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Drawing: Research, Theory, Practice最新文献

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Drawing, performativity and virtual reality in art: Identifying connections and creative possibilities 艺术中的绘画、表演和虚拟现实:识别联系和创造可能性
Drawing: Research, Theory, Practice Pub Date : 2022-04-01 DOI: 10.1386/drtp_00081_7
Ione Sagasti Alegria, Maitane Echevarria Aguirre, Alfonso Berroya Elosua, José Antonio Morlesín Mellado
{"title":"Drawing, performativity and virtual reality in art: Identifying connections and creative possibilities","authors":"Ione Sagasti Alegria, Maitane Echevarria Aguirre, Alfonso Berroya Elosua, José Antonio Morlesín Mellado","doi":"10.1386/drtp_00081_7","DOIUrl":"https://doi.org/10.1386/drtp_00081_7","url":null,"abstract":"This paper explores the connections between drawing, the body and technology, relating them to the notions of the cyborg-body, the transhuman and performance art, looking for a phenomenological approach to virtual reality technology in drawing experience. Recent developments in virtual reality oriented to visual creativity offer new ways of approaching drawing. In this regard, virtual reality users can experience its practice by expanding their movements through both artificial and physical spaces, in contrast to more traditional seated postures that limit the whole body’s expressivity. Such an embodiment of drawn strokes can be considered from the perspective of performativity. Following exploratory research, the paper identifies connections between drawing, performativity and virtual reality in the field of art. It also explores the possibilities offered by contemporary technology, observing how drawing using virtual reality and performativity is being experienced worldwide by artists and creators.","PeriodicalId":36057,"journal":{"name":"Drawing: Research, Theory, Practice","volume":"24 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74362518","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Trace and catharsis: Embodied drawing 描摹与宣泄:具象绘画
Drawing: Research, Theory, Practice Pub Date : 2022-04-01 DOI: 10.1386/drtp_00080_1
Brooke Leigh
{"title":"Trace and catharsis: Embodied drawing","authors":"Brooke Leigh","doi":"10.1386/drtp_00080_1","DOIUrl":"https://doi.org/10.1386/drtp_00080_1","url":null,"abstract":"For the past decade, my artistic research practice has explored the performative aspect of drawing. Recently, I have come to realize how the performative process can function as an experience of catharsis. By examining a selection of works from my practice, Cassils, Louise Bourgeois, Ana Mendieta and Tracey Emin, that exemplify the act of mark making through processes of encountering intense states of the body, ‘Trace and catharsis: Embodied drawing’ explores the concept of drawing as the residue of performance. I will investigate catharsis as a performative gesture in itself – the release of internalized distress through acts of externalization and exertion. This gesture – immediate, impulsive and compulsive in nature – draws a direct relationship to Aristotle’s notions of catharsis and the bodily manifestations of anxiety that Sigmund Freud describes. Through Amelia Jones’s and Catherine de Zegher’s ideas of mark making, I will examine how traces produced by this gesture can be performative in its materiality and evocation of the artist’s body.","PeriodicalId":36057,"journal":{"name":"Drawing: Research, Theory, Practice","volume":"28 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85507167","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mayautics Mayautics
Drawing: Research, Theory, Practice Pub Date : 2022-04-01 DOI: 10.1386/drtp_00083_1
L. Gibellini, Ricardo Horcajada González
{"title":"Mayautics","authors":"L. Gibellini, Ricardo Horcajada González","doi":"10.1386/drtp_00083_1","DOIUrl":"https://doi.org/10.1386/drtp_00083_1","url":null,"abstract":"Through analysis and codification of some images created by a 2-year-old child, the authors discuss the performative aspect of drawing as an embodied form of thinking that creates cognitive objects rather than images. We consider an enactive form of knowledge, based on the idea that the practitioner learns and understands while doing, while executing a movement. The ‘objects’ that are obtained in such process, which are constitutive of any graphic practice, would also need the totality of the body for its understanding.","PeriodicalId":36057,"journal":{"name":"Drawing: Research, Theory, Practice","volume":"4 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82203553","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Egological meets ecological: Drawing aspects in perspective(s) 生态学与生态学:从透视角度绘制各个方面
Drawing: Research, Theory, Practice Pub Date : 2021-12-01 DOI: 10.1386/drtp_00067_1
Howard Riley, R. Newell
{"title":"Egological meets ecological: Drawing aspects in perspective(s)","authors":"Howard Riley, R. Newell","doi":"10.1386/drtp_00067_1","DOIUrl":"https://doi.org/10.1386/drtp_00067_1","url":null,"abstract":"Aspects of Edmund Husserl’s Egological phenomenology and James J. Gibson’s ecological visual perception theory are construed dialectically for the purpose of informing the teaching of drawing, with an emphasis on understanding relationships between viewer positions\u0000 and objects in the environment as represented through geometric projection systems. Such a grounding is conducive to a drawing practice capable of insights leading to new knowledge of our relationships with our environment, both egological and ecological, in an art school curriculum currently\u0000 distorted by neo-liberal trends from the core study of visual perception and communication.","PeriodicalId":36057,"journal":{"name":"Drawing: Research, Theory, Practice","volume":"61 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84721414","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The performing machine 表演机器
Drawing: Research, Theory, Practice Pub Date : 2021-12-01 DOI: 10.1386/drtp_00069_3
Sanneke Huisman, Sven Schlijper-Karssenberg
{"title":"The performing machine","authors":"Sanneke Huisman, Sven Schlijper-Karssenberg","doi":"10.1386/drtp_00069_3","DOIUrl":"https://doi.org/10.1386/drtp_00069_3","url":null,"abstract":"In this paper, art historian Sanneke Huisman and curator Sven Schlijper-Karssenberg discuss Jorrit Paaijmans’s drawing practice based on his recent performance installation Radical Drawing Device (RDD). Huisman and Schlijper-Karssenberg show the important role notions of\u0000 physicality and craftsmanship play in Paaijmans’s hyperdrawing practice and demonstrate the ways in which Paaijmans uses these notions to question mechanization and craftsmanship in relation to the artistic practice and discipline of drawing. RDD, the case study of this text, is a tattoo\u0000 machine made by Paaijmans that can only perform one action: applying a straight line onto the artist’s arm. The authors argue that with RDD, Paaijmans continues his research into physicality, as well as reflects on the status of drawing in relation to technology, time and the passage\u0000 of time. The paper further shines light on the ways in which the work encourages reflection on being human in a technological society.","PeriodicalId":36057,"journal":{"name":"Drawing: Research, Theory, Practice","volume":"338 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80714831","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Pandemic drawings’: Are we still teaching conceptual drawing? “流行绘画”:我们还在教授概念绘画吗?
Drawing: Research, Theory, Practice Pub Date : 2021-12-01 DOI: 10.1386/drtp_00072_1
Andréa de Lacerda Pessôa Borde, Alexandre Pessoa
{"title":"‘Pandemic drawings’: Are we still teaching conceptual drawing?","authors":"Andréa de Lacerda Pessôa Borde, Alexandre Pessoa","doi":"10.1386/drtp_00072_1","DOIUrl":"https://doi.org/10.1386/drtp_00072_1","url":null,"abstract":"In this paper we analyse the impact of the COVID-19 measures on teaching the conceptual drawing course at the Architecture and Urbanism Faculty of the Federal University of Rio de Janeiro (FAU/UFRJ). The remote model of teaching followed from July 2020 determined many changes in our\u0000 methodology, these being essentially practical rather than theoretical. This adaptive process resulted in what we called ‘pandemic drawings’, proved to be a useful tool for expanding drawing skills and confined senses. The outcomes were surprisingly positive and pointed out that\u0000 these ‘pandemic drawings’ could become a hybrid model of drawing in the following post-pandemic years.","PeriodicalId":36057,"journal":{"name":"Drawing: Research, Theory, Practice","volume":"99 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74991031","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Drawing Power: Children of Compost, curated by Joana P. R. Neves, Drawing Lab, Paris, France, 26 June‐30 September 2021 and Frac Picardie, Amiens, France, 4‐10 July 2021 绘画力量:堆肥的孩子，由Joana p.r. Neves策划，绘画实验室，巴黎，法国，2021年6月26日至9月30日;Frac Picardie，亚曼，法国，2021年7月4日至10日
Drawing: Research, Theory, Practice Pub Date : 2021-12-01 DOI: 10.1386/drtp_00073_5
Joana P. R. Neves
{"title":"Drawing Power: Children of Compost, curated by Joana P. R. Neves, Drawing Lab, Paris, France, 26 June‐30 September 2021 and Frac Picardie, Amiens, France, 4‐10 July 2021","authors":"Joana P. R. Neves","doi":"10.1386/drtp_00073_5","DOIUrl":"https://doi.org/10.1386/drtp_00073_5","url":null,"abstract":"Review of: Drawing Power: Children of Compost, curated by Joana P. R. Neves, Drawing Lab, Paris, France, 26 June‐30 September 2021 and Frac Picardie, Amiens, France, 4‐10 July 2021","PeriodicalId":36057,"journal":{"name":"Drawing: Research, Theory, Practice","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82140572","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Taking a line for a walk’: On improvisatory drawing “带着线散步”:即兴绘画
Drawing: Research, Theory, Practice Pub Date : 2021-12-01 DOI: 10.1386/drtp_00064_1
R. Nemirovsky, Tam Dibley
{"title":"‘Taking a line for a walk’: On improvisatory drawing","authors":"R. Nemirovsky, Tam Dibley","doi":"10.1386/drtp_00064_1","DOIUrl":"https://doi.org/10.1386/drtp_00064_1","url":null,"abstract":"In this article we reflect on a line traced by Julia. Julia is an undergraduate student in a class that includes a project entitled ‘Lives of Lines’. As part of the activities of this project, the students were asked to draw continuously for a minute with a white marker\u0000 on a black page, without lifting the marker, and without trying to represent anything in particular. We analyse Julia’s tracing of the line as a kind of improvisation ‐ the same type of improvising that occurs in conversations, music playing, hiking, dancing and countless other\u0000 activities. We characterize the improviser as a daydreamer immersed in a reverie: an open field of reciprocating forces, desires, surprises and recollections playing themselves out as some of them encounter their way forward free to proceed, and others do not. The improviser becomes an arena\u0000 in which body, hand, pen, paper, chair, other bodies, traces, words and sounds mutually displace and attract on their own.","PeriodicalId":36057,"journal":{"name":"Drawing: Research, Theory, Practice","volume":"49 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88009546","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Calligraphy of the thought: Drawing and writing in Vittorio Gregotti 思想的书法:维托里奥·格雷戈蒂的绘画和写作
Drawing: Research, Theory, Practice Pub Date : 2021-12-01 DOI: 10.1386/drtp_00068_3
Mariana Amado Trancoso, Bárbara Coutinho
{"title":"Calligraphy of the thought: Drawing and writing in Vittorio Gregotti","authors":"Mariana Amado Trancoso, Bárbara Coutinho","doi":"10.1386/drtp_00068_3","DOIUrl":"https://doi.org/10.1386/drtp_00068_3","url":null,"abstract":"This paper focuses on the close correlation between drawing and writing in the architecture of Vittorio Gregotti, in order to understand how both constitute symbiotic tools for his praxis, and showing how the practice of architecture and theoretical thought in Gregotti are to be understood\u0000 as one. Drawing and writing constitute inscriptions of his ideas, a calligraphy that expresses his understanding of architecture as a conceptual reality, regardless of its later physical construction. It is therefore essential to comprehend how theoretical thought in Gregotti is materialized\u0000 in the architectural project. For this purpose, based on Gregotti’s drawings and writings, this paper aims to underline the deep importance of drawing and writing as complementary processes related to the symbiotic connection between theory and praxis in his work. Considering both tools\u0000 as a mechanism for visualizing the author’s ideas, we intend to prove that drawing and writing are close components of his expression and the development of a thought that, in the process of being materialized, acquires physical shape, strength and coherence, becoming perceived by others.","PeriodicalId":36057,"journal":{"name":"Drawing: Research, Theory, Practice","volume":"56 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73551309","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Autobiographical Hinge: Revealing the self in architectural drawing 自传体的铰链:在建筑绘画中揭示自我
Drawing: Research, Theory, Practice Pub Date : 2021-12-01 DOI: 10.1386/drtp_00065_1
J. Craig
{"title":"The Autobiographical Hinge: Revealing the self in architectural drawing","authors":"J. Craig","doi":"10.1386/drtp_00065_1","DOIUrl":"https://doi.org/10.1386/drtp_00065_1","url":null,"abstract":"Some argue that the tendency to ignore the self as an aspect of the relationship between architects and their drawings is a consequence of the hegemony of digital modes of representation, others that it is inherent to traditional perspectival and projective techniques. It is in this\u0000 repressive context that architects struggle to consider their subjectivity in relation to the drawings they produce. This article aims to divert this subjective distance by proposing a method for revealing the unconscious forces that abide between architects and architectural drawings. Through\u0000 a comparative analysis of this intermediate space with the psychoanalyst Donald Winnicott’s theory of the Transitional Object, the author considers his own relationship to perspective drawing and materializes this through the production of a drawing apparatus titled: the autobiographical\u0000 hinge. Bilaterally, the conception of this drawing apparatus is founded on examples of visual art practice that challenge the repressive qualities of linear perspective, this includes the work of Penelope Haralambidou (2003); Lawrence Gowing (1965) and Marion Milner (1950). In a time of dissolved\u0000 agency for the architect, this article presents a method through which to mine one’s own relationship to architectural drawing, through which a disturbance to those codified regimes occurs as a consequence of one’s own subjectivity being recognized.","PeriodicalId":36057,"journal":{"name":"Drawing: Research, Theory, Practice","volume":"10 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74451724","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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