Proceedings of the 9th ACM Conference on Creativity & Cognition最新文献_第7页

Touch style: creativity in tangible experience design 触摸风格:有形体验设计中的创造力

Proceedings of the 9th ACM Conference on Creativity & Cognition Pub Date : 2013-06-17 DOI: 10.1145/2466627.2466653

Shad Gross, Jeffrey Bardzell, Shaowen Bardzell

引用次数: 11

Designing collaborative musical experiences for broad audiences 为广大观众设计协作式音乐体验

Proceedings of the 9th ACM Conference on Creativity & Cognition Pub Date : 2013-06-17 DOI: 10.1145/2466627.2466633

Ben Bengler, N. Bryan-Kinns

引用次数: 49

Indexicality and visualization: exploring analogies with art, cinema and photography 索引性和可视化:探索与艺术、电影和摄影的类比

Proceedings of the 9th ACM Conference on Creativity & Cognition Pub Date : 2013-06-17 DOI: 10.1145/2466627.2466641

T. Schofield, M. Dörk, M. Dade-Robertson

引用次数: 7

Expressing technological metaphors in dance using structural illusion from embodied motion 在舞蹈中运用形体运动的结构错觉来表达技术隐喻

Proceedings of the 9th ACM Conference on Creativity & Cognition Pub Date : 2013-06-17 DOI: 10.1145/2466627.2466654

Diego S. Maranan, T. Schiphorst, L. Bartram, Albert Hwang

{"title":"Expressing technological metaphors in dance using structural illusion from embodied motion","authors":"Diego S. Maranan, T. Schiphorst, L. Bartram, Albert Hwang","doi":"10.1145/2466627.2466654","DOIUrl":"https://doi.org/10.1145/2466627.2466654","url":null,"abstract":"We illustrate how technology has influenced creative, embodied practices in urban dance styles by analyzing how technological metaphors underlie conceptual representations of the body, space, and movement in three related styles of urban dance: liquid, digitz, and finger tutting. The creative and technical embodied practices of urban dancers are not well understood in either the ethnographic or creative movement scholarly literature. Following an exploratory netnography of movement practitioners, we claim that unlike most dancers of traditional genres or other urban dance styles, dancers of these three styles frequently employ representations of the body and of space that are geometrical, mathematical, mechanical, or digital. To explain how viewers perceive and understand these metaphors, we extend the perceptual theory of structure from motion in order to apply dance performance reception theory to a model we call 'Structural Illusion from Embodied Motion' (SIEM). Our analysis of performance techniques of these styles suggests that during performance, dancers leverage SIEM to represent two types of 'illusions' to viewers: a) the dancer's body has a reconfigurable structure; and b) the dancer is immersed in a virtual environment that contains invisible, mutable objects and structures that are revealed only through the dancer's movement. The three dance styles exemplify a trend in popular dance in which body, space, and time are understood in the language of technology.","PeriodicalId":333903,"journal":{"name":"Proceedings of the 9th ACM Conference on Creativity & Cognition","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114900285","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

Beautiful dance moves: mapping movement, technology & computation 优美的舞蹈动作:映射动作、技术与计算

Proceedings of the 9th ACM Conference on Creativity & Cognition Pub Date : 2013-06-17 DOI: 10.1145/2466627.2487289

T. Schiphorst, R. Sheppard, L. Loke, Chyicheng Lin

{"title":"Beautiful dance moves: mapping movement, technology & computation","authors":"T. Schiphorst, R. Sheppard, L. Loke, Chyicheng Lin","doi":"10.1145/2466627.2487289","DOIUrl":"https://doi.org/10.1145/2466627.2487289","url":null,"abstract":"This Creativity & Cognition 2013 workshop explores emerging methods for mapping movement, technology and computation. We invite participants that are interested in bodily experience within computational knowledge representation. The title Beautiful Dance Moves, references the challenge of representing embodied movement knowledge within computational models. While human movement itself focuses on bodily experience, developing computational models for movement requires abstraction and representation of lived embodied cognition. Mappings between movement and its rich personal and cultural meanings provide an underexplored research domain that can provide insight within computational modeling. Many fields, including Interaction Design, have been inspired by recent developments within Neuroscience validating the primacy of movement in cognitive development and human intelligence. This has spawned a growing interest in experiential principles of movement awareness and mindfulness, while simultaneously fueling the need for developing computational models that can describe movement intelligence with greater rigour. This workshop seeks to explore an equal and richly nuanced epistemological partnership between movement experience and movement cognitive and computational representation.","PeriodicalId":333903,"journal":{"name":"Proceedings of the 9th ACM Conference on Creativity & Cognition","volume":"77 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127287112","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 10

Dreaming machine #3 (prototype 2) 梦想机器#3(原型2)

Proceedings of the 9th ACM Conference on Creativity & Cognition Pub Date : 2013-06-17 DOI: 10.1145/2466627.2481229

B. Bogart, Philippe Pasquier

引用次数: 2

Creating reflections in public emotion visualization: prototype exploration on traffic theme 在公共情感可视化中创造反思:交通主题的原型探索

Proceedings of the 9th ACM Conference on Creativity & Cognition Pub Date : 2013-06-17 DOI: 10.1145/2466627.2466671

Wu Jiayu, Fu Zhiyong, Liu Zhiyuan, Lin Xu, Tang Jiayu, Pan Jiajia, Zhao Chen

引用次数: 4

The challenge of interdisciplinary research 跨学科研究的挑战

Proceedings of the 9th ACM Conference on Creativity & Cognition Pub Date : 2013-06-17 DOI: 10.1145/2466627.2485920

K. Friedman

引用次数: 9

Recall that moment an evaluation tool for collaborative narrative interface 回想一下协作叙事界面的评估工具

Proceedings of the 9th ACM Conference on Creativity & Cognition Pub Date : 2013-06-17 DOI: 10.1145/2466627.2481207

Damian Hills

引用次数: 0

Trigger shift: participatory design of an augmented theatrical performance with young people 触发转换:与年轻人一起的增强戏剧表演的参与式设计

Proceedings of the 9th ACM Conference on Creativity & Cognition Pub Date : 2013-06-17 DOI: 10.1145/2466627.2466640

T. Schofield, John Vines, T. Higham, E. Carter, Memo Atken, Amy Golding

{"title":"Trigger shift: participatory design of an augmented theatrical performance with young people","authors":"T. Schofield, John Vines, T. Higham, E. Carter, Memo Atken, Amy Golding","doi":"10.1145/2466627.2466640","DOIUrl":"https://doi.org/10.1145/2466627.2466640","url":null,"abstract":"Trigger Shift was a project that involved collaborating with a group of young people to explore the ways commercially available technologies could be appropriated into performance art. The project led to the production of an augmented theatrical performance using the Microsoft Kinect sensor that was presented to live audiences six times over two days. In this paper we describe the bottom-up, 11-month long participatory design process conducted with our young participants. We describe the manner in which the project was introduced to our participants and the techniques used to help them actively make decisions about the design of and role of technology in the final performance. We candidly report on the problems encountered during the design process and how the project team had to be reflexive to the needs of participants and the single predefined end-goal of the project. A number of strengths and weaknesses of bottom-up participatory design with young people are highlighted, and we reflect upon these to provide guidance for future researchers undertaking work in this domain.","PeriodicalId":333903,"journal":{"name":"Proceedings of the 9th ACM Conference on Creativity & Cognition","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131426483","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 13