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Studies in World Cinema最新文献

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Netflix Turkey’s Ethos and the Contradictions of Global Streaming Television Netflix土耳其的精神与全球流媒体电视的矛盾
Studies in World Cinema Pub Date : 2022-06-06 DOI: 10.1163/26659891-bja10018
M. Marcus
{"title":"Netflix Turkey’s Ethos and the Contradictions of Global Streaming Television","authors":"M. Marcus","doi":"10.1163/26659891-bja10018","DOIUrl":"https://doi.org/10.1163/26659891-bja10018","url":null,"abstract":"\u0000The mini-series Ethos (Bir Başkadır), produced by Netflix Turkey, was a critical and social media sensation, distinguished by its narrative and visual sophistication and its explicit engagement with contemporary social, cultural and political tensions. However, considered in light of larger questions about Netflix and streaming television in general, Ethos also provides a meta-commentary on contradictory aspects of streaming television, particularly those discussed by Ramon Lobato in his book Netflix Nations. In particular, Ethos self-consciously calls attention to ways in which it is simultaneously a local and transnational product. It also invites consideration of the divergent expectations and responses of its varied audiences, both in Turkey and abroad.","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"140 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114999770","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Narratives that Bind: Black American Diasporic Content, Netflix, and World Cinema 捆绑的叙事:美国黑人散居的内容、Netflix和世界电影
Studies in World Cinema Pub Date : 2022-05-27 DOI: 10.1163/26659891-bja10014
Miya Treadwell
{"title":"Narratives that Bind: Black American Diasporic Content, Netflix, and World Cinema","authors":"Miya Treadwell","doi":"10.1163/26659891-bja10014","DOIUrl":"https://doi.org/10.1163/26659891-bja10014","url":null,"abstract":"\u0000In this article, I argue that recent Black American narratives on Netflix intersect with and can be understood through principles of world cinema. Black American narratives have long existed outside of the Hollywood conventions that often serve as a line of demarcation in world cinema scholarship. Building on Lúcia Nagib’s definition of world cinema (2006) and her concept of realistic modes of production (2020a/2020b), I show how contemporary Black American narratives on Netflix are sustaining a diasporic perspective. Although originating in the US, its marginalized production and preoccupations with colonial dynamics or racial and geographical inequality help to regard this content as a mode of world cinema. Moreover, as In Our Mothers’ Gardens (2021) and High on the Hog (2021) demonstrate, these connections with world cinema have been intensified by Netflix’s production model.","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130459524","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Romanian Film for the World: the Cultural Embedding of an Independent vod 面向世界的罗马尼亚电影:独立vod的文化嵌入
Studies in World Cinema Pub Date : 2022-05-24 DOI: 10.1163/26659891-bja10015
C. Parvulescu
{"title":"Romanian Film for the World: the Cultural Embedding of an Independent vod","authors":"C. Parvulescu","doi":"10.1163/26659891-bja10015","DOIUrl":"https://doi.org/10.1163/26659891-bja10015","url":null,"abstract":"\u0000The article analyzes the catalog, acts of curation, and promotional materials of the Romanian-based vod platform Cinepub (www.cinepub.ro). It also draws evidence from an interview conducted with the founder and manager of the platform, Lucian Georgescu. The analysis reveals the embedding of the service in the Romanian cinema culture, as well as in a global digital periphery. Some of the aspects that make Cinepub’s service stand out, the article argues, can be interpreted as responses to and reflections of its embedding. The broader question raised by my case study is to what extent and under what conditions vods from the European periphery can become viable actors on present-day markets.","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133573723","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Imperial Screens: The Illusion of Cosmopolitanism in the Netflix Documentary Genre 帝国银幕:奈飞纪录片类型的世界主义幻觉
Studies in World Cinema Pub Date : 2022-05-23 DOI: 10.1163/26659891-bja10012
S. Enzerink
{"title":"Imperial Screens: The Illusion of Cosmopolitanism in the Netflix Documentary Genre","authors":"S. Enzerink","doi":"10.1163/26659891-bja10012","DOIUrl":"https://doi.org/10.1163/26659891-bja10012","url":null,"abstract":"\u0000This essay investigates the worldly parameters of the Netflix documentary genre. While Netflix on the surface communicates a rhetoric of a truly global vision for media production and circulation, data analysis shows that the documentary genre is still predominantly U.S. American. I use Raymond Williams’ 1975 caution that “genuinely open skies” would be almost impossible to materialize to interpret the implications of this in today’s global landscape. A close analysis of the 2019 Academy Award-winning documentary American Factory, a text that takes the cultural clash between the U.S. and China in the wake of globalization as its subject, reveals the geopolitical stakes of such documentary mediation and imbalance. Combining quantitative and qualitative readings ultimately offers a window onto the tensions between cultural imperialism and globalization in both form and content within the Netflix documentary genre.","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128176824","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Streaming Giants Carve New Paths in India: The Rise of Female Production, Content, and Consumption 流媒体巨头在印度开辟新道路:女性制作、内容和消费的崛起
Studies in World Cinema Pub Date : 2022-05-23 DOI: 10.1163/26659891-bja10013
Amber Shields
{"title":"Streaming Giants Carve New Paths in India: The Rise of Female Production, Content, and Consumption","authors":"Amber Shields","doi":"10.1163/26659891-bja10013","DOIUrl":"https://doi.org/10.1163/26659891-bja10013","url":null,"abstract":"\u0000This article examines how through their competitive drive to expand in India’s rapidly growing market, the streaming services Netflix and Amazon Prime are contributing to a shift in the country’s media production and content by opening up the market to more women creators and consumers. Beginning by looking at production shifts, this article will then explore how these shifts are impacting content. Streaming series examined here will include Netflix’s Bombay Begums (Alankrita Shrivastava, 2021) and Masaba Masaba (Ashvini Yardi, 2020) and Amazon Prime’s Four More Shots Please! (Rangita Pritish Nandy, 2019–2020) and Made in Heaven (Zoya Akhtar and Reema Kagti, 2019). All these shows not only center on female protagonists, but are created, written, and directed by women. Just as the new possibilities of multiplex cinema impacted mainstream cinema as filmmakers crossed between the alternative and multiplex markets and the mainstream, this shift has the potential to have ramifications in further content creation and will be something to watch as the streaming service sector continues to grow in India.","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116168781","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Development of Arthouse Cinemas in China: At a Crossroads 中国艺术影院的发展:十字路口
Studies in World Cinema Pub Date : 2022-04-15 DOI: 10.1163/26659891-bja10011
Eva Purzycki
{"title":"Development of Arthouse Cinemas in China: At a Crossroads","authors":"Eva Purzycki","doi":"10.1163/26659891-bja10011","DOIUrl":"https://doi.org/10.1163/26659891-bja10011","url":null,"abstract":"\u0000The distribution and exhibition of arthouse films in China’s burgeoning film industry came into the spotlight in 2016 with the launch of the Nationwide Alliance of Arthouse Cinemas. At the same time, issues surrounding the distribution and marketing of arthouse films have emerged in professional and academic discourse. This paper aims to better understand the unique factors that influence the Chinese arthouse film market, including the impact of the Covid-19 pandemic. For this purpose, a qualitative research method combining a survey of the terrain, a review of the literature and semi-structured interviews was employed. The article argues that although China’s film industry has become first in the world in terms of the number of screens and box office takings, the arthouse cinema market is still at the exploration stage due to restrictions on film import. Arthouse cinemas are also currently facing new challenges brought on by a rise in online film consumption.","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115068979","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Monalisas Without a Smile: Female Characters in Romanian Cinema between the ‘false feminism’ of the socialist era and the ‘antifeminism’ of the 1990s 没有笑容的蒙娜丽莎:罗马尼亚电影中的女性角色，介于社会主义时代的“虚假女权主义”和20世纪90年代的“反女权主义”之间
Studies in World Cinema Pub Date : 2022-03-30 DOI: 10.1163/26659891-bja10010
Mădălina Pojoga
{"title":"Monalisas Without a Smile: Female Characters in Romanian Cinema between the ‘false feminism’ of the socialist era and the ‘antifeminism’ of the 1990s","authors":"Mădălina Pojoga","doi":"10.1163/26659891-bja10010","DOIUrl":"https://doi.org/10.1163/26659891-bja10010","url":null,"abstract":"In Romanian Socialist cinema, filmul de actualitate (topical/contemporary/everyday life film) represented a topical genre that was supposed to reflect and legitimize – using the propaganda apparatus – an ideal but fictional society in which the protagonist had to be a hero with exceptional qualities, who reflected and promoted socialist ideology. My paper takes into account cinematic representations of female characters in this genre that reflect the Communist Party’s ideology regarding the role women should play in a socialist society. Once emancipated through work, their social roles changed in the 1970s as they became the symbol of motherhood. I will also discuss the way these representations changed after the fall of the communist regime and how the postcommunist transition highlighted the emergence of a new type of femininity when women were considered exportable goods, a product fitted for the free market.","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129910549","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Revising World Cinema through Tamil Cinema 通过泰米尔电影修改世界电影
Studies in World Cinema Pub Date : 2022-03-30 DOI: 10.1163/26659891-bja10009
Amrutha Kunapulli
{"title":"Revising World Cinema through Tamil Cinema","authors":"Amrutha Kunapulli","doi":"10.1163/26659891-bja10009","DOIUrl":"https://doi.org/10.1163/26659891-bja10009","url":null,"abstract":"\u0000 This article situates Tamil cinema as world cinema, and interrogates current definitions of the field and category of world cinema from the perspective of twenty-first century Tamil cinema. In a discipline that has historically privileged national cinemas, the field of world cinema better facilitates the study of a sub-national film industry like Tamil cinema that has been overshadowed by the Hindi film industry in India. However, the current conceptions of world cinema as a category are not entirely suitable to the study of Tamil cinema. By studying examples from twenty-first century Tamil cinema, I propose a revised definition of world cinema, and the associated process of ‘worlding,’ that would expand and revise the parameters of world cinema, and film studies writ large.","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"88 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123978357","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Feminist Worlding and World Cinema: The Case of Małgorzata Szumowska 女权主义世界与世界电影:Małgorzata Szumowska的案例
Studies in World Cinema Pub Date : 2022-01-25 DOI: 10.1163/26659891-bja10007
A. Skrodzka
{"title":"Feminist Worlding and World Cinema: The Case of Małgorzata Szumowska","authors":"A. Skrodzka","doi":"10.1163/26659891-bja10007","DOIUrl":"https://doi.org/10.1163/26659891-bja10007","url":null,"abstract":"\u0000This article discusses the concept of worlding in the cinema of Małgorzata Szumowska. Informed by philosophical theory of worlding and worldliness, by thinkers such as Martin Heidegger, Hannah Arendt, and Gayatri Spivak, and the film theory of cinematic worlds, proposed by Daniel Yacavone, the project examines the function of cinematic world building and its potential connection to World Cinema and feminist filmmaking. Close analysis of Szumowska’s film The Other Lamb (2019) traces the role of monstration and mise en scène in creating emancipatory cinema.","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125066893","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
David Martin-Jones: Cinema Against Doublethink: Ethical Encounters with the Lost Pasts of World History 大卫·马丁·琼斯:《反对双重思想的电影:与世界历史中失落的过去的伦理相遇》
Studies in World Cinema Pub Date : 2022-01-17 DOI: 10.1163/26659891-bja10004
B. Brown
{"title":"David Martin-Jones: Cinema Against Doublethink: Ethical Encounters with the Lost Pasts of World History","authors":"B. Brown","doi":"10.1163/26659891-bja10004","DOIUrl":"https://doi.org/10.1163/26659891-bja10004","url":null,"abstract":"","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"13 31","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114046322","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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