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Studies in World Cinema最新文献

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Elemental Documentary: Fire, Forensics and Pyro-Epistemologies 元素纪录片:火，法医学和火的认识论
Studies in World Cinema Pub Date : 2023-02-07 DOI: 10.1163/26659891-bja10025
P. Smith
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引用次数: 1
Abbas Kiarostami, Global Art Cinema and the Material Imagination of Earth 阿巴斯·基亚罗斯塔米，全球艺术电影与地球的物质想象
Studies in World Cinema Pub Date : 2023-01-30 DOI: 10.1163/26659891-bja10027
Graig Uhlin
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引用次数: 0
Geoblocking the Sun: Solar Eclipses in Transnational Artists’ Film 地球阻挡太阳:跨国艺术家电影中的日食
Studies in World Cinema Pub Date : 2023-01-30 DOI: 10.1163/26659891-bja10028
S. Solomon
{"title":"Geoblocking the Sun: Solar Eclipses in Transnational Artists’ Film","authors":"S. Solomon","doi":"10.1163/26659891-bja10028","DOIUrl":"https://doi.org/10.1163/26659891-bja10028","url":null,"abstract":"\u0000The basis for works by such filmmakers as James Benning and Kevin Jerome Everson, the “Great American Eclipse” of August 2017 demonstrated the desire of artists’ film to capture the unique phenomenon of totality, when the moon completely obscures the sun for a period of several minutes. Beyond the borders of the United States, the transnational efforts of Lukas Marxt’s Double Dawn (2014) in Australia and J.P. Sniadecki’s The Yellow Bank (2010) in China also render the solar eclipse as a phenomenon of great cultural and ecological scope. While the astronomical event in each of these films itself provides a singular and contingent spectacle for the camera, this article argues that the eclipse’s mythical conjugation of the elemental forces of fire and earth also resonates unexpectedly with the diverse environments that fall under the moon’s shadow.","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117097396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Sovereign Bodies: From Turtle Island to Abya Yala 主权机构:从海龟岛到阿比亚亚拉
Studies in World Cinema Pub Date : 2023-01-09 DOI: 10.1163/26659891-20220001
S. Shamash
{"title":"Sovereign Bodies: From Turtle Island to Abya Yala","authors":"S. Shamash","doi":"10.1163/26659891-20220001","DOIUrl":"https://doi.org/10.1163/26659891-20220001","url":null,"abstract":"\u0000Women’s bodies, spirits and struggles all intermingle, as underscored in a comparative, and intersectional analysis of a Brazilian and Canadian film. I put into dialogue the film Teko Haxy, Being Imperfect (2018) with the film The Body Remembers When the World Broke Open (2019). I investigate what these films communicate about their worlds; what alternative lifeways they propose; how these diverse women’s struggles interlink across ethnicities, cultures, and hemispheres. My focus is on the encounters, confrontations, and convergences between Indigenous and non-Indigenous women; between two Indigenous women from distinct class backgrounds and between intersecting Indigenous women’s struggles. Both films are representative of distinct subject positions, geo-politics, colonial processes, and cinematically divergent languages, genres, and production budgets. Nonetheless, I discuss how both films creatively make use of documentary strategies to underscore the sovereignty of Indigenous and women’s bodies as sites of power and resistance to heteropatriarchy, capitalism, and settler colonialism.","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"88 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121642849","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ways of Seeing Netflix 观看Netflix的方式
Studies in World Cinema Pub Date : 2022-09-21 DOI: 10.1163/26659891-02010001
R. Lobato
{"title":"Ways of Seeing Netflix","authors":"R. Lobato","doi":"10.1163/26659891-02010001","DOIUrl":"https://doi.org/10.1163/26659891-02010001","url":null,"abstract":"","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132570994","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Politics of Video on Demand Platforms in Iran: In Between Formal and Informal Distribution 伊朗视频点播平台的政治:介于正式与非正式传播之间
Studies in World Cinema Pub Date : 2022-07-11 DOI: 10.1163/26659891-bja10021
Mahsa Salamati
{"title":"The Politics of Video on Demand Platforms in Iran: In Between Formal and Informal Distribution","authors":"Mahsa Salamati","doi":"10.1163/26659891-bja10021","DOIUrl":"https://doi.org/10.1163/26659891-bja10021","url":null,"abstract":"\u0000A study of the global flow of US-based svod s, and their absence or presence within domestic media ecosystems, allows us to move beyond universalist approaches in platform studies. Starting with an analysis of the politics of Netflix’s absence from Iran’s media landscape, this article studies the contribution of domestic svod s to the diversification of the Iranian movie culture. It argues that filtering Netflix in Iran is part of a long history of content regulation and the state’s plan to support local platforms. The dynamic informal circulation networks in Iran also pose challenges for foreign svod s.\u0000Focusing on domestic platforms like Filimo, the article argues that they became part of a national project to battle piracy domestically. Iran’s laws as a non-signatory of international treaties on intellectual property, however, allow them to acquire foreign films through informal markets, situating these platforms in an ambiguous state in between formal and informal services.","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"118 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117323936","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Good, the Bad and the Ugly: Implications of Netflix’s Venture into Nollywood Seen From a Local Audience Perspective 好，坏和丑:从当地观众的角度看奈飞进军诺莱坞的影响
Studies in World Cinema Pub Date : 2022-07-07 DOI: 10.1163/26659891-bja10020
O. Omoera, S. A. Ojieson
{"title":"The Good, the Bad and the Ugly: Implications of Netflix’s Venture into Nollywood Seen From a Local Audience Perspective","authors":"O. Omoera, S. A. Ojieson","doi":"10.1163/26659891-bja10020","DOIUrl":"https://doi.org/10.1163/26659891-bja10020","url":null,"abstract":"\u0000 Within the last decade alone different distribution platforms have emerged in the Nigerian movie industry. One of the most notable and potent among these is Netflix. Employing Disruptive Innovation Theory (dit) as notional scaffolding, this article uses key informant interviews (kii) and focus group discussions (fgd) to examine what Netflix’s engagement in Nollywood means in terms of the viability of other distribution outlets. It investigates the ‘good, the bad and the ugly’ sides of the Nollywood-Netflix relationship from the Nigerian audience perspective to give an understanding that can contribute to Nollywood’s healthy expansion. The study argues that the emergence of Netflix leaves many Nollywood content creators (ncc s) begging for acceptance when their content is adjudged inconsequential. This must be creatively challenged and negotiated through ncc s and distributors using available technologies to improve production values, set up and collaboratively operate multiple online distribution platforms for the Nigerian audience’s satisfaction.","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126436141","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rajko Grlić:, One More for the Road: A Director’s Notes on Exile, Family, and Film 拉杰科·格里奇:《再来一次:一个导演关于流亡、家庭和电影的笔记》
Studies in World Cinema Pub Date : 2022-07-04 DOI: 10.1163/26659891-bja10019
Janica Tomić
{"title":"Rajko Grlić:, One More for the Road: A Director’s Notes on Exile, Family, and Film","authors":"Janica Tomić","doi":"10.1163/26659891-bja10019","DOIUrl":"https://doi.org/10.1163/26659891-bja10019","url":null,"abstract":"","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122109808","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Toward the Platformization of African Film Distribution? Netflix in Nigeria 非洲电影发行走向平台化?奈飞在尼日利亚
Studies in World Cinema Pub Date : 2022-06-15 DOI: 10.1163/26659891-bja10016
Alessandro Jedlowski
{"title":"Toward the Platformization of African Film Distribution? Netflix in Nigeria","authors":"Alessandro Jedlowski","doi":"10.1163/26659891-bja10016","DOIUrl":"https://doi.org/10.1163/26659891-bja10016","url":null,"abstract":"\u0000This essay provides an analysis of the impact of Netflix on the African screen media sector, by focusing on the Nigerian film industry (Nollywood). It follows the invitation to study Netflix in specific socio-historical and national contexts that several scholars have formulated over the past few years as a way to respond to the complexity of the emerging landscape of internet-distributed television. In order to achieve this objective, the essay focuses on the impact of Netflix’s involvement on the production and distribution of Nigerian content, offering also a few insights on the equally important topic of Netflix’s impact on African audiences. The overall aim is to historicize Netflix’s intervention, detailing the phases of its involvement in Nigeria, its specificities in relation to the intervention of previous local and international actors in the field of content production and distribution (on both streaming and digital television networks), and the controversies its arrival triggers among film professionals in the largest African screen media industry.","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"70 3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115125304","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Uday Bhatia, Bullets over Bombay: Satya and the Hindi Film Gangster 乌代·巴蒂亚，孟买上空的子弹:萨蒂亚和印度电影黑帮
Studies in World Cinema Pub Date : 2022-06-15 DOI: 10.1163/26659891-bja10017
A. Magazine
{"title":"Uday Bhatia, Bullets over Bombay: Satya and the Hindi Film Gangster","authors":"A. Magazine","doi":"10.1163/26659891-bja10017","DOIUrl":"https://doi.org/10.1163/26659891-bja10017","url":null,"abstract":"","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132024311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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