The Velvet Light Trap最新文献_第3页

The Velvet Light Trap Pub Date : 2022-08-14 DOI: 10.7560/vlt9006

L. Kozak

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Fast Forwarding The Past (On Pause): Daniel Lopatin’s Memory Vague and the Hauntological Aesthetic of Vaporwave 快进的过去(暂停):丹尼尔·洛帕丁的记忆模糊和幽灵美学的汽波

The Velvet Light Trap Pub Date : 2022-08-14 DOI: 10.7560/vlt9004

Jordon J. Jacobson

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"There Would Be No Kerry Washington without Diahann Carroll": Shout-Out Culture, Sisterhood, and the Discourse of Black Womanhood “没有戴安·卡罗尔就没有克里·华盛顿”:大声喊出文化、姐妹情和黑人女性话语

The Velvet Light Trap Pub Date : 2022-03-01 DOI: 10.7560/vlt8902

Ashley S. Young

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Golden Gays: Awards Legitimation from the Globes to GLAAD 金同志奖:从金球奖到同性恋联盟的奖项合法化

The Velvet Light Trap Pub Date : 2022-03-01 DOI: 10.7560/vlt8904

Benjamin Kruger-Robbins

{"title":"Golden Gays: Awards Legitimation from the Globes to GLAAD","authors":"Benjamin Kruger-Robbins","doi":"10.7560/vlt8904","DOIUrl":"https://doi.org/10.7560/vlt8904","url":null,"abstract":"ABSTRACT:This article historicizes how the Golden Globe Awards and the George Foster Peabody Awards selectively commended television programming with gay, lesbian, bisexual, transgender, and queer (LGBTQ+) themes from the 1970s through the mid-1990s. I argue that these awards programs' different legitimizing practices helped to define LGBTQ+ programming as elite, sequestering it from television's everyday discursive positioning. I first consider how the outcast status of the Golden Globes, organized by the Hollywood Foreign Press Association, compelled greater attention to \"queer\" television oddities, even while the recognitions upheld a troublingly classed framing of LGBTQ+ shows that dovetailed with the organizer's late-1980s discrediting following disclosures of bribery and other dealings. The Peabodys, on the other hand, promoted standards for \"respectable\" programming and therefore refused recognition of gay-themed shows until doing so became politically expedient in the late 1980s. This academic awarding institution later singled out \"quality\" entries for acclaim, paving the way for more contemporary associations between LGBTQ+ television and premier viewing platforms. Ultimately, I argue that activist media watchdogs such as the Gay and Lesbian Alliance against Defamation (GLAAD) emulated the Globes' and Peabodys' public relations strategies, becoming de facto awards organizations in the 1990s that adopted \"quality\" criteria for recognizing queer-themed shows.","PeriodicalId":335072,"journal":{"name":"The Velvet Light Trap","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115834102","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Awarding Chinese-Language Cinemas: Imaginary Transnational Identities of the Golden Horse Awards 华语电影的颁发:金马奖的想象跨国身份

The Velvet Light Trap Pub Date : 2022-03-01 DOI: 10.7560/vlt8903

C. Lin

{"title":"Awarding Chinese-Language Cinemas: Imaginary Transnational Identities of the Golden Horse Awards","authors":"C. Lin","doi":"10.7560/vlt8903","DOIUrl":"https://doi.org/10.7560/vlt8903","url":null,"abstract":"ABSTRACT:Frequently referred to as the \"Chinese Oscars,\" the Golden Horse Awards, held in Taiwan annually since 1962, accept submissions from various Chinese-speaking countries despite China's suppression of Taiwan. This article reveals that the transnationalism of the Golden Horse Awards has been influenced by the cross-border tendency of early Chinese cinemas, the political turmoil of the past six decades in Taiwan, and the shifts in Chinese-language film industries in East and Southeast Asia under the influence of neoliberal globalization. It examines how the Golden Horse Awards have transformed from a tool of state ideology during the Cold War into an evaluating system that aims to promote both the global image of Taiwan and the artistic values of Chinese-language films in a broader sense. Drawing on theories from film festival and transnational cinema studies, this article further compares the Golden Horse Awards with the Cannes Film Festival to demonstrate the ways in which both festivals culturally legitimize local \"national\" cinema while aligning with transnational cinemas to counter larger film hegemonies. I bring the research up-to-date by examining the challenges the Golden Horse Awards have faced since China withdrew from the competition following political controversy at the 2018 ceremony. By focusing on how the Golden Horse Awards function both as a physical and an imaginary site that embodies the ambivalence of the umbrella term \"Chinese-language cinemas,\" this article sheds light on broader complex issues of national identities, globalization, and transnational cinemas in film awards studies.","PeriodicalId":335072,"journal":{"name":"The Velvet Light Trap","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125452706","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Professional Widows: Contesting History with the Rock and Roll Hall of Fame 职业寡妇:与摇滚名人堂争夺历史

The Velvet Light Trap Pub Date : 2022-03-01 DOI: 10.7560/vlt8907

A. Vesey

{"title":"Professional Widows: Contesting History with the Rock and Roll Hall of Fame","authors":"A. Vesey","doi":"10.7560/vlt8907","DOIUrl":"https://doi.org/10.7560/vlt8907","url":null,"abstract":"ABSTRACT:Female musicians account for almost 8 percent of the Rock and Roll Hall of Fame's inductees. The Rock Hall, however, often invites rock widows to accept their late husbands' awards. As a result, rock widows' sustained presence at Rock Hall induction ceremonies illustrates the hall's bias against women's contributions to rock history. This article uses textual and discourse analysis to examine how HBO generated programming out of rock widow Courtney Love's fraught history with Nirvana following the band's 2014 induction into the Rock and Rock Hall of Fame. The channel broadcast the Rock Hall's 2014 ceremony, which included Nirvana's induction and reunited Love with her late husband's family and band, including drummer Dave Grohl. Within a year, HBO programmed Foo Fighters: Sonic Highways and Kurt Cobain: Montage of Heck, two documentary projects that foregrounded Grohl's and Love's contributions to Nirvana's legacy and were particularly instructive in their illumination of Love's significance to the band's legacy. Love used HBO's interest in Cobain as an opportunity to reframe her career through their marriage. Thus, in this article, I recognize Love's rock widow status as a guiding force behind Nirvana's mid-2010s renaissance on HBO and a challenge to HBO and the Rock Hall's hegemonic masculinity.","PeriodicalId":335072,"journal":{"name":"The Velvet Light Trap","volume":"89 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130457129","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Industrializing Nationalist Dissent: Music Censorship, 2 Live Crew, and the Politics of Performance at the 1990 MTV Video Music Awards 工业化的民族主义异议:1990年MTV音乐录影带大奖上的音乐审查、2个现场工作人员和表演的政治

The Velvet Light Trap Pub Date : 2022-03-01 DOI: 10.7560/vlt8905

Michael M Reinhard

{"title":"Industrializing Nationalist Dissent: Music Censorship, 2 Live Crew, and the Politics of Performance at the 1990 MTV Video Music Awards","authors":"Michael M Reinhard","doi":"10.7560/vlt8905","DOIUrl":"https://doi.org/10.7560/vlt8905","url":null,"abstract":"ABSTRACT:This article considers how performances at the Video Music Awards (VMAs) have been central to constructing the cultural brand of MTV by fusing debates around nationalism, anticensorship, and consumer activism. When the rap group 2 Live Crew performed their single \"Banned in the U.S.A.\" during the 1990 VMAs telecast, they drew from their experience of being arrested in Florida for violating the state's obscenity standards, thus drawing attention to how rap music was being censored on racial grounds. This public relations effort reflected a response to earlier pressure campaigns by consumer and political activist groups like the Parents Music Resource Center. 2 Live Crew's criticism of censorship was not unique, as other moments in the telecast represented how MTV's partnerships with music trade organizations, and the later Rock the Vote campaign, worked to industrialize performances of dissent as part of a broader method of handling political regulatory threats over obscenity in music. Through these performances of nationalist dissent, the 1990 VMAs telecast can thus be read as a form of \"industrial reflexivity\" that worked to brand the consumption of MTV's youth culture as a legitimate citizenship practice.","PeriodicalId":335072,"journal":{"name":"The Velvet Light Trap","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131600007","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Hollywood's Culture of Scientific and Technical Achievement 好莱坞的科技成就文化

The Velvet Light Trap Pub Date : 2022-03-01 DOI: 10.7560/vlt8906

Charles R. Acland

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(Re)Writing Music History: Television, Memory, and Nostalgia in The People's History of Pop (再)写音乐史:流行音乐史中的电视、记忆和怀旧

The Velvet Light Trap Pub Date : 2021-09-01 DOI: 10.7560/vlt8806

L. Weston

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ACT UP Documentaries and the Question of Intermediate Archival Context ACT UP纪录片与中间档案语境问题

The Velvet Light Trap Pub Date : 2021-09-01 DOI: 10.7560/vlt8807

Matthew Connolly

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