可触摸的剧场:反抗地名规范的酷儿策略

Q3 Arts and Humanities
Isaias Fanlo
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引用次数: 0

摘要

这篇文章偏离了我所说的酷儿研究中的反色情转向的批判方法,在过去的几年里,似乎已经把关于色情,身体和欲望的争论放在一边,专注于超越性的一系列不同的问题。文本通过对最近在几个西班牙城市的非传统空间中发生的戏剧和表演事件的分析,在这些后色情辩论和酷儿认识论的原始物理方法之间提供了调解,作为对国家自2008年以来遭受的经济危机的回应。这篇文章提出了地形规范性的概念,作为一个术语来解决空间的非规范性占用,并解决戏剧和表演作品如何质疑上述地形规范性,并提出不同的方式来理解和占领城市空间
本文章由计算机程序翻译,如有差异,请以英文原文为准。
El teatro palpable: estrategias queer de resistencia contra la toponormatividad
This article departs from a critical approach to what I call the antierotic turn within Queer Studies —which, in the last years, seems to have left aside debates addressing eroticism, physicality and desire to focus on a different set of questions that go beyond sexuality. The text offers a conciliation between these post-erotic debates and the original physical approach of queer epistemologies through the analysis of theatrical and performative events that have recently taken place in non-conventional spaces in several Spanish cities, as a response to the economic crisis that the country has suffered since 2008. The article suggests the concept toponormativity as a term that addresses non-normative occupations of spaces and addresses how theatrical and performative pieces can question the aforementioned toponormativity and propose different ways to understand and occupy urban spaces
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来源期刊
Acotaciones
Acotaciones Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.10
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15
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