Graphic Design in the Aspect of Combining Unconnected

I. Cherkesova
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引用次数: 2

Abstract

The purpose of our research is to consider graphic design in the aspect of combining the incompatible – complementarity, and to identify ways to organize and develop the professional thinking of a designer. Research methods – analysis of synthesis of scientific, technical and humanitarian cultures in the field of graphic design; an attempt to apply the methods of researching the science of «centauristics» to the study of contemporary design. Scientific novelty. For the first time an attempt is made to apply the «centauristic» method to the study of the state of modern graphic design. Conclusions. Graphic forms of information cause certain feelings and create a positive or negative (in the case of unsuccessful forms) environment, adjust the emotional state of people to callogathy or the degradation of behavioral models. The principle of complementarity should be embedded in the modern education base, especially in the professional education of the design industry. This will help to shape not only a harmoniously developed personality, but also to become a specialist in design, capable of design thinking, generation of ideas and their implementation in the reality.
平面设计中不关联的结合
我们的研究目的是在结合不相容-互补的角度来考虑平面设计,并找出如何组织和发展一个设计师的专业思维。研究方法-分析平面设计领域的科学、技术和人文文化的综合;尝试将“百年学”的研究方法应用于当代设计的研究。科学的新奇。首次尝试将“半人马”方法应用于现代平面设计状态的研究。结论。信息的图形形式引起一定的感觉,创造积极或消极(在不成功的形式的情况下)的环境,调整人的情绪状态到callogathy或行为模式的退化。在现代教育基础上,特别是在设计行业的专业教育中,应该嵌入互补的原则。这不仅有助于塑造和谐发展的个性,而且有助于成为设计专家,能够进行设计思考,产生想法并在现实中实施。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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