{"title":"(再)写音乐史:流行音乐史中的电视、记忆和怀旧","authors":"L. Weston","doi":"10.7560/vlt8806","DOIUrl":null,"url":null,"abstract":"ABSTRACT:This article explores how the BBC series The People's History of Pop (2016–2017) challenges the production of televised music history. Its delivery is characterized by a move away from Aristotelian \"Great Man\" narratives and toward an exploration of \"history from below,\" which narrativizes popular music history from a fan perspective. Through its aesthetic and representational strategies, the series foregrounds the material cultures surrounding popular music, emphasizing their value as a site of nostalgic and affective engagement.","PeriodicalId":335072,"journal":{"name":"The Velvet Light Trap","volume":"24 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"(Re)Writing Music History: Television, Memory, and Nostalgia in The People's History of Pop\",\"authors\":\"L. Weston\",\"doi\":\"10.7560/vlt8806\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:This article explores how the BBC series The People's History of Pop (2016–2017) challenges the production of televised music history. Its delivery is characterized by a move away from Aristotelian \\\"Great Man\\\" narratives and toward an exploration of \\\"history from below,\\\" which narrativizes popular music history from a fan perspective. Through its aesthetic and representational strategies, the series foregrounds the material cultures surrounding popular music, emphasizing their value as a site of nostalgic and affective engagement.\",\"PeriodicalId\":335072,\"journal\":{\"name\":\"The Velvet Light Trap\",\"volume\":\"24 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Velvet Light Trap\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7560/vlt8806\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Velvet Light Trap","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/vlt8806","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
(Re)Writing Music History: Television, Memory, and Nostalgia in The People's History of Pop
ABSTRACT:This article explores how the BBC series The People's History of Pop (2016–2017) challenges the production of televised music history. Its delivery is characterized by a move away from Aristotelian "Great Man" narratives and toward an exploration of "history from below," which narrativizes popular music history from a fan perspective. Through its aesthetic and representational strategies, the series foregrounds the material cultures surrounding popular music, emphasizing their value as a site of nostalgic and affective engagement.
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