Tectonic Memories: Film, Geology and Archives in Diana Vidrașcu’s Volcano: What Does a Lake Dream? (2019)

Abstract

This article explores the recording by documentary film of the imperceptible longue-durée of tectonic processes alongside the radical eventhood of volcanic eruption. Through an analysis of Romanian filmmaker Diana Vidrașcu’s Volcano: What Does a Lake Dream? (2019), I re-animate Gilles Deleuze’s discussion of islands to explore the temporal, philosophical, and mediatic implications of volcanic eruption, island formation, and the volcanic archive. I argue that in the film’s effort to reassert human memories of the tectonic alongside those of the landscape, it performs an incomplete reconciliation of the coeval processes and materialities of human and nonhuman, refusing to silence the human histories and archival excesses that are subsumed by narratives that emphasise the longue-durée of geological time.