Мистецтво бойчукіста Онуфрія Бізюкова 1960-х рр. Відродження експерименту

Volodymyr Petrashyk
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引用次数: 0

Abstract

The aim of the research is to highlight the tendency of the artist-boychukist Onufriy Bizyukov’s work of the 1960s. To analyze the artistic and stylistic works of the artist of this period, to reveal aspects of the revival of the ideas of Boychukism at this time. Research methodology. Methods of historical and art-study analysis are used. Scientific novelty. For the first time, the facts about the life and work of the boychukist Onufriya Bizyukova were introduced into scientific circulation, the analysis of the paintings of the artist of the 1960s, the tendency to experiment in the perspective of the ideas of Boychukizm was revealed. Conclusions. As a result of the research, it was found out that O. Byzyukov used postcurrency techniques, experimented with the plane and color in the 1960s. In the works the artist focuses on the composition, structure, rhythm, form and their correspondence to the content. The most important is that the artist managed to preserve, develop and transfer the traditions of the school of Michael Boychuk for future generations in the second half of the twentieth century.
20世纪60年代Onafria Bisukova战斗机的艺术实验的再现
这项研究的目的是突出1960年代艺术家-boychukist Onufriy Bizyukov作品的趋势。分析这一时期艺术家的艺术和风格作品,揭示Boychukism思想在这一时期复兴的各个方面。研究方法。使用了历史和艺术研究分析的方法。科学的新奇。第一次,关于boychukist Onufriya Bizyukova的生活和工作的事实被引入科学循环,对20世纪60年代艺术家的绘画的分析,在Boychukizm思想的角度进行实验的趋势被揭示出来。结论。研究结果发现,O. Byzyukov在20世纪60年代使用了后货币技术,对平面和颜色进行了实验。在作品中,艺术家注重构图、结构、节奏、形式及其与内容的对应关系。最重要的是,这位艺术家设法在20世纪下半叶为后代保留,发展和转移了迈克尔·博伊丘克学校的传统。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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