工业化的民族主义异议:1990年MTV音乐录影带大奖上的音乐审查、2个现场工作人员和表演的政治

Michael M Reinhard
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引用次数: 0

摘要

摘要:本文探讨了MTV音乐录影带大奖(vma)的表演如何通过融合民族主义、反审查和消费者维权主义的辩论,成为构建MTV文化品牌的核心。说唱组合2 Live Crew在1990年的vma颁奖典礼上演唱单曲《forbidden in U.S.A.》时,引用了他们在佛罗里达州因违反该州的淫秽标准而被捕的经历,从而引起了人们对说唱音乐因种族原因受到审查的关注。这种公关努力反映了对早期消费者和政治活动家团体(如家长音乐资源中心)的压力运动的回应。2现场工作人员对审查制度的批评并不是唯一的,因为电视节目中的其他时刻代表了MTV与音乐贸易组织的合作关系,以及后来的Rock the Vote运动,努力将异议表演工业化,作为处理政治监管威胁的更广泛方法的一部分。通过这些民族主义异议的表演,1990年MTV音乐录影带大奖的电视转播可以被解读为一种“工业反身性”,它将MTV的青年文化消费打上了一种合法的公民实践的烙印。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Industrializing Nationalist Dissent: Music Censorship, 2 Live Crew, and the Politics of Performance at the 1990 MTV Video Music Awards
ABSTRACT:This article considers how performances at the Video Music Awards (VMAs) have been central to constructing the cultural brand of MTV by fusing debates around nationalism, anticensorship, and consumer activism. When the rap group 2 Live Crew performed their single "Banned in the U.S.A." during the 1990 VMAs telecast, they drew from their experience of being arrested in Florida for violating the state's obscenity standards, thus drawing attention to how rap music was being censored on racial grounds. This public relations effort reflected a response to earlier pressure campaigns by consumer and political activist groups like the Parents Music Resource Center. 2 Live Crew's criticism of censorship was not unique, as other moments in the telecast represented how MTV's partnerships with music trade organizations, and the later Rock the Vote campaign, worked to industrialize performances of dissent as part of a broader method of handling political regulatory threats over obscenity in music. Through these performances of nationalist dissent, the 1990 VMAs telecast can thus be read as a form of "industrial reflexivity" that worked to brand the consumption of MTV's youth culture as a legitimate citizenship practice.
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