{"title":"戏剧与暴力:罗德里戈garcia的希腊悲剧对马提略的影响","authors":"Andrea Navarro Noguera","doi":"10.32621/acotaciones.2023.50.02","DOIUrl":null,"url":null,"abstract":"Rodrigo García (1964-), in his play Martillo (1989), re-writes the Greek myth of the Atreides, moving away from tradition and recreating a unique type of tragedy. This article seeks to establish some parameters to account for the general willingness, on the part of the director, to explore the characterization of classical heroes. We will pay attention to women, particularly to the role of Clytemnestra within a myth based on the internal and external violence of the «oikos».","PeriodicalId":36745,"journal":{"name":"Acotaciones","volume":"131 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Teatro y violencia: la influencia de la tragedia griega en Martillo de Rodrigo García\",\"authors\":\"Andrea Navarro Noguera\",\"doi\":\"10.32621/acotaciones.2023.50.02\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Rodrigo García (1964-), in his play Martillo (1989), re-writes the Greek myth of the Atreides, moving away from tradition and recreating a unique type of tragedy. This article seeks to establish some parameters to account for the general willingness, on the part of the director, to explore the characterization of classical heroes. We will pay attention to women, particularly to the role of Clytemnestra within a myth based on the internal and external violence of the «oikos».\",\"PeriodicalId\":36745,\"journal\":{\"name\":\"Acotaciones\",\"volume\":\"131 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-06-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Acotaciones\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.32621/acotaciones.2023.50.02\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Acotaciones","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32621/acotaciones.2023.50.02","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
Teatro y violencia: la influencia de la tragedia griega en Martillo de Rodrigo García
Rodrigo García (1964-), in his play Martillo (1989), re-writes the Greek myth of the Atreides, moving away from tradition and recreating a unique type of tragedy. This article seeks to establish some parameters to account for the general willingness, on the part of the director, to explore the characterization of classical heroes. We will pay attention to women, particularly to the role of Clytemnestra within a myth based on the internal and external violence of the «oikos».