发布求助
文献互助 智能选刊 最新文献

The Velvet Light Trap最新文献

筛选
英文 中文
Toward a Theory of Disability Documentary: Alison O’Daniel’s The Tuba Thieves (2013–Present) 《走向残疾理论》纪录片:艾莉森·奥丹尼尔《大号小偷》(2013 -至今)
The Velvet Light Trap Pub Date : 2021-09-01 DOI: 10.7560/vlt8802
Emma Ben Ayoun
{"title":"Toward a Theory of Disability Documentary: Alison O’Daniel’s The Tuba Thieves (2013–Present)","authors":"Emma Ben Ayoun","doi":"10.7560/vlt8802","DOIUrl":"https://doi.org/10.7560/vlt8802","url":null,"abstract":"","PeriodicalId":335072,"journal":{"name":"The Velvet Light Trap","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133783521","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Structural Film, Mondo New Hollywood, and the Violent Image: A Discussion with Sheldon Renan 结构电影、蒙多、新好莱坞与暴力影像:与谢尔登·勒南探讨
The Velvet Light Trap Pub Date : 2021-09-01 DOI: 10.7560/vlt8808
M. Rosen
{"title":"Structural Film, Mondo New Hollywood, and the Violent Image: A Discussion with Sheldon Renan","authors":"M. Rosen","doi":"10.7560/vlt8808","DOIUrl":"https://doi.org/10.7560/vlt8808","url":null,"abstract":"","PeriodicalId":335072,"journal":{"name":"The Velvet Light Trap","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127620234","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Indian Food Television: Tracing the Transformation of Hindi and English Food Shows (2010–2018) 印度美食电视:追踪印地语和英语美食节目的转变(2010-2018)
The Velvet Light Trap Pub Date : 2021-09-01 DOI: 10.7560/vlt8805
Dattatreya Ghosh
{"title":"Indian Food Television: Tracing the Transformation of Hindi and English Food Shows (2010–2018)","authors":"Dattatreya Ghosh","doi":"10.7560/vlt8805","DOIUrl":"https://doi.org/10.7560/vlt8805","url":null,"abstract":"ABSTRACT:This article traces the journey of Indian food media, particularly Hindi- and Englishlanguage television shows, from 2010 to 2018. The tendency of food television to uphold an upper- and upper-middle-class lifestyle points to a politics of appropriation of class. The transformation after 2010 is marked by changes in the space, the products endorsed, and the brands sponsoring the shows, while the aesthetics of the audiovisual medium indicate an inclination to enable a politics of consumerism and to posit a linear narrative on Indian cuisine that minimizes difference.","PeriodicalId":335072,"journal":{"name":"The Velvet Light Trap","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115905791","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Color Correction and the Look of Festival Documentary 色彩校正和节日纪录片的外观
The Velvet Light Trap Pub Date : 2021-09-01 DOI: 10.7560/vlt8804
Chris Cagle
{"title":"Color Correction and the Look of Festival Documentary","authors":"Chris Cagle","doi":"10.7560/vlt8804","DOIUrl":"https://doi.org/10.7560/vlt8804","url":null,"abstract":"ABSTRACT:The digital turn and the increased role of postproduction have transformed the look of documentary films, especially those geared toward the film festival circuit. Festival films such as Fire at Sea (Gianfranco Rosi, 2016), Armadillo (Janus Metz, 2010), On Rubiks' Road (Laila Pakalniņa, 2010), and A Memory in Khaki (Alfoz Tanjour, 2016) have developed an approach to color correction distinct from that of more industrially dominant theatrical documentary. Reconciling realism and pictorialism, these films' color correction acts as a \"house style\" of festival documentary that adds meaning to the individual documentary.","PeriodicalId":335072,"journal":{"name":"The Velvet Light Trap","volume":"88 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131388124","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Netflix Originals: The Evolution of True Crime Television Netflix原创:真实犯罪电视的演变
The Velvet Light Trap Pub Date : 2021-09-01 DOI: 10.7560/vlt8803
E. Walters
{"title":"Netflix Originals: The Evolution of True Crime Television","authors":"E. Walters","doi":"10.7560/vlt8803","DOIUrl":"https://doi.org/10.7560/vlt8803","url":null,"abstract":"ABSTRACT:Netflix has emerged at the forefront of a modern craze: the serialized true crime docuseries, a phenomenon emblematized by the platform's hit series Making a Murderer (2015–2018). This article contextualizes the true crime docuseries trend within the tradition of true crime television, a long-popular genre frequently dismissed as sensationalism. The article traces the genre's ideology and format to situate the true crime docuseries not as an elevation but as a reconfiguration that operates with a similar purpose, as evidenced by Netflix's docuseries reboot of the classic true crime vehicle Unsolved Mysteries.","PeriodicalId":335072,"journal":{"name":"The Velvet Light Trap","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122113549","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
From the Tribune to the Tube: The Development of Sports Punditry on Cable Television 从论坛报到地铁:有线电视体育评论的发展
The Velvet Light Trap Pub Date : 2021-03-11 DOI: 10.7560/VLT8705
Taylor M. Henry
{"title":"From the Tribune to the Tube: The Development of Sports Punditry on Cable Television","authors":"Taylor M. Henry","doi":"10.7560/VLT8705","DOIUrl":"https://doi.org/10.7560/VLT8705","url":null,"abstract":"abstract:This article argues that the genre of televised sports punditry primarily developed from newspaper columnists and sports talk radio hosts, with the outrage discourse that dominated both sports and political talk radio transitioning seamlessly to television. This article engages in a critical production study of shows such as ESPN's The Sports Reporters, the network's flagship newscast SportsCenter, and ESPN2's SportsNight, which became centers for \"infotainment,\" merging more traditional news reporting with popular culture references and distinctive personalities in order to expand the network's audiences and profitability. The article argues that while televised sports punditry demonstrated a greater commitment to on-air racial and gender diversity than political punditry, it simultaneously centered and privileged the white masculinity dominating both sports columns in newspapers and sports talk radio shows. This article also links early sports pundit programs to a brief history of contemporary political punditry on cable television news and a larger industrial shift from broadcast to the \"narrowcasting\" era of cable.","PeriodicalId":335072,"journal":{"name":"The Velvet Light Trap","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129081564","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Running the Wrong Pattern: TVTV Goes to the Super Bowl 运行错误的模式:TVTV去看超级碗
The Velvet Light Trap Pub Date : 2021-03-11 DOI: 10.7560/VLT8704
Brett Kashmere
{"title":"Running the Wrong Pattern: TVTV Goes to the Super Bowl","authors":"Brett Kashmere","doi":"10.7560/VLT8704","DOIUrl":"https://doi.org/10.7560/VLT8704","url":null,"abstract":"abstract:This article examines how the 1976 teledocumentary TVTV Goes to the Super Bowl subverts the accepted mythology of American football. Produced by the Bay Area collective TVTV, this intimate, behind-the-scenes look at Super Bowl X merges the perspectives of players, spouses, fans, and the press. My analysis proposes that TVTV's intervention destabilizes the dominant image of masculinity as embodied and expressed in popular football docufiction and broadcast-media coverage of the sport. I argue that TVTV's counterhegemonic vision is made possible by its status as an ethnographic art project that exists outside of the production model of sports entertainment culture. Thus, the video operates against the logics of bureaucracy, professionalism, and mastery. Shifting focus away from the story of the game to the images and subjectivities of those who play, TVTV Goes to the Super Bowl expands the horizon of masculine representation in body culture, offers an alternative means of identification, and reimagines football as a non-zero-sum game.","PeriodicalId":335072,"journal":{"name":"The Velvet Light Trap","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117189236","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Beyond Basketball: NBA Entertainment and the Sports League as Global Media Empire, 1982–1990 超越篮球:NBA娱乐和体育联盟作为全球媒体帝国，1982-1990
The Velvet Light Trap Pub Date : 2021-03-11 DOI: 10.7560/VLT8703
Steven Secular
{"title":"Beyond Basketball: NBA Entertainment and the Sports League as Global Media Empire, 1982–1990","authors":"Steven Secular","doi":"10.7560/VLT8703","DOIUrl":"https://doi.org/10.7560/VLT8703","url":null,"abstract":"abstract:Through the case of the National Basketball Association (NBA), this article charts the early transformation of sports leagues into global media conglomerates from 1982 to 1990, as reflected in the creation and growth of NBA Entertainment. As an internal production, distribution, and archival outfit, the division enabled the NBA to produce and distribute its own television and promotional content, leveraging new opportunities in cable television and global satellite distribution. Following a renegotiation with broadcast partner CBS in late 1985, the NBA reacquired its own international media rights, which allowed the league to further use NBA Entertainment to self-produce international game edits for overseas distribution. During this period, the NBA reached new heights as an integrated media producer-distributor, culminating in late 1989, when NBA Entertainment left CBS for NBC, which promised greater control over network production and promotion. Ultimately, as sports were increasingly conceived and produced as television content, sports leagues such as the NBA evolved from primarily administrative bodies into vertically integrated media conglomerates. This article establishes a historical basis for the further integration of the sports and media industries on a global scale, as sports programming continues to grow into a fundamental component of the multiplatform media landscape.","PeriodicalId":335072,"journal":{"name":"The Velvet Light Trap","volume":"244 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123024894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Experiments in the Cine-Olympic Cycle: Camera Technology and Operation in The Grand Olympics (1961) and White Rock (1977) 电影-奥运循环的实验:《大奥运会》(1961)和《白石》(1977)中的摄影技术和操作
The Velvet Light Trap Pub Date : 2021-03-11 DOI: 10.7560/VLT8702
Adam J. Hebert
{"title":"Experiments in the Cine-Olympic Cycle: Camera Technology and Operation in The Grand Olympics (1961) and White Rock (1977)","authors":"Adam J. Hebert","doi":"10.7560/VLT8702","DOIUrl":"https://doi.org/10.7560/VLT8702","url":null,"abstract":"abstract:This article examines two lesser-known official films from the cycle of the Olympic Games: The Grand Olympics (Romolo Marcellini, 1961) and White Rock (Tony Maylam, 1977). The filmmakers' experiments with wide-screen composition, extreme telephoto lensing, and novel means of tracking athletics in action challenge us to recalibrate our critical lexicon with respect to the process of screening sport. Combining insights into changes in film stock and optics with a close reading of the films, the article makes a case for placing technological shifts and below-the-line craft of production personnel in dialogue with accounts of Olympic cinema that privilege auteurist and ideological readings. In this vein, the article builds off John Caldwell's work on industrial reflexivity and Katie Bird's scholarship on embodied camerawork, body-mount rigs, and winter sport production. Augmenting these approaches with careful attention to \"minor\" technological shifts and their experimental use vis-à-vis Olympic sport allows for holistic analyses of film that can bridge technical specifics, formal analysis, and production studies. In so doing, the article suggests that while sports media is a particularly rich site for such a study, this approach is likewise useful for media objects far afield from those produced in Olympic stadia.","PeriodicalId":335072,"journal":{"name":"The Velvet Light Trap","volume":"84 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124134255","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Nelson Sullivan's Video Memories: YouTube Nostalgia and the Queer Archive Effect 尼尔森·沙利文的视频记忆:YouTube怀旧和酷儿档案效应
The Velvet Light Trap Pub Date : 2020-09-01 DOI: 10.7560/vlt8603
Joseph DeLeon
{"title":"Nelson Sullivan's Video Memories: YouTube Nostalgia and the Queer Archive Effect","authors":"Joseph DeLeon","doi":"10.7560/vlt8603","DOIUrl":"https://doi.org/10.7560/vlt8603","url":null,"abstract":"ABSTRACT:This article argues that Nelson Sullivan's video archive on YouTube reveals a \"queer archive effect\" on streaming platforms today. Through the nostalgic pull of witnessing everyday life in the 1980s, a period often historicized as one of loss amid the AIDS crisis, Sullivan's audience has found a space where they can unite as a queer community and gather the threads of a shared history. Long confined to the background of histories of other queer stars, such as RuPaul, Nelson Sullivan's video archive of the mundane offers a way to understand the nostalgic contours of queer spectator-ship and fandom online.","PeriodicalId":335072,"journal":{"name":"The Velvet Light Trap","volume":"179 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123308763","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：604180095
Book学术官方微信