Toward the Platformization of African Film Distribution? Netflix in Nigeria

Alessandro Jedlowski
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引用次数: 1

Abstract

This essay provides an analysis of the impact of Netflix on the African screen media sector, by focusing on the Nigerian film industry (Nollywood). It follows the invitation to study Netflix in specific socio-historical and national contexts that several scholars have formulated over the past few years as a way to respond to the complexity of the emerging landscape of internet-distributed television. In order to achieve this objective, the essay focuses on the impact of Netflix’s involvement on the production and distribution of Nigerian content, offering also a few insights on the equally important topic of Netflix’s impact on African audiences. The overall aim is to historicize Netflix’s intervention, detailing the phases of its involvement in Nigeria, its specificities in relation to the intervention of previous local and international actors in the field of content production and distribution (on both streaming and digital television networks), and the controversies its arrival triggers among film professionals in the largest African screen media industry.
非洲电影发行走向平台化?奈飞在尼日利亚
这篇文章提供了对奈飞对非洲屏幕媒体部门的影响的分析,通过专注于尼日利亚电影业(诺莱坞)。在过去的几年里,一些学者提出了在特定的社会历史和国家背景下研究Netflix的邀请,作为对互联网分销电视新兴格局复杂性的一种回应。为了实现这一目标,本文将重点放在Netflix参与尼日利亚内容的制作和分发的影响上,并就Netflix对非洲观众的影响这一同样重要的主题提供一些见解。总体目标是将Netflix的干预历史化,详细介绍其在尼日利亚参与的各个阶段,其与先前本地和国际参与者在内容制作和分发领域(流媒体和数字电视网络)的干预相关的特殊性,以及它的到来在非洲最大的屏幕媒体行业的电影专业人士中引发的争议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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