Demiurg ideyi tekhnologiyi perspektivi dizainu最新文献

{"title":"Design of Woman’s Clothes Collection Inspired by Salvador Dali’s Creative Work","authors":"N. Lytvynenko, Alina Zhylko","doi":"10.31866/2617-7951.2.2018.154679","DOIUrl":"https://doi.org/10.31866/2617-7951.2.2018.154679","url":null,"abstract":"The aim of the research. Development of modern collection of woman’s clothes with the usage of artistic stylistic elements by Sal’vador Dali in combination with trend ideas. Research methodology is based on the method of study of art supervisions and generalizations including research of the resource, recording general signs and properties; a structural and tipological method with the analysis of fashionable trends and literature source, and studying similarities to discover differences; a systematic method which includes dividing the system into subsystems to be studied independently; a comparative method studying the collected information with its interrelations on the basis of comparative and historical approach; a method of formalization which studies the adaptability and efficiency of project decisions of clothes models. Scientific novelty is represented in extended analysis of scientific and theoretical view of artworks by Salvador Dali. Signs in the works of the artist as a result of his psychological and emotional state in certain periods of creative way are analyzed and systematized. Based on the thorough analysis, such basic characteristics of the collection as shape, silhouette, lines, texture, manner of execution, colors and assortment are derived. Possessing initial characteristics, the first period of creativity of Salvador Dali was chosen for the design of the collection. Having decided on the assortment group – outerwear, and the shape - rounded, cocoon imitation, the work to design the collection using the transformation method was carried out. Conclusions . This design and compositional work presents the author’s collection of ready-to-wear women’s clothing, developed on the basis of the study of the psychological and emotional paradigm of Salvador Dali’s creative work, which is embodied in his paintings from the 1930s-1940s, using the latest trends. The collection is made in the avant-garde style - a fashionable trend that has a number of characteristic marks in fashion such as the usage of unusual materials, shapes, lines, the creation of non-standard silhouettes, where the advantage is often given to threedimensional geometric shapes, asymmetry, and the use of noticeable accessories [21]. In this collection avant-garde style was primarily represented in non-standard forms and designs.","PeriodicalId":33447,"journal":{"name":"Demiurg ideyi tekhnologiyi perspektivi dizainu","volume":"74 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91397356","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Light Design in the Context of Scientific Idea","authors":"Serhii Chyrchyk","doi":"10.31866/2617-7951.2.2018.154661","DOIUrl":"https://doi.org/10.31866/2617-7951.2.2018.154661","url":null,"abstract":"Мета . Дослідити аспекти використання світлотехнічних засобів у контексті засобів художньої виразності предметно-просторового середовища. Акцентувати увагу на базових питаннях світлодизайну в інтер’єрі і ландшафтному проектуванні. Методика . Застосовано метод моделювання освітлення у графічних редакторах, а також – інші аналітичні підходи до вивчення явища. Результати . Через розгляд базових питань світлотехнічного конструювання та основ проектування освітлення виявлено нові можливості оптимізації процесу проектування у роботі світлодизайнера. Наукова новизна . Полягає у комплексному дослідженні питань світлового дизайну в контексті створення бажаних психологічних та естетичних ефектів. Практична значення . Проведені дослідження практичного використання світлотехнічних засобів у дизайні можуть бути використані у роботі практикуючих дизайнерів, фахівців споріднених спеціальностей, викладачів цієї навчальної дисципліни чи споріднених з нею, а також аспірантів, що працюють у даному напрямку.","PeriodicalId":33447,"journal":{"name":"Demiurg ideyi tekhnologiyi perspektivi dizainu","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69792999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Мистецтво бойчукіста Онуфрія Бізюкова 1960-х рр. Відродження експерименту","authors":"Volodymyr Petrashyk","doi":"10.31866/2617-7951.2.2018.154788","DOIUrl":"https://doi.org/10.31866/2617-7951.2.2018.154788","url":null,"abstract":"The aim of the research is to highlight the tendency of the artist-boychukist Onufriy Bizyukov’s work of the 1960s. To analyze the artistic and stylistic works of the artist of this period, to reveal aspects of the revival of the ideas of Boychukism at this time. Research methodology. Methods of historical and art-study analysis are used. Scientific novelty. For the first time, the facts about the life and work of the boychukist Onufriya Bizyukova were introduced into scientific circulation, the analysis of the paintings of the artist of the 1960s, the tendency to experiment in the perspective of the ideas of Boychukizm was revealed. Conclusions. As a result of the research, it was found out that O. Byzyukov used postcurrency techniques, experimented with the plane and color in the 1960s. In the works the artist focuses on the composition, structure, rhythm, form and their correspondence to the content. The most important is that the artist managed to preserve, develop and transfer the traditions of the school of Michael Boychuk for future generations in the second half of the twentieth century.","PeriodicalId":33447,"journal":{"name":"Demiurg ideyi tekhnologiyi perspektivi dizainu","volume":"7 1","pages":"115-129"},"PeriodicalIF":0.0,"publicationDate":"2018-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69793067","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Establishment of Authorship of Movie Poster \"Ukraziya. 7+2\", 1924","authors":"A. Budnyk","doi":"10.31866/2617-7951.2.2018.155068","DOIUrl":"https://doi.org/10.31866/2617-7951.2.2018.155068","url":null,"abstract":"The aim of the research. Establishment of authorship of the well-known Ukrainian movie poster which was created by the unstated artist for a film «Ukraziya. 7+2», produced at the 1-st film studios of the All-Ukrainian photo and cinema management in Odesa. The general aim is liquidation of lacunas in the poster-graphic inheritance of the Ukrainian art of 1920-30th. Methods of research . The research is based on art criticism, historical analysis and the comparative method, using the comparison of mediated documentary evidence and facts of the biography of the Ukrainian cinema artist Anatoly Volodymyrovych Martynov. Scientific novelty. For the first time on the basis of scientific analysis an attempt was made to establish the author of an unidentified Ukrainian movie poster «Ukraziya. 7+2» in 1924. Conclusions . The analysis of the compositional techniques, the graphic stylization of realistic content, the specific modeling of the light waves on the faces and clothes of the characters, and the plane interpretation of the forms in the image of industrial motifs, as well as the comparative study of the characteristics of the applied handwritten fonts and the similarity of letters and numbers proved the high probability of belonging the poster to the creative heritage of the Ukrainian artist of the XX century Anatoly Volodymyrovych Martynov. The assumption is confirmed by the results of historical analysis of the source data of the print sheet, the comparison of the mediated facts of the functioning of the artistic industry in Ukraine at that time, documentary tracking of the biographical data of a possible candidate for authorship of a cinematic work, such as professional artistic education, employment, relations with typography of other republics of the USSR, related to the poster graphic arts activities in the field of «lubok» publishing and series of postcards.","PeriodicalId":33447,"journal":{"name":"Demiurg ideyi tekhnologiyi perspektivi dizainu","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46723586","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Alternative Artistic and Memorial Practices in the Urban Space: (The Experience of the Western Ukrainian Region 2010-2016)","authors":"A. Yefimova","doi":"10.31866/2617-7951.2.2018.155064","DOIUrl":"https://doi.org/10.31866/2617-7951.2.2018.155064","url":null,"abstract":"The aim of the research is to reveal the problems of alternative artistic and memorial objects, which are represented in the open urban spaces of Western Ukraine in the period of 2010–2016. These  objects are distinguished by non-typical forms in comparison with traditional monuments and memorials. The scientific and methodological approaches to studying the mentioned problem are generalized; a considerable volume of literature and visual sources has been processed. In particular, it has been founded that this subject is entirely new and little studied in the Ukrainian art discourse. Almost there are no professional materials that would disclose the specifics of alternative artistic and memorial projects implemented in recent years in the cities of the Western Ukrainian region. This in turn causes the relevance, scientific novelty and practical significance of the proposed research. Conclusions . As a result of the research, the peculiarities of realization of modern art objects and projects aimed to actualization of collective cultural memory in the cities of Western Ukraine were found out. The international experience was comprehended. The most representative projects implemented in the region were analyzed. To large extent it give grounds to talk about positive changes in the development of new artistic and memorial forms in urban spaces and striving for Western European  trends. The visual aesthetic and socio-cultural aspects of alternative memorial objects were analyzed.","PeriodicalId":33447,"journal":{"name":"Demiurg ideyi tekhnologiyi perspektivi dizainu","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49316954","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Decorative and Household Utensils in the Product Assortment of Lviv Experimental Ceramic and Sculpture Factory: The Issue of Formation","authors":"Mykhailo Bokotei","doi":"10.31866/2617-7951.2.2018.154789","DOIUrl":"https://doi.org/10.31866/2617-7951.2.2018.154789","url":null,"abstract":"The aim of the research is to find out the form-making, artistic-constructive and technological features of small-scale production of Ukrainian glass-making enterprises at the end of the twentieth century on the basis of a sep-arate category of products, namely decorative and household utensils. Research methodol-ogy. Methods of diachronic and synchronous description of artistic phenomena, method of formal analysis and synthesis, structural-func-tional and stylistically typological method as well as interview method are used. Scientific novelty. The article is a part of a scientific study that for the first time in the Ukrainian art stud ies addresses the problems of design of small-scale production of blown glass producers, in particular in the context of the work of one of the most developed enterprises of the coun-try – Lviv experimental ceramic and sculpture factory. Conclusions . The blown glass man-ufactory LEKSF, which functioned during the period of 1962–2005, became the focal point for the continuation and development of the traditions of the classical Ukrainian blown glass and the base for the work of glass sculptors from the whole Soviet Union. Actually, in 1989 the international symposiums of blown glass in Lviv, which made it into the history of the world studio movement and had a significant impact on the development of glass making","PeriodicalId":33447,"journal":{"name":"Demiurg ideyi tekhnologiyi perspektivi dizainu","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47199378","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Compact City as Sustainable City","authors":"G. Marinoni","doi":"10.31866/2617-7951.1.2018.148107","DOIUrl":"https://doi.org/10.31866/2617-7951.1.2018.148107","url":null,"abstract":"The purpose of the article is to explore the continually changing and developing universe of urban planning practices, to study approaches, methods, and theoretical and design tools that is changing the European city. The methodology of the research is to apply the empirical method, to analyze and compare the results of the developed projects. Scientific novelty. On the basis of practical design and theoretical generalization, we have defined such principles of the urban design: hybridize multiple uses, hybridize city and landscape, hybridize city, rural and infrastructure, hybridize city «low rise», as the existing city, with forms of «high rise» city. Conclusions. In modern urban and landscape design emerges is a pluralistic horizon, with piecemeal and eclectic approaches, through which a common European profile of urban transformation shines, respectful of the essence, values, and customs of the existing city, aware of operating within the conflicts induced by the processes of innovation and adaptation of the city itself, processes necessary for its protection and survival. УДК 711.4 Компактне місто як стале місто Джузеппе Маріноні, https://orcid.org//0000-0002-1298-2027 доктор мистецтвознавства, професор, Міланський політехнічний університет, Мілан, Італія giuseppe@studiomarinoni.com","PeriodicalId":33447,"journal":{"name":"Demiurg ideyi tekhnologiyi perspektivi dizainu","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44552788","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Series and System Lines in Packaging Products Design","authors":"T. Bozhko","doi":"10.31866/2617-7951.1.2018.146815","DOIUrl":"https://doi.org/10.31866/2617-7951.1.2018.146815","url":null,"abstract":"The aim of the research is to clarify and differentiate the quintessential differences in packing products design as well as series and system lines, also to distinguish the differences between these two notions. The methodology of the research. The method of complex analysis is implemented in the following research. This method allows to determine and consider the whole set of indicators that influences the efficiency of professional tools of graphic design functioning as a particular system. Scientific novelty. The results of the research is to identify the differences between the series and the system lines of packaging products and the design task stipulated by these notions. It has been found that a series of packaging products represents a fairly rigidly defined system, in which form-shaping, compositional schemes and figurative-stylistic characteristics of the elements of graphic identification should be identical. Instead, the term «system line» indicates a greater variation in the form-shaping of packaging structures and compositional schemes of communication elements with packaging volumes interaction. However, there are more stringent requirements for color coding in the system lines and limited number of communicative elements, which are re duced to font blocks and graphic elements of TM identification. Conclusions. The tasks for the assortment range of packaging products design include the professional use of graphic design tools as a specific system. Important components of such a system that take on the УДК 76.012:659.154 Серії та системні лінії в дизайні пакувальної продукції Божко Тетяна Олександрівна, https://orcid.org/0000-0001-5696-1941 кандидат мистецтвознавства, доцент, Київський національний університет культури і мистецтв, Київ, Україна bozfhko_to@ukr.net","PeriodicalId":33447,"journal":{"name":"Demiurg ideyi tekhnologiyi perspektivi dizainu","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69792871","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Interaction of Youth Subcultures and Modern Fashion","authors":"M. Voronina","doi":"10.31866/2617-7951.1.2018.146816","DOIUrl":"https://doi.org/10.31866/2617-7951.1.2018.146816","url":null,"abstract":"Мета дослідження – аналіз особливостей соціокультурних феноменів сучасної моди і молодіжних субкультур, а також визначення варіантів їх взаємодії. Методи дослідження . Враховуючи прикладний характер представленої роботи, окрім теоретичного аналізу інформаційних джерел і систематизації складових елементів провідних об’єктів та стандартів сучасної моди і молодіжних субкультур, було проведено концептуалізацію розмежування негативного змісту й позитивного потенціалу розглянутих феноменів. Наукова новизна дослідження полягає у визначені варіантів взаємодії молодіжних субкультур і сучасної моди та розкритті напрямів використання отриманих результатів у системі фахової підготовки майбутніх дизайнерів одягу. Висновки . Процеси появи і функціонування категорій «мода» та «молодіжні субкультури» підпорядковані практично однаковим принципам. Головним принципом є прагнення виокремитися з натовпу з метою привертання уваги до власної особистості. Іншим спільним важливим моментом для учасників обох процесів є бажання знайти однодумців. Така можливість зовнішнього об’єднання реалізується за рахунок використання системи конкретних об’єктів та стандартів, які, у свою чергу, продиктовані певними авторитетними референтами (ініціаторами молодіжного руху чи провідними модельєрами). Третім об’єднуючим моментом виступають показники чисельності й масовості (які, власне, і визначають рівень «успішності» аналізованих категорій). Серед варіантів взаємодії між модою та молодіжними субкультурами можна абсолютно впевнено визначити такі: вплив, запозичення, обмін, наслідування та поширення. Розкриття цих варіантів зможе додати в освітні та просвітницькі програми нові переконливі аргументи щодо розмежування негативного змісту й позитивного потенціалу розглядуваних феноменів. Імідж модної особи і представників молодіжних субкультур мають дуже тісний зв’язок, будуються за спільними законами, проходять ідентичні цикли розвитку та трансформації, тому для їх реклами і розповсюдження використовують аналогічні методи і засоби.","PeriodicalId":33447,"journal":{"name":"Demiurg ideyi tekhnologiyi perspektivi dizainu","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43349495","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Design of Advertising Image as a Component of Sociocultural State of Society","authors":"Natalia Udris-Borodavko","doi":"10.31866/2617-7951.1.2018.148140","DOIUrl":"https://doi.org/10.31866/2617-7951.1.2018.148140","url":null,"abstract":"","PeriodicalId":33447,"journal":{"name":"Demiurg ideyi tekhnologiyi perspektivi dizainu","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48780290","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}