Earth After Death: Posthumous Cinematic Ecologies in Holocaust Documentary Film

Recent environmental turns in research on the Holocaust and the moving images produced in its aftermath have suggested the potential of earth to bear “eco-witness” to atrocity and signal sites of mass burial through alterations to the topsoil and vegetation. However, the conjunction between the elemental and the human that occurs when a violated body decomposes in the earth to become ‘humus’ indicates a particularly distressing point of “trouble” for non-anthropocentric frameworks that focus on the material agencies involved in composting processes (Haraway) and trans-corporealities (Alaimo). This article examines how three documentaries (Shtetl, Neighbours and Birthplace) frame sections of Polish earth that have been re-shaped by Holocaust atrocity and human decomposition. While indicating a vaster posthumous network in which humus becomes entangled in rural soil-based activities such as cattle grazing, the article argues that human decomposition triggers attempts to cinematically recompose active earth as readable archive and fixed landscape.