{"title":"Ethnodesign in Ukraine: a Bifurcation Point has Taken Place","authors":"Natalia Udris-Borodavko","doi":"10.31866/2617-7951.3.2.2020.220075","DOIUrl":"https://doi.org/10.31866/2617-7951.3.2.2020.220075","url":null,"abstract":"","PeriodicalId":33447,"journal":{"name":"Demiurg ideyi tekhnologiyi perspektivi dizainu","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49002123","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Introduction of Avant-garde Concepts in the Design of Household Goods in the Field of Ceramics and Porcelain","authors":"Olha Shkolna","doi":"10.31866/2617-7951.3.1.2020.207539","DOIUrl":"https://doi.org/10.31866/2617-7951.3.1.2020.207539","url":null,"abstract":"The purpose of the study is to identify the features of the introduction of avant-garde concepts in the design of household items, in particular, utensils in Mezhyhirya Art and Ceramics College and to track the use of modern techniques and materials by boychukists, suprematists, constructivists and art deco in domestic art and design culture. The methodology of the research is based on the principles of comprehensiveness, methods of general scientific comparative studies, formal-stylistic and art analyzes. The scientific novelty lies in the identification of artistic features of the work of avant-garde artists in the pursuit of blurring the boundaries between art and life. The specifics of the appeal to ceramics and porcelain of avant-garde artists of Mykhailo Boychuk’s circle in Mezhyhirya Art and Ceramic Technical School-Institute (V. Sedlyar, I. Padalka, P. Ivanchenko, P. Musijenko, D. Golovko), groups of suprematist artists at Leningrad porcelain factory are described (K. Malevich, I. Chashnyk, M. Suietin), as well as J. Dindo, who balanced between constructivism, suprematism and art deco. Conclusions. The results of the study show a certain phenomenon of avant-garde artists from different schools developing in different countries, which consisted in the implementation of often very similar ideas in the design of household items. It was found that this phenomenon was caused not so much by the influence of artists on each other, as by the source of common worldviews. Both the representatives of the Bauhaus and the Ukrainian avant-garde proceeded primarily from the need to modernize life, the rejection of the dominance of historical styles in the design of things. Thus, the details of everyday life, like utensils, get the maximum simplification of forms, the use of new, sometimes unusual materials to the embodiment of graphic decor, inherent in a certain avant-garde direction.","PeriodicalId":33447,"journal":{"name":"Demiurg ideyi tekhnologiyi perspektivi dizainu","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41710954","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ukrainian Avant-garde 1920–1930s in the Cultural Reflection of Modern Ukraine","authors":"Natalia Udris-Borodavko","doi":"10.31866/2617-7951.3.1.2020.207527","DOIUrl":"https://doi.org/10.31866/2617-7951.3.1.2020.207527","url":null,"abstract":"Research aim is to cover and systematize cultural, artistic, scientific, and design projects dedicated to rethinking the period of Ukrainian constructivism in the 1920s and 1930s in the context of cultural reflection of Ukrainian society. The research methodology is to analyze the empirical material. Scientific novelty . The article for the first time organizes and analyzes cultural and artistic projects implemented in Ukraine over the past decade and aimed at revealing the power of this artistic and design phenomenon or rethinking its ideological foundations from the standpoint of contemporaries. In addition, the author argues that design is the most effective tool that allows us to convey the results of scientific reflection to the general public and influence the transformation of public consciousness in the direction of the goal – awareness of Ukraine as a carrier of a unique world cultural heritage. Conclusions . Significant intensification of public cultural reflection on the Ukrainian avant-garde of the 1920s and 1930s was caused, first, by the personal reflections of scientists and designers who design intellectual and material products. Secondly, the growth of the professional level of the institution of cultural management and a systematic approach to design, thanks to which personal reflections are transformed into spectacular content and spread among the public.","PeriodicalId":33447,"journal":{"name":"Demiurg ideyi tekhnologiyi perspektivi dizainu","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69793119","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Specificity of Visual System in Social Posters on Domestic Violence","authors":"Liliana Vezhbovska, Iryna Solan","doi":"10.31866/2617-7951.2.2.2019.189718","DOIUrl":"https://doi.org/10.31866/2617-7951.2.2.2019.189718","url":null,"abstract":"The aim of the study is to identify the specificity of graphic means and techniques used in social posters on domestic violence. Research methods. The general scientific methods of analysis, synthesis, comparison, iconological and sociological methods are applied in the work. Scientific novelty. Using the example of a social poster, the study reveals the specificity of visual system most appropriate in campaigns against domestic violence. The relevance of the topic is caused by the need to find out the reasons for the low effectiveness of social advertising in Ukraine on this theme, which is discovered, first of all, by the low public awareness of УДК 655.3.066.24-028.22:364.63-027.553 СПЕЦИФІКА ВІЗУАЛЬНОЇ СИСТЕМИ У СОЦІАЛЬНИХ ПЛАКАТАХ НА ТЕМУ ДОМАШНЬОГО НАСИЛЬСТВА Ліліана Вежбовська, https://orcid.org/0000-0003-1886-1477 кандидат мистецтвознавства, доцент кафедри графічного дизайну, Київський національний університет культури і мистецтв, Київ, Україна lilianavezhbovska@gmail.com Ірина Солан, https://orcid.org/0000-0001-9101-6021 студентка 6 курсу Факультету дизайну і реклами, Київський національний університет культури і мистецтв, Київ, Україна solanara97@gmail.com","PeriodicalId":33447,"journal":{"name":"Demiurg ideyi tekhnologiyi perspektivi dizainu","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69792929","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Future Designers’ Professional Competence Formation with the Innovative Technologies Use","authors":"Liliya Saprykina","doi":"10.31866/2617-7951.2.2.2019.189732","DOIUrl":"https://doi.org/10.31866/2617-7951.2.2.2019.189732","url":null,"abstract":"The aim of the article is a theoretical substantiation of innovative technologies introduction in the process of future designers’ professional training. Based on scientists’ researches analysis concerning the problem of future specialists’ professional competence formation, it is determined that the introduction of innovative technologies has a positive influence on future specialists’ professional competence formation in the process of studying in higher education institutions. Research methods . Methods of analysis, comparison, and generalization, as well as methods of pedagogical experiment and pedagogical observation were applied. Scientific novelty consists in defining the concept of \"project activity\" as a specific form of independent learning activity modeling on the basis of the student’s personal choice for cognitive or practical tasks in non-standard situations, which provides the personal content of learning. It is substantiated that the project activity basis is cognitive skills development, ability to independently design knowledge and navigate the information space, development of future designers’ critical thinking. It is emphasized that project activity promotes the formation of professionally relevant knowledge, future designers’ skills, as well as assimilation of a certain structure of project activity, which is important both for professional activity and future designers’ personal development and also provides the formation of positive learning motivation. Conclusions . The necessity of introducing the project activity into the process of future designers preparing is proved, as the project activity contributes to the formation of future designers’ professional competence structure components.","PeriodicalId":33447,"journal":{"name":"Demiurg ideyi tekhnologiyi perspektivi dizainu","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46485292","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Graphic Design in the Aspect of Combining Unconnected","authors":"I. Cherkesova","doi":"10.31866/2617-7951.2.2.2019.189726","DOIUrl":"https://doi.org/10.31866/2617-7951.2.2.2019.189726","url":null,"abstract":"The purpose of our research is to consider graphic design in the aspect of combining the incompatible – complementarity, and to identify ways to organize and develop the professional thinking of a designer. Research methods – analysis of synthesis of scientific, technical and humanitarian cultures in the field of graphic design; an attempt to apply the methods of researching the science of «centauristics» to the study of contemporary design. Scientific novelty. For the first time an attempt is made to apply the «centauristic» method to the study of the state of modern graphic design. Conclusions. Graphic forms of information cause certain feelings and create a positive or negative (in the case of unsuccessful forms) environment, adjust the emotional state of people to callogathy or the degradation of behavioral models. The principle of complementarity should be embedded in the modern education base, especially in the professional education of the design industry. This will help to shape not only a harmoniously developed personality, but also to become a specialist in design, capable of design thinking, generation of ideas and their implementation in the reality.","PeriodicalId":33447,"journal":{"name":"Demiurg ideyi tekhnologiyi perspektivi dizainu","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69792986","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Role of the Landscape in the Collage: Connections in the Past and the Present","authors":"Ibеn From","doi":"10.31866/2617-7951.2.1.2019.170355","DOIUrl":"https://doi.org/10.31866/2617-7951.2.1.2019.170355","url":null,"abstract":"","PeriodicalId":33447,"journal":{"name":"Demiurg ideyi tekhnologiyi perspektivi dizainu","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48803060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Design of Open Public Spaces in the Context of World Trends in City Planning","authors":"O. Klishch","doi":"10.31866/2617-7951.2.1.2019.170352","DOIUrl":"https://doi.org/10.31866/2617-7951.2.1.2019.170352","url":null,"abstract":"","PeriodicalId":33447,"journal":{"name":"Demiurg ideyi tekhnologiyi perspektivi dizainu","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45772524","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Spatial Organization and Furnishing of the School Classroom: the Initial Development Period (ХІІІ–ХVII ct.)","authors":"D. Kosenko","doi":"10.31866/2617-7951.2.1.2019.170353","DOIUrl":"https://doi.org/10.31866/2617-7951.2.1.2019.170353","url":null,"abstract":"","PeriodicalId":33447,"journal":{"name":"Demiurg ideyi tekhnologiyi perspektivi dizainu","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42941662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Rhythm as a Factor of Plastic-color Organization of Painting`s Composition","authors":"Kateryna Kudriavtseva","doi":"10.31866/2617-7951.2.1.2019.170362","DOIUrl":"https://doi.org/10.31866/2617-7951.2.1.2019.170362","url":null,"abstract":"","PeriodicalId":33447,"journal":{"name":"Demiurg ideyi tekhnologiyi perspektivi dizainu","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41851918","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}