Los lenguajes escénicos provenientes de la vanguardia como mediación estética en la dramaturgia de Alfonso Vallejo

This paper establishes what types of stage languages or aesthetic mediations —originating from the avant-garde— predomi-nate in the dramatic production of Alfonso Vallejo during the politi-cal transition. Aesthetic mediation is a factor of great importance when undertaking an analysis of an author's work, according to, together with psychosocial and historical mediation, the methodological basis on which any dramatic investigation must be based. Following, then, this methodology of mediations, ten works by Alfonso Vallejo have been an-alyzed, namely; Fly-by (1973), Ácido sulfúrico (1978), El desguace (1978), El cero transparente (1978), Monólogo para seis voces sin sonido (1979), Infratonos(1979), A tumba abierta (1979), Cangrejos de pared (1980), Latidos (1980) y Eclipse (1980).