{"title":"萨拉·格利登的《如何在60天或更短的时间内了解以色列》中的特权见证和形象自我","authors":"Amy Mazowita","doi":"10.1353/ink.2022.0001","DOIUrl":null,"url":null,"abstract":"abstract:This article examines Sarah Glidden's travel memoir How to Understand Israel in 60 Days or Less. Its primary focus is protagonist Sarah's quest for an authentic representation of Israeli and Palestinian lived realities, and her parallel journey towards self-discovery and acceptance. This discussion highlights the advantages of privileged touristic witnessing and illuminates the protagonist's struggle to embrace her Jewish-American identity in light of the ongoing Israeli–Palestinian conflict.","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"39 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Privileged Witnessing and the Graphic Self in Sarah Glidden's How to Understand Israel in 60 Days or Less\",\"authors\":\"Amy Mazowita\",\"doi\":\"10.1353/ink.2022.0001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"abstract:This article examines Sarah Glidden's travel memoir How to Understand Israel in 60 Days or Less. Its primary focus is protagonist Sarah's quest for an authentic representation of Israeli and Palestinian lived realities, and her parallel journey towards self-discovery and acceptance. This discussion highlights the advantages of privileged touristic witnessing and illuminates the protagonist's struggle to embrace her Jewish-American identity in light of the ongoing Israeli–Palestinian conflict.\",\"PeriodicalId\":392545,\"journal\":{\"name\":\"Inks: The Journal of the Comics Studies Society\",\"volume\":\"39 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Inks: The Journal of the Comics Studies Society\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/ink.2022.0001\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Inks: The Journal of the Comics Studies Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/ink.2022.0001","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Privileged Witnessing and the Graphic Self in Sarah Glidden's How to Understand Israel in 60 Days or Less
abstract:This article examines Sarah Glidden's travel memoir How to Understand Israel in 60 Days or Less. Its primary focus is protagonist Sarah's quest for an authentic representation of Israeli and Palestinian lived realities, and her parallel journey towards self-discovery and acceptance. This discussion highlights the advantages of privileged touristic witnessing and illuminates the protagonist's struggle to embrace her Jewish-American identity in light of the ongoing Israeli–Palestinian conflict.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
