Decorative and Household Utensils in the Product Assortment of Lviv Experimental Ceramic and Sculpture Factory: The Issue of Formation

Mykhailo Bokotei
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Abstract

The aim of the research is to find out the form-making, artistic-constructive and technological features of small-scale production of Ukrainian glass-making enterprises at the end of the twentieth century on the basis of a sep-arate category of products, namely decorative and household utensils. Research methodol-ogy. Methods of diachronic and synchronous description of artistic phenomena, method of formal analysis and synthesis, structural-func-tional and stylistically typological method as well as interview method are used. Scientific novelty. The article is a part of a scientific study that for the first time in the Ukrainian art stud ies addresses the problems of design of small-scale production of blown glass producers, in particular in the context of the work of one of the most developed enterprises of the coun-try – Lviv experimental ceramic and sculpture factory. Conclusions . The blown glass man-ufactory LEKSF, which functioned during the period of 1962–2005, became the focal point for the continuation and development of the traditions of the classical Ukrainian blown glass and the base for the work of glass sculptors from the whole Soviet Union. Actually, in 1989 the international symposiums of blown glass in Lviv, which made it into the history of the world studio movement and had a significant impact on the development of glass making
利沃夫实验陶瓷雕塑厂产品组合中的装饰和家居用品:形成问题
研究的目的是找出在二十世纪末乌克兰玻璃制造企业小规模生产的形式,艺术构造和技术特点,以单独的产品类别为基础,即装饰和家用器皿。研究methodol-ogy。艺术现象的历时性与同步性描述方法、形式分析与综合方法、结构功能与风格类型学方法以及访谈法等。科学的新奇。本文是一项科学研究的一部分,该研究首次在乌克兰艺术研究中解决了小规模生产吹制玻璃生产商的设计问题,特别是在该国最发达的企业之一-利沃夫实验陶瓷和雕塑厂的工作背景下。结论。吹制玻璃工厂LEKSF在1962年至2005年期间运作,成为延续和发展乌克兰古典吹制玻璃传统的焦点,也是整个苏联玻璃雕塑家工作的基地。实际上,1989年在利沃夫举行的国际吹制玻璃研讨会,使其成为世界工作室运动的历史,并对玻璃制作的发展产生了重大影响
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