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Studies in World Cinema最新文献

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From Satélite to the World Screen: Alonso Ruizpalacios’ Museo (2018) 从卫星到世界银幕：阿隆索-鲁伊斯帕拉西奥斯的《博物馆》（2018年）
Studies in World Cinema Pub Date : 2024-03-01 DOI: 10.1163/26659891-bja10038
Lily Ryan
{"title":"From Satélite to the World Screen: Alonso Ruizpalacios’ Museo (2018)","authors":"Lily Ryan","doi":"10.1163/26659891-bja10038","DOIUrl":"https://doi.org/10.1163/26659891-bja10038","url":null,"abstract":"\u0000This article examines Alonso Ruizpalacios’ 2018 film Museo with a principal focus on place. It looks at the architectural history of protagonist Juan’s hometown, Ciudad Satélite, and the history of Mexico City’s Museum of Anthropology. What is the historical significance of Ciudad Satélite, which was designed by famed architect Mario Pani? What motivates Juan’s journey across Mexico? In answering these questions, it seeks to address how Museo illustrates Mexican national identity and Juan’s sense of mexicanidad. This study also considers how Museo depicts indigenous culture, spaces, and language in relation to Juan’s crime. The final portion of this article looks at Museo’s commercial distribution data. Using world cinema and festival theory, I consider how Ruizpalacios’ work illuminates the nuanced presence of Mexican cinema in global festivals.","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"123 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140090303","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cultural Recognitions and Nostalgic Evocations: The Cinematic Experience of Costumbrist Films 文化认可与怀旧唤醒：古装电影的电影体验
Studies in World Cinema Pub Date : 2023-12-07 DOI: 10.1163/26659891-bja10037
Nicolás Medina Marañón
{"title":"Cultural Recognitions and Nostalgic Evocations: The Cinematic Experience of Costumbrist Films","authors":"Nicolás Medina Marañón","doi":"10.1163/26659891-bja10037","DOIUrl":"https://doi.org/10.1163/26659891-bja10037","url":null,"abstract":"\u0000This article concentrates on costumbrist cinema, an approach to filmmaking characteristically concerned with the accurate representation of the customs, habits and cultural idiosyncrasies of a particular society or group of people. After defining and contextualizing the concept of costumbrismo, the article draws on Jean-Pierre Meunier’s modes of filmic identification to describe the experiential structure of costumbrist cinema, characterized by the existent or non-existent recognition of the specific cultural representations. Following this, the potentially evocative feature of costumbrist cinema is considered with regard to its nostalgic dimension. To conclude, Volver (Pedro Almodóvar, 2006), A Separation (Jodâyi-e Nâder az Simin, Asghar Farhadi 2011), Still Walking (Aruitemo aruitemo, Hirokazu Kore-eda 2008) and Happy as Lazzaro (Lazzaro felice, Alice Rohrwacher 2018) provide the basis on which to outline different approaches to cinematic costumbrismo and their functions within the film’s narration: (1) costumbrismo as narrative imperative; (2) extensive dimension; (3) cinematic contemplation and (4) costumbrist framework as subversive potential.","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"49 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138592214","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Animated Waters and the Circulation of Indigenous Instruction 动画水域与本土教学的循环
Studies in World Cinema Pub Date : 2023-07-27 DOI: 10.1163/26659891-bja10032
J. Hearne
{"title":"Animated Waters and the Circulation of Indigenous Instruction","authors":"J. Hearne","doi":"10.1163/26659891-bja10032","DOIUrl":"https://doi.org/10.1163/26659891-bja10032","url":null,"abstract":"\u0000While water as setting and as mirror have driven animation technologies in mainstream American animated features (requiring, in Disney’s 1937 Snow White, the enormous resources of the multiplane camera), contemporary Indigenous productions activate another relationship of viewer to screen and viewer to water, converging to form a new Indigenous screen imaginary that connects instruction with care. This article traces the integration of North American Indigenous animation aesthetics with interrelated relationships and obligations around water and water protection. Drawing on examples from an expanding corpus of short animated productions, I argue that Indigenous ways of envisioning water present viewers with instruction towards action: water conveys a teaching. Following Lenape critic Joanne Barker’s turn to water as an analytic – “a water that (in)forms, a water that instructs” – I explore Indigenous animation of water as both pedagogy and technology, a conjunction that foregrounds human creative authorship even as it decenters the human in favor of water as a teacher.","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"354 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132524641","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Untamed Storms: Cinema’s Oceanic Contingency and Mati Diop’s Atlantics 狂暴的风暴:电影的海洋偶然性和马蒂·迪奥普的大西洋
Studies in World Cinema Pub Date : 2023-07-17 DOI: 10.1163/26659891-bja10031
L. Kent
{"title":"Untamed Storms: Cinema’s Oceanic Contingency and Mati Diop’s Atlantics","authors":"L. Kent","doi":"10.1163/26659891-bja10031","DOIUrl":"https://doi.org/10.1163/26659891-bja10031","url":null,"abstract":"\u0000The ocean, for Jean Epstein, figures the disruption that the cinematograph offers for human perception, presenting a nonhuman view on the world. This article will critically engage with Epstein’s writings on water to reflect on Mati Diop’s Atlantics (2019) and its particular conception of the oceanic. Atlantics positions the ocean within the perspectives of its filmic subjects but also in excess of them. This perspectival nature of the oceanic speaks to a liminal space between male and female, living and dead, human and nonhuman, which mirrors contemporary debates within Black studies around the exclusion of Blackness from the normative category of the human: the contingency of the definition of humanity based on racial exclusion. As a result, it is not only the nonhuman perspective that the ocean provides in Atlantics, but a spectral haunting of those deemed other than human by global capitalism, which disrupts, as a queer prophecy, the veneer of necessity that the neocolonial order requires to sustain itself.","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121218971","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Stormy Images: Elemental Kinetics in the Recent Films of Takashi Makino (2018–2021) 风暴影像:牧野隆近期电影中的元素动力学(2018-2021)
Studies in World Cinema Pub Date : 2023-07-14 DOI: 10.1163/26659891-bja10030
Kaya Turan
{"title":"Stormy Images: Elemental Kinetics in the Recent Films of Takashi Makino (2018–2021)","authors":"Kaya Turan","doi":"10.1163/26659891-bja10030","DOIUrl":"https://doi.org/10.1163/26659891-bja10030","url":null,"abstract":"\u0000This article examines the movements of the elements (water, air, fire, and earth) in the recent (2018–2021) films of Japanese experimental filmmaker Takashi Makino. It proposes that Makino’s unique style of filmmaking – which consists of layering thousands of moving images of the natural world on top of each other – expresses and encompasses elemental tensions between form and formlessness, clarity and obscurity, and identity and transformation. Taking the storm as an ecological force which foregrounds elemental kinetics, Makino’s films are analyzed in their capacity to disclose natural motion. This allows for a renewed conception of the elemental, understood as process and flow rather than individual units. An elemental politics of the storm emerges, which calls for the fostering of productive and complex movement rather than the stasis of conservation.","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132473833","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Imagining the Elements with Gaston Bachelard and Claire Denis: ‘Weighted’ Images, Drift and Diffusion in L’Intrus/The Intruder 与加斯顿·巴舍拉和克莱尔·丹尼斯想象元素:《闯入者》中的“加权”图像、漂移和扩散
Studies in World Cinema Pub Date : 2023-07-07 DOI: 10.1163/26659891-bja10029
Saige Walton
{"title":"Imagining the Elements with Gaston Bachelard and Claire Denis: ‘Weighted’ Images, Drift and Diffusion in L’Intrus/The Intruder","authors":"Saige Walton","doi":"10.1163/26659891-bja10029","DOIUrl":"https://doi.org/10.1163/26659891-bja10029","url":null,"abstract":"\u0000Adapted from philosopher Jean-Luc Nancy’s semi-autobiographical text, The Intruder remains one of French director Claire Denis’ most transnational and yet dreamlike works. In this article, I pair philosopher Gaston Bachelard (in particular, his concept of the material and dynamic imagination and his reveries on water and air) with Denis to explore how The Intruder enacts an imagining of the elements and an elemental poetics of film form. Bringing Bachelard into a dialogue with Saad Chakali’s, Rosalind Galt’s and Nancy’s writing on the film’s imagery, I also approach The Intruder as an image-poem that is structured by poetically ‘weighted’ images and by recurrent symbolism. Shot through with an oneiric sense of drift, voyaging and diffusion, I explore some of the ways that Denis’s elemental imaginings of air and oceanic water reflect an affective politics.","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131315344","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Elemental World Cinema 元素世界电影院
Studies in World Cinema Pub Date : 2023-04-06 DOI: 10.1163/26659891-03010001
Tiago de Luca, M. Mroz
{"title":"Elemental World Cinema","authors":"Tiago de Luca, M. Mroz","doi":"10.1163/26659891-03010001","DOIUrl":"https://doi.org/10.1163/26659891-03010001","url":null,"abstract":"","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"97 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125206499","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cinema as Volcano: Thinking Cinema Through the Volcano with Malena Szlam, Werner Herzog, and Jean Epstein 电影如火山:通过火山思考电影与Malena Szlam, Werner Herzog和Jean Epstein
Studies in World Cinema Pub Date : 2023-02-17 DOI: 10.1163/26659891-bja10023
Jessica Mulvogue
{"title":"Cinema as Volcano: Thinking Cinema Through the Volcano with Malena Szlam, Werner Herzog, and Jean Epstein","authors":"Jessica Mulvogue","doi":"10.1163/26659891-bja10023","DOIUrl":"https://doi.org/10.1163/26659891-bja10023","url":null,"abstract":"\u0000In “Cinema Seen from Etna”, Jean Epstein makes an enigmatic comparison between cinema and the volcano. In witnessing the exploding Etna, Epstein proclaims that he saw cinema itself. This essay examines this connection between cinema and the volcano through an exploration of Werner Herzog’s documentary Into the Inferno (2016) and Malena Szlam’s geological films ALTIPLANO (2018) and MERAPI (2021). Drawing on literature in environmental humanities – especially those on the lithic and the elemental – I think the cinema through the volcano to arrive at the proposition that cinema, at least a certain kind of ‘volcanic cinema’, is a means of approaching something we might call ‘volcanic thinking’. This is a thinking alongside the elements, one that bears particular affinity with the sometimes explosive churning of rock and fire, a thinking that is necessary and critical for our volatile age.","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123709778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tectonic Memories: Film, Geology and Archives in Diana Vidrașcu’s Volcano: What Does a Lake Dream? (2019) 构造记忆:电影，地质和档案在戴安娜Vidrașcu火山:什么是一个湖的梦想?(2019)
Studies in World Cinema Pub Date : 2023-02-10 DOI: 10.1163/26659891-bja10024
Toby Ashworth
{"title":"Tectonic Memories: Film, Geology and Archives in Diana Vidrașcu’s Volcano: What Does a Lake Dream? (2019)","authors":"Toby Ashworth","doi":"10.1163/26659891-bja10024","DOIUrl":"https://doi.org/10.1163/26659891-bja10024","url":null,"abstract":"\u0000This article explores the recording by documentary film of the imperceptible longue-durée of tectonic processes alongside the radical eventhood of volcanic eruption. Through an analysis of Romanian filmmaker Diana Vidrașcu’s Volcano: What Does a Lake Dream? (2019), I re-animate Gilles Deleuze’s discussion of islands to explore the temporal, philosophical, and mediatic implications of volcanic eruption, island formation, and the volcanic archive. I argue that in the film’s effort to reassert human memories of the tectonic alongside those of the landscape, it performs an incomplete reconciliation of the coeval processes and materialities of human and nonhuman, refusing to silence the human histories and archival excesses that are subsumed by narratives that emphasise the longue-durée of geological time.","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131053565","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Earth After Death: Posthumous Cinematic Ecologies in Holocaust Documentary Film 死亡后的地球:大屠杀纪录片中死后的电影生态
Studies in World Cinema Pub Date : 2023-02-07 DOI: 10.1163/26659891-bja10026
M. Mroz
{"title":"Earth After Death: Posthumous Cinematic Ecologies in Holocaust Documentary Film","authors":"M. Mroz","doi":"10.1163/26659891-bja10026","DOIUrl":"https://doi.org/10.1163/26659891-bja10026","url":null,"abstract":"Recent environmental turns in research on the Holocaust and the moving images produced in its aftermath have suggested the potential of earth to bear “eco-witness” to atrocity and signal sites of mass burial through alterations to the topsoil and vegetation. However, the conjunction between the elemental and the human that occurs when a violated body decomposes in the earth to become ‘humus’ indicates a particularly distressing point of “trouble” for non-anthropocentric frameworks that focus on the material agencies involved in composting processes (Haraway) and trans-corporealities (Alaimo). This article examines how three documentaries (Shtetl, Neighbours and Birthplace) frame sections of Polish earth that have been re-shaped by Holocaust atrocity and human decomposition. While indicating a vaster posthumous network in which humus becomes entangled in rural soil-based activities such as cattle grazing, the article argues that human decomposition triggers attempts to cinematically recompose active earth as readable archive and fixed landscape.","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129832281","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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