUrl":"https://doi.org/10.1353/ink.2021.0023","url":null,"abstract":"ABSTRACT:This article discusses how Franco-Vietnamese artist Clement Baloup’s Vietnamese Memories Book 1: Leaving Saigon and Vietnamese Memories Book 2: Little Saigon offer a nuanced recollection of and reflection on the colonial history of Vietnam and its long-lasting impact on the Vietnamese diaspora in France and the United States. Different from well-known graphic memoirs of the Vietnamese diaspora, Baloup’s books present multiple and varied accounts rather than focusing on one single narrator and their family. Starting with the story of the artist’s father, the Vietnamese Memories books relate structurally and stylistically different episodes. This article examines how Baloup’s graphic narratives draw a collective memory of trauma and injustice without erasing each individual narrator’s unique experience; how they prompt the reader to contemplate the common threads connecting the multiple narrators whose stories are situated across different time periods; how the textual-visual narratives represent the intersection of personal memories of the Vietnamese diaspora and the sociopolitical history of Vietnam, France, and the United States; and how the added layer of a documenting and creative process—collecting and drawing immigrant survivors’ tales—further complicates the Vietnamese diasporic experience.","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129882455","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Aesthetic and Political Economy of Betrayal in Oesterheld's Two Versions of The Eternaut I 奥斯特哈德两个版本《永恒者》中背叛的美学与政治经济学1
Inks: The Journal of the Comics Studies Society Pub Date : 2021-09-10 DOI: 10.1353/ink.2021.0018
Yosa Vidal
{"title":"The Aesthetic and Political Economy of Betrayal in Oesterheld's Two Versions of The Eternaut I","authors":"Yosa Vidal","doi":"10.1353/ink.2021.0018","DOIUrl":"https://doi.org/10.1353/ink.2021.0018","url":null,"abstract":"ABSTRACT:This essay aims to think about how two versions of the same comic strip, The Eternaut I (1957–1959), written by H. G. Oesterheld and illustrated by Francisco Solano López, and the version written by the same author but with illustrations by Alberto Breccia (1969), radically modify the relationship between aesthetics and politics in comics. A movement toward an avant-garde aesthetic that does not respond to requirements established by the comic market, the sharpening of metagraphic and metanarrative elements, and the introduction of the theme of betrayal as a critique of the imperialist and subaltern relationship between Latin America and the United States, bring about a political radicalization of the narration, as much on a linguistic as on a graphic level, opening a new phase in the history of Argentine comics, if not that of comics on a broader level.","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"177 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115905919","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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