“I Tell You I Know Nothing”: Redefining Accessibility in Sid Jacobson and Ernie Colón’s The Torture Report

Susan Vanderborg
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Abstract

ABSTRACT:This essay discusses the meanings and interrogation of “accessibility” in Sid Jacobson and Ernie Colón’s The Torture Report: A Graphic Adaptation (2017), derived from the Senate Report on CIA Torture of subjects detained as suspected terrorists. I place the adaptation within a history of American comics documents, including both government comics and Jacobson and Colón’s own influential 9/11 Report adaptation and its successors, as well as within conversations about visual artworks in other genres, such as documentary film, that address torture. The book is also contrasted with several prisoners’ notes, interviews, and drawings. Report comics try to gain more readers for abstruse federal documents, but the graphic Torture Report’s strengths are arguably its breaks in accessibility—the authors’ admissions of not accessing the prisoners’ suffering and of possibly extending it, and their fear, shown in contrived, cross-temporal dialogues between torturers and the Senate text, that the US will disregard the report and continue to torture. Such questions and breaks can offer advice for future comics in this category.
“我告诉你我什么都不知道”:在Sid Jacobson和Ernie Colón的《酷刑报告》中重新定义无障碍
摘要:本文讨论了Sid Jacobson和Ernie Colón的《酷刑报告:图形改编》(2017)中“可及性”的含义和审讯。该报告改编自参议院关于CIA酷刑嫌疑人的报告。我将改编置于美国漫画文献的历史中,包括政府漫画,雅各布森和Colón自己的有影响力的9/11报告改编及其后续作品,以及其他类型的视觉艺术作品的对话中,比如纪录片,讨论酷刑。这本书还与几名囚犯的笔记、采访和绘画进行了对比。报告漫画试图通过晦涩的联邦文件获得更多读者,但《酷刑报告》的优势在于它在可访问性上的突破——作者承认没有了解囚犯的痛苦,并可能扩大这种痛苦,他们的恐惧,在酷刑者和参议院文本之间的人为的跨时间对话中表现出来,美国将无视报告并继续酷刑。这样的问题和休息可以为这类漫画的未来提供建议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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