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Del drama a la poesía y viceversa. La piedra oscura de Alberto Conejero como muestra de transmisión generacional de valores humanos 从戏剧到诗歌，反之亦然。阿尔贝托·科内杰罗(Alberto Conejero)的《黑石》(the dark stone)是人类价值观代代相传的象征
Acotaciones Pub Date : 2023-06-28 DOI: 10.32621/acotaciones.2023.50.08
Miguel Gómez
{"title":"Del drama a la poesía y viceversa. La piedra oscura de Alberto Conejero como muestra de transmisión generacional de valores humanos","authors":"Miguel Gómez","doi":"10.32621/acotaciones.2023.50.08","DOIUrl":"https://doi.org/10.32621/acotaciones.2023.50.08","url":null,"abstract":"This article deals with deepening the link between the po-etry of Federico García Lorca and the dramatic literature of La piedra os-cura by Alberto Conejero. The theatrical piece is inspired by the existing documentation on the young Rafael Rodriguez Rapún, with whom the poet had a sentimental relationship, which resulted in the writing of the so-called Sonetos del amor oscuro. Alberto Conejero tries to reconstruct, from García Lorca's poetry, their hypothetical relationship, which is also part at the same time of the dramatic event. At the same time, the text defends human values against homophobia from the importance of the generational transmission of literary texts as a patrimonial legacy of culture and improvement of society.","PeriodicalId":36745,"journal":{"name":"Acotaciones","volume":"16 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79847628","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El teatro palpable: estrategias queer de resistencia contra la toponormatividad 可触摸的剧场:反抗地名规范的酷儿策略
Acotaciones Pub Date : 2023-06-28 DOI: 10.32621/acotaciones.2023.50.03
Isaias Fanlo
{"title":"El teatro palpable: estrategias queer de resistencia contra la toponormatividad","authors":"Isaias Fanlo","doi":"10.32621/acotaciones.2023.50.03","DOIUrl":"https://doi.org/10.32621/acotaciones.2023.50.03","url":null,"abstract":"This article departs from a critical approach to what I call the antierotic turn within Queer Studies —which, in the last years, seems to have left aside debates addressing eroticism, physicality and desire to focus on a different set of questions that go beyond sexuality. The text offers a conciliation between these post-erotic debates and the original physical approach of queer epistemologies through the analysis of theatrical and performative events that have recently taken place in non-conventional spaces in several Spanish cities, as a response to the economic crisis that the country has suffered since 2008. The article suggests the concept toponormativity as a term that addresses non-normative occupations of spaces and addresses how theatrical and performative pieces can question the aforementioned toponormativity and propose different ways to understand and occupy urban spaces","PeriodicalId":36745,"journal":{"name":"Acotaciones","volume":"36 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81409884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
«PAR A QUE SE REPRESENTE ESTA COMEDIA APARENTE QUE HACE EL HUMANO SENTIDO»: REPRESENTAR LA COMEDIA HOY PAR A QUE NO SE OLVIDE EL AYER “为了表现这个明显的喜剧，使人类有意义”:表现今天的喜剧，以免忘记昨天
Acotaciones Pub Date : 2023-06-28 DOI: 10.32621/acotaciones.2023.50.01
Alejandra Juno Rodríguez Villar
{"title":"«PAR A QUE SE REPRESENTE ESTA COMEDIA APARENTE QUE HACE EL HUMANO SENTIDO»: REPRESENTAR LA COMEDIA HOY PAR A QUE NO SE OLVIDE EL AYER","authors":"Alejandra Juno Rodríguez Villar","doi":"10.32621/acotaciones.2023.50.01","DOIUrl":"https://doi.org/10.32621/acotaciones.2023.50.01","url":null,"abstract":"Outside of festivals, the Comedia as a Golden Age cultural product is at risk of becoming an uprooted element in contemporary cul-ture. There are several phenomena against its integrated survival: the deconstruction of the concepts of “own” and “canonical,” the new gener-ations’ lack of identification, and the ethical and aesthetic processes of reworking and proximation. We propose here a didactic and informa-tive task that brings comedy (closer to its original conception) to general audiences through the creation of films in higher education institutions. As part of an educative digital humanities and public humanities proj-ect, these films would integrate an accessible repository of films based on comedies, facilitate interdisciplinary teaching, and provide the edu-cator with expressive means to teach and show the Comedia beyond the paper, in addition to providing students with experience-based learning.","PeriodicalId":36745,"journal":{"name":"Acotaciones","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82552370","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Análisis de la práctica teatral video registrada: Amiga, de Irina Kouberskaya 录像戏剧实践分析:Amiga, Irina Kouberskaya著
Acotaciones Pub Date : 2023-06-28 DOI: 10.32621/acotaciones.2022.50.06
Patricia González Almarcha
{"title":"Análisis de la práctica teatral video registrada: Amiga, de Irina Kouberskaya","authors":"Patricia González Almarcha","doi":"10.32621/acotaciones.2022.50.06","DOIUrl":"https://doi.org/10.32621/acotaciones.2022.50.06","url":null,"abstract":"The article outlines a system of analysis of the theater prac-tice in situations of reconstruction. The repercussions of the absence of communicative interaction in the reception of the viewer are argued, especially as a result of the Corona virus and the global health crisis. It starts from the awareness that theater artists are in a constantly chang-ing world that brings with it specific demands to know what is really done on stage. Some analytical possibilities that open up with the audio-visual record of the theater are shown, comparing the cinematographic and theatrical genres, expanding the context of the research work to various hybrid audiovisual subgenres such as the trailer or the theatrical tea ser.For the analysis of the video recorded stage show Amiga, produced by Irina Kouberskaya at her Theater Company, Tribueñe, we first pro-ceed in general terms, explaining how the practice could be broken down into manageable and, in turn, relevant segments. Afterwards, the most typical theatrical activities in the staging are analyzed. Finally, we reflect on the preliminary usefulness of these explorations and the knowledge resulting from their application. The reality of the film re-cord studied shows that the applicability of video as documentation of theatrical praxis is subject to multiple intervening variables.","PeriodicalId":36745,"journal":{"name":"Acotaciones","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90052091","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Esperpento y cuerpo violento: Angélica Liddell entre misoginia y feminismo 充满活力和暴力的身体:angelica Liddell在厌女症和女权主义之间
Acotaciones Pub Date : 2023-06-28 DOI: 10.32621/acotaciones.2023.50.04
M. Valderrama
{"title":"Esperpento y cuerpo violento: Angélica Liddell entre misoginia y feminismo","authors":"M. Valderrama","doi":"10.32621/acotaciones.2023.50.04","DOIUrl":"https://doi.org/10.32621/acotaciones.2023.50.04","url":null,"abstract":"This essay studies the seeming contradiction between An-gelica Liddell’s feminism in some of her plays and the misogynistic turn in her more recent works, especially The Scarlet Letter (2018). The theo-retical framework includes Paul B. Preciado’s concept of «auto-guinea pig» and Rebecca Schneider’s “explicit body” to analyze the ways in which physical violence is central to Liddell’s work. The essay then lo-cates Liddell in a lineage of Spanish theatrical traditions: the 19th cen-tury genre astracán and the esperpento, conceptualized by playwright Valle-Inclán in 1920. In this light, Liddell’s violent and provocative per-formative language becomes part of a consolidated tradition rather than an irreverent provocation. This article analyzes case studies such as Yo no soy bonita (2005), La casa de la fuerza (2009) y The Scarlet Letter (2018)","PeriodicalId":36745,"journal":{"name":"Acotaciones","volume":"43 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78476896","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Los lenguajes escénicos provenientes de la vanguardia como mediación estética en la dramaturgia de Alfonso Vallejo 在阿方索·瓦列霍的戏剧中，前卫的风景语言作为审美中介
Acotaciones Pub Date : 2023-06-28 DOI: 10.32621/acotaciones.2022.50.09
José Ontiveros
{"title":"Los lenguajes escénicos provenientes de la vanguardia como mediación estética en la dramaturgia de Alfonso Vallejo","authors":"José Ontiveros","doi":"10.32621/acotaciones.2022.50.09","DOIUrl":"https://doi.org/10.32621/acotaciones.2022.50.09","url":null,"abstract":"This paper establishes what types of stage languages or aesthetic mediations —originating from the avant-garde— predomi-nate in the dramatic production of Alfonso Vallejo during the politi-cal transition. Aesthetic mediation is a factor of great importance when undertaking an analysis of an author's work, according to, together with psychosocial and historical mediation, the methodological basis on which any dramatic investigation must be based. Following, then, this methodology of mediations, ten works by Alfonso Vallejo have been an-alyzed, namely; Fly-by (1973), Ácido sulfúrico (1978), El desguace (1978), El cero transparente (1978), Monólogo para seis voces sin sonido (1979), Infratonos(1979), A tumba abierta (1979), Cangrejos de pared (1980), Latidos (1980) y Eclipse (1980).","PeriodicalId":36745,"journal":{"name":"Acotaciones","volume":"51 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72435562","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dramaturgia emergente en la Real Escuela Superior de Arte Dramático: promociones 2017/2021 皇家戏剧艺术学院的新兴戏剧:2017/2021年晋升
Acotaciones Pub Date : 2023-06-28 DOI: 10.32621/acotaciones.2023.50.07
Cristobal Arias Sánchez
{"title":"Dramaturgia emergente en la Real Escuela Superior de Arte Dramático: promociones 2017/2021","authors":"Cristobal Arias Sánchez","doi":"10.32621/acotaciones.2023.50.07","DOIUrl":"https://doi.org/10.32621/acotaciones.2023.50.07","url":null,"abstract":"The Real Escuela Superior de Arte Dramático (RESAD) is since 1992 one of the main centers of artistic studies where playwrights are trained in Spain. Important names in contemporary practice have been formed in this institution, gaining well-deserved recognition in the sector. This laudable corpus is followed by new graduate promotions that enter the stage market with a high level of training. This article highlights the evolution of the latest graduates and graduates in Dra-maturgy by RESAD (promotions 2017/2021), compiling their names, trajectories and those channels through which they make their way. It also analyzes their concerns and ways of understanding the profession and dramatic writing, in this incipient third decade of the 21st century, in order to value their contributions.","PeriodicalId":36745,"journal":{"name":"Acotaciones","volume":"17 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83541640","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Inmersividad, digitalización y polarización: elementos que reacondicionan la escena contemporánea 沉浸性、数字化和极化:重塑当代场景的元素
Acotaciones Pub Date : 2023-06-28 DOI: 10.32621/acotaciones.2022.50.05
Juan Pablo Cruces
{"title":"Inmersividad, digitalización y polarización: elementos que reacondicionan la escena contemporánea","authors":"Juan Pablo Cruces","doi":"10.32621/acotaciones.2022.50.05","DOIUrl":"https://doi.org/10.32621/acotaciones.2022.50.05","url":null,"abstract":"Used to the immediacy of the cyberspace, theater artists around the world have sought ways to stay relevant in a reality that de-mands increasingly complex visual stimuli. Far from being replaced by audiovisual productions, theater seeks its own identity among the vast film library in streaming services. On the other hand, with the advent of repressive political correctness in the media, the stage runs the risk of entertainment becoming polarized, regardless of the position it comes from. The main characteristic of live productions is the exchange among an audience eager for new incentives, that is the «actor/spectator inter-action». This article explores this «actor/spectator interaction» with the techno-interaction provided by virtual reality tools, thus conditioning a performance into an uncompromising digital piece, providing the audi-ence with the necessary distance to express its opinion, without falling into alienation.","PeriodicalId":36745,"journal":{"name":"Acotaciones","volume":"117 1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83724511","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Teatro y violencia: la influencia de la tragedia griega en Martillo de Rodrigo García 戏剧与暴力:罗德里戈garcia的希腊悲剧对马提略的影响
Acotaciones Pub Date : 2023-06-28 DOI: 10.32621/acotaciones.2023.50.02
Andrea Navarro Noguera
{"title":"Teatro y violencia: la influencia de la tragedia griega en Martillo de Rodrigo García","authors":"Andrea Navarro Noguera","doi":"10.32621/acotaciones.2023.50.02","DOIUrl":"https://doi.org/10.32621/acotaciones.2023.50.02","url":null,"abstract":"Rodrigo García (1964-), in his play Martillo (1989), re-writes the Greek myth of the Atreides, moving away from tradition and recreating a unique type of tragedy. This article seeks to establish some parameters to account for the general willingness, on the part of the director, to explore the characterization of classical heroes. We will pay attention to women, particularly to the role of Clytemnestra within a myth based on the internal and external violence of the «oikos».","PeriodicalId":36745,"journal":{"name":"Acotaciones","volume":"131 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79625015","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Intermedialidad y exclusión. De El matadero (1838/9) de E. Echeverría a la escena porteña contemporánea 中介和排斥。从E. echeverria的El matadero(1838/9)到当代布宜诺斯艾利斯场景
Acotaciones Pub Date : 2023-06-28 DOI: 10.32621/acotaciones.2022.50.10
Lía Noguera
{"title":"Intermedialidad y exclusión. De El matadero (1838/9) de E. Echeverría a la escena porteña contemporánea","authors":"Lía Noguera","doi":"10.32621/acotaciones.2022.50.10","DOIUrl":"https://doi.org/10.32621/acotaciones.2022.50.10","url":null,"abstract":"Based on the Argentine short story El matadero, by Esteban Echeverría written in 1838/9, we propose to analyze the various forms of meaning of the themes that cross this textuality, as well as the resig-nifications that it experiences in its passage to contemporary performing arts: El matadero. Un comentario (2009), directed by Emilio García Wehbi and Marcelo Delgado and Manipulaciones III. El banquete (2012), directed by Diego Starosta. To do this, we will concern ourselves with studying the different intermediary strategies that are established between liter-ature, opera, dance, theater and performance, at the same time that we will concentrate on the study of the social, political, geographical and cultural exclusions that the nineteenth-century story proposes to start-ing from his characters and that are recovered and reformulated in the Argentinean scene of the bicentennial","PeriodicalId":36745,"journal":{"name":"Acotaciones","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81393987","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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