(Re)Writing Music History: Television, Memory, and Nostalgia in The People's History of Pop

The Velvet Light Trap Pub Date : 2021-09-01 DOI:10.7560/vlt8806

L. Weston

引用次数: 0

Abstract

ABSTRACT:This article explores how the BBC series The People's History of Pop (2016–2017) challenges the production of televised music history. Its delivery is characterized by a move away from Aristotelian "Great Man" narratives and toward an exploration of "history from below," which narrativizes popular music history from a fan perspective. Through its aesthetic and representational strategies, the series foregrounds the material cultures surrounding popular music, emphasizing their value as a site of nostalgic and affective engagement.

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(再)写音乐史:流行音乐史中的电视、记忆和怀旧

摘要:本文探讨了BBC电视剧《流行音乐史》(2016-2017)对电视音乐史制作的挑战。它的表达方式的特点是从亚里士多德的“伟人”叙事转向探索“从下面的历史”，从粉丝的角度叙述流行音乐史。通过其美学和代表性策略，该系列突出了流行音乐周围的物质文化，强调了它们作为怀旧和情感参与场所的价值。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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The Velvet Light Trap

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