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Сопоставительный анализ глаголов с семантикой чрезмерной интенсивности действия в русском и польском языках 比较动词的动词与俄语和波兰语中过度活跃的语义学。
Kultury Wschodniosłowiańskie - Oblicza i Dialog Pub Date : 2018-09-22 DOI: 10.14746/KW.2016.6.4
Daniel Dzienisiewicz
{"title":"Сопоставительный анализ глаголов с семантикой чрезмерной интенсивности действия в русском и польском языках","authors":"Daniel Dzienisiewicz","doi":"10.14746/KW.2016.6.4","DOIUrl":"https://doi.org/10.14746/KW.2016.6.4","url":null,"abstract":"","PeriodicalId":373647,"journal":{"name":"Kultury Wschodniosłowiańskie - Oblicza i Dialog","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125631467","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Гонения на генетику в русской прозе второй половины XX века
Kultury Wschodniosłowiańskie - Oblicza i Dialog Pub Date : 2018-09-22 DOI: 10.14746/KW.2016.6.15
Н. В. Попович
{"title":"Гонения на генетику в русской прозе второй половины XX века","authors":"Н. В. Попович","doi":"10.14746/KW.2016.6.15","DOIUrl":"https://doi.org/10.14746/KW.2016.6.15","url":null,"abstract":"Lysenkoism was a political campaign against genetics and science-based agriculture conducted by Trofim Lysenko, his followers and Soviet authorities. Many books on this theme were forbidden in Russia and published abroad. Novel The White Robes by Dudintsev is a fictionalized version of the devastation, which Lysenko wreaked on Soviet genetic study. Novels Nikolai Nikolaevich by Aleshkovsky and The Life and Extraordinary Adventures of Private Ivan Chonkin by Voinovich describe the topic in  a satirical style. The actuality of the theme is confirmed by its presence in Russian mass media in the form of materials aimed at justifying Lysenko's activity in the recent years. ","PeriodicalId":373647,"journal":{"name":"Kultury Wschodniosłowiańskie - Oblicza i Dialog","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130568950","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Powieść „Inny” Jurija Mamlejewa wobec artystycznego poznania Fiodora Dostojewskiego
Kultury Wschodniosłowiańskie - Oblicza i Dialog Pub Date : 2018-09-22 DOI: 10.14746/kw.2014.4.14
A. Przybysz
{"title":"Powieść „Inny” Jurija Mamlejewa wobec artystycznego poznania Fiodora Dostojewskiego","authors":"A. Przybysz","doi":"10.14746/kw.2014.4.14","DOIUrl":"https://doi.org/10.14746/kw.2014.4.14","url":null,"abstract":"The aim of this article is to show the undeniable influence of Fyodor Dostoyevsky’s artistic method on Yuri Mamlejev’s literary works in particular in relation to his novel The Other. Relying on these determinants of fantastic realism, which for many researchers are referred to as the most significant elements of Dostoyevsky’s artistic method, we make an attempt to show that the carnival which combines the two orders in the works of the 19th century writer: the real (scientific) and the surreal (magic), makes the fantasy become an integral part of the surrounding space. Simultaneously the concept of fiction should be understood through such categories as: paradoxicality, iconicity, a word as a vessel, sleep, hallucinations, picture in picture, doppelgänger that foster deep psychological self-understanding of the entity. In the article we aim to expose some of the abovementioned categories of constructing the world of Dostoyevsky’s works and making up, as defined by the author himself “the realism of higher sense” which, in a slightly modified form, although still clearly visible, is also reflected in Mamleev’s artistic method – metaphysical realism. The main emphasis is put on the categories of sleep and doppelgänger which are the clearest examples of Yuri Vitalevich’s inspiration.","PeriodicalId":373647,"journal":{"name":"Kultury Wschodniosłowiańskie - Oblicza i Dialog","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125902139","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
„Гамлет. Версия” Бориса Акунина как отказ от регламентации шекспировского интертекста “哈姆雷特。《鲍里斯·阿库宁》的版本拒绝了莎士比亚的插话。
Kultury Wschodniosłowiańskie - Oblicza i Dialog Pub Date : 2018-09-22 DOI: 10.14746/kw.2016.6.8
K. Kiseleva
{"title":"„Гамлет. Версия” Бориса Акунина как отказ от регламентации шекспировского интертекста","authors":"K. Kiseleva","doi":"10.14746/kw.2016.6.8","DOIUrl":"https://doi.org/10.14746/kw.2016.6.8","url":null,"abstract":"The present article aims at analyzing one of the modern drama's strategies  — playing with a classical text. Boris Akunin's Hamlet. Version, which is at the core of my interests, is comparable to such famed Hamlet’s alterations as Tom Stoppard's Rosenkrantz and Guilderstern Are Dead. The uniqueness of Akunin's work lays in building the individual strategy, while taking into the mass recipient consideration. The forecast is not comforting — consumers are getting less and less sensitive and adequately formed to perceive  art. But one cannot say that Akunin is descending to his readers narrow horizons. He is  a mediator between highbrow and lowbrow, always beyond, never belonging to any category.","PeriodicalId":373647,"journal":{"name":"Kultury Wschodniosłowiańskie - Oblicza i Dialog","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133101074","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Aleś Puszkin — czołowa postać białoruskiej awangardy?
Kultury Wschodniosłowiańskie - Oblicza i Dialog Pub Date : 2018-07-31 DOI: 10.14746/KW.2017.7.7
Anna Kuleszewicz
{"title":"Aleś Puszkin — czołowa postać białoruskiej awangardy?","authors":"Anna Kuleszewicz","doi":"10.14746/KW.2017.7.7","DOIUrl":"https://doi.org/10.14746/KW.2017.7.7","url":null,"abstract":"Avant-garde, a rebellious band of new trends and tendencies in art that appeared in the early 20th century, lasted for years being transformed, yielding the new forms of expression. It is also a trend of art most often associated with contemporaryBelarusian art (partially due to “school of Vitebsk”, Marc Chagall and Kazimir Malevich), still enjoying popularity in the country. One of the most recognizable Belarusian artistsis Ales Pushkin, born in 1965 in Bobr, associated with the Achremczuk’s National Schoolof Music and the Arts in Minsk and Vitebsk artistic environment. Pushkin is known for his indomitable, rebellious attitude towards the state regime. For many observers, art amateurs and even art critics, the character of his work immediately resembles avant-garde. However, as some researchers noted, Pushkins’ art enters a new dimension,paving the way towards new horizons of contemporary (avant-garde?) art of Belarus.","PeriodicalId":373647,"journal":{"name":"Kultury Wschodniosłowiańskie - Oblicza i Dialog","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122540261","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Życie — polityka — władza. Rytuał dnia codziennego ostatniego cara Rosji Mikołaja II w świetle jego dziennika
Kultury Wschodniosłowiańskie - Oblicza i Dialog Pub Date : 2018-07-31 DOI: 10.14746/KW.2017.7.4
Bartłomiej Garczyk
{"title":"Życie — polityka — władza. Rytuał dnia codziennego ostatniego cara Rosji Mikołaja II w świetle jego dziennika","authors":"Bartłomiej Garczyk","doi":"10.14746/KW.2017.7.4","DOIUrl":"https://doi.org/10.14746/KW.2017.7.4","url":null,"abstract":"The article concerns the everyday life of Russia emperor Nicholas II, which is seen through the optics of his diary. In the text the plots from the private and official life the last Romanovs tsar — his predilections, occupation, hobby and “state of his soul” are discussed.","PeriodicalId":373647,"journal":{"name":"Kultury Wschodniosłowiańskie - Oblicza i Dialog","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116267558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dialog na styku kultur — Bieszczady
Kultury Wschodniosłowiańskie - Oblicza i Dialog Pub Date : 2018-07-31 DOI: 10.14746/kw.2017.7.16
Alicja Węcławiak
{"title":"Dialog na styku kultur — Bieszczady","authors":"Alicja Węcławiak","doi":"10.14746/kw.2017.7.16","DOIUrl":"https://doi.org/10.14746/kw.2017.7.16","url":null,"abstract":"Eastern Slavonic cultures are often a conglomeration of patterns of several cultures, which resulted from the past. As Paul Ricouer said, the past is a place of our hidden identity, hurt by the greatest disaster of the twentieth century — bloody regimes. Nazism and bolshevism left their mark on the western world, whose painful consequences we still face today. Bieszczady is a part of Poland, which suffered particularly acutely during and after WWII. It is a place with a kind of a legend, becoming more and more appreciated, because of its tourist attractions, unspoiled nature, magical and largely virginal landscapes. This is a very important area for Slavonic identity, a place with a rich and troubled history — Bieszczady witnesses the actions of the Ukrainian InsurgentArmy and Operation “Vistula”. This article concerns this question, presents excerptsof interviews and memories of participants in those events and shows Bieszczady as a region of the heterogeneous Slavonic culture and a place of memory — both individual and collective.","PeriodicalId":373647,"journal":{"name":"Kultury Wschodniosłowiańskie - Oblicza i Dialog","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125656671","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Еврейское измерение Киева в „Кровавой шутке” Шолом-Алейхема 基辅的犹太维度在sholom - alihem的血腥笑话中
Kultury Wschodniosłowiańskie - Oblicza i Dialog Pub Date : 2018-07-31 DOI: 10.14746/kw.2017.7.2
Antoni Bortnowski
{"title":"Еврейское измерение Киева в „Кровавой шутке” Шолом-Алейхема","authors":"Antoni Bortnowski","doi":"10.14746/kw.2017.7.2","DOIUrl":"https://doi.org/10.14746/kw.2017.7.2","url":null,"abstract":"Sholem Aleichem is one of the authors of modern Jewish literature in Yiddish, and most of his works are closely related to the realities of Eastern Europe. In his books the writer presents, among others, images of life of the Jewish community in pre- revolutionary Kiev. His novel, The Bloody Hoax, is particularly noteworthy in this case and it has become the main object of research in this paper. The story of the novel mostly takes place in an unnamed city, the prototype of which has become a historical Kiev. The Bloody Hoax, the plot of which is largely based on real events, shows the specificity of life of the Jewish community in the big city, and the problems its representative shave to face.","PeriodicalId":373647,"journal":{"name":"Kultury Wschodniosłowiańskie - Oblicza i Dialog","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115619076","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
„Chrześcijańska joga”? Słów kilka o modlitwie Jezusowej i hezychazmie
Kultury Wschodniosłowiańskie - Oblicza i Dialog Pub Date : 2018-07-31 DOI: 10.14746/KW.2017.7.19
B. Brzeziński
{"title":"„Chrześcijańska joga”? Słów kilka o modlitwie Jezusowej i hezychazmie","authors":"B. Brzeziński","doi":"10.14746/KW.2017.7.19","DOIUrl":"https://doi.org/10.14746/KW.2017.7.19","url":null,"abstract":"The article “«Christian yoga»? A few reflections on the Jesus’ Prayer and hesychasm” is a kind of commentary on the Polish translation of the article “Becoming what we pray...” by Michel Plekon that is presented in the same issue of periodical “Kultury Wschodniosłowiańskie — oblicza i dialog”. Author tried to remind the most important facts and figures connected with the history of the Jesus’ Prayer and hesychasm. Moreover, there are described controversies concerning the physical method that was used by some hesychasts during practice of the Jesus’ Prayer. Additionally, one can readabout the role of the heart in Orthodox theology and prayer tradition of Eastern Church. This role can not be overtaxed because from the point of view of Orthodox theology, the heart is the centre of human being, person. It is not only the physical organ, not only the area of emotions and affections but also the space of intelligence, thoughts and wisdom. But most of all, the heart is the place of mysterious meeting of God and man. In the secret hall of human heart a man can fell silent presence of Transcendence, can fellthe real epiphany of God who unceasingly waits for metamorphosis of human being’smentality, thinking, reason, activity, emotions, relations, who waits for transformation of the whole man.","PeriodicalId":373647,"journal":{"name":"Kultury Wschodniosłowiańskie - Oblicza i Dialog","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124289194","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ciało i jego fragmenty w prozie Mikołaja Gogola
Kultury Wschodniosłowiańskie - Oblicza i Dialog Pub Date : 2018-07-31 DOI: 10.14746/kw.2017.7.17
K. Witczak
{"title":"Ciało i jego fragmenty w prozie Mikołaja Gogola","authors":"K. Witczak","doi":"10.14746/kw.2017.7.17","DOIUrl":"https://doi.org/10.14746/kw.2017.7.17","url":null,"abstract":"The article presents a perspective of somatic present in the prose of Nikolai Gogol. The body is treated here as a project — a collection of body fragments. Particular attention is paid to the figure of nose, which occurs in two selected short stories entitledNose and Diary of a Madman. Therefore, any attempt to emancipate the body part is a threat to the need to preserve the face. Nose is a sense of belonging. This part of the body is thus a limit to what we used to be referred to as belonging to us. Its location creates the last bastion of perception, the selfness.","PeriodicalId":373647,"journal":{"name":"Kultury Wschodniosłowiańskie - Oblicza i Dialog","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130554368","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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