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Choreographic Education: Modern Technologies of Professional Training (on the Example of the Development of Choreographic Stability) 舞蹈教育:专业训练的现代技术(以舞蹈稳定性发展为例)
Kul''tura Ukrayini Pub Date : 2023-03-23 DOI: 10.31516/2410-5325.079.10
A. Paladiichuk, N. Tsyhanovska
{"title":"Choreographic Education: Modern Technologies of Professional Training (on the Example of the Development of Choreographic Stability)","authors":"A. Paladiichuk, N. Tsyhanovska","doi":"10.31516/2410-5325.079.10","DOIUrl":"https://doi.org/10.31516/2410-5325.079.10","url":null,"abstract":"The purpose is an analysis of modern technologies that are applied abroad for their implementation in choreographic education, in particular, fitness equipment for the development of stability (aplomb). \u0000The methodology. On the basis of theoretical methods of analysis and generalization, scientific sources of domestic and foreign methodical literature on the development of coordination qualities of dancers and athletes of technical-aesthetic sports by traditional means, as well as regulatory documents and video materials of online platforms and social networks, were elaborated. \u0000The results. The results of this study are the analysis of modern technologies for the development of stability by means of fitness equipment used abroad, with the purpose of introducing them on the basis of traditional methods into Ukrainian choreographic education. \u0000At the same time, there is a need to rethink the training programs in the specialty 024 “Choreography” and introduce sections on professional training of applicants using fitness equipment. It is also appropriate to create an information platform (holding methodical seminars, master classes, offline and online workshops) with the involvement of specialists in the field of choreographic education and fitness in order to share experience in the field of motor activity issues, coordination abilities and the formation of practical skills of stability and aplomb in dancers. \u0000The scientific topicality. For the first time we analyzed and summarized the modern technologies for the development of stability (aplomb) of dancers abroad, and based on traditional methods, a complex of training exercises was developed with the aim of improving the professional skills of choreography students by means of fitness equipment. \u0000The practical significance. A set of training exercises was structured and tested in practice, and methodical recommendations were proposed for the development of stability (aplomb) in students of choreographic departments of educational institutions of the artistic profile with the aim of improving dance performance skills. It is proposed to create informational and methodical events (methodical seminars, workshops, master classes) with the participation of experts in the field of choreographic art and fitness with the aim of experience exchanging and further introducing of innovative methods of stability developing by means of fitness equipment into choreographic education.","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41520550","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Orchestral Wind Instruments Performance in Slobozhanshchyna in the Middle of the XIX and Early XX Centuries 19世纪中叶和20世纪初斯洛博赞什奇纳管弦乐管乐器的演奏
Kul''tura Ukrayini Pub Date : 2023-03-23 DOI: 10.31516/2410-5325.079.08
A. Hladkykh, V. Shchepakin
{"title":"Orchestral Wind Instruments Performance in Slobozhanshchyna in the Middle of the XIX and Early XX Centuries","authors":"A. Hladkykh, V. Shchepakin","doi":"10.31516/2410-5325.079.08","DOIUrl":"https://doi.org/10.31516/2410-5325.079.08","url":null,"abstract":"The history of the development of academic orchestral wind instruments performance in Slobozhanshchyna in the XIX — early XX century has many bright pages that have entered the annals of unique artistic events of the city, as well as those that have not yet been analyzed in modern musicology, but significantly enrich the overall picture of the cultural life of the capital of Sloboda Ukraine. References to publications on the pages of the local newspapers “Kharkovskie gubernskie vedomosti” and “Yuzhny kray” significantly supplement certain lacunae that still exist in the understanding of the multi-vector process of formation of the domestic instrumental wind tradition. \u0000The purpose of the article: demonstrate the facts of the introduction of orchestral performance on wind instruments in Slobozhanshchyna, not yet used in scientific circulation, and reflecting the perception of these numerous creative actions by the local cultural community. \u0000The methodology is based on the principles of a comparative analysis of the principles of activity in Slobozhanshchyna region, and in particular, in Kharkiv region, of serf, military and amateur brass bands, as well as the application of the induction method, which made it possible to generalize the principles of the existence of these collectives in the local cultural space and their contribution to artistic life of Slobozhanshchyna, Kharkiv and other cities of the region in the middle of the XIX and early XX centuries. The musical and local history method was also applied, which contributed to the analysis of the specifics of the musical and cultural preferences of Kharkiv residents. \u0000The results. The given examples of the active activity of serf bands, military and amateur student brass bands on the territory of Kharkiv and Kharkiv region testify to their prevalence in the XIX and early XX centuries among different strata of the Kharkiv community and in general a favorable attitude towards such orchestras by both local music lovers and the average public. \u0000After the gradual decline of serf orchestras in the 1840s and 1850s on the territory of Slobozhanshchyna in the second half of the XIX century, they were replaced by the performances of the so-called “trumpet choirs” — brass bands of military units stationed in Kharkiv, or specially arrived for the summer season at the invitation of the directorate of recreation gardens. The popularity of wind music in the city led to the emergence of a number of similar amateur student groups at the turn of the XIX and XX centuries, which existed until the time of the national liberation struggles of 1917–1921. \u0000Along with the introduction of wind instrument lessons at the music school of the Kharkiv branch of the Imperial Russian Music Society and the performances of young brass musicians in student concerts and the participation of many professional wind instrument performers in theater and opera orchestras. Their activities are analyzed in the works of V. Bogdanov and ","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46324674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Degree of Ukrainianization and Social Relevance of the Top Youtube, Instagram and TikTok Accounts Youtube、Instagram和TikTok顶级账户的乌克兰化程度和社会相关性
Kul''tura Ukrayini Pub Date : 2023-03-23 DOI: 10.31516/2410-5325.079.01
K. Kysliuk
{"title":"The Degree of Ukrainianization and Social Relevance of the Top Youtube, Instagram and TikTok Accounts","authors":"K. Kysliuk","doi":"10.31516/2410-5325.079.01","DOIUrl":"https://doi.org/10.31516/2410-5325.079.01","url":null,"abstract":"The purpose of the article is a definition of the degree of Ukrainianization and social relevance of the TOP-10 by the number of subscribers of Ukrainian authors accounts in the most popular social platforms: YouTube, Instagram, TikTok at the end of 2022 — at the beginning of 2023 in the conditions of a full-scale war. \u0000The methodology. A quantitative-qualitative approach had combined the cultural interpretation of the obtained results with a qualitative content-analysis for establishing markers of “pro-Ukrainity” for TOP-10 accounts of these social platforms that included both linguistic and visual (screensaver/slogan/story), and meaningful indicators (video content). The statistical analysist had determined the percentage of compliance of the top Ukrainian profiles to these markers in November 2022 and February 2023. \u0000The results. It had been established that under the condition of minimum criteria (one indicator out of 3–4), the integral level of “pro-Ukrainity” of the leading profiles of social platforms popular in Ukraine was satisfactory (YouTube — 50%, Instagram — 80%, TikTok — 30%). Under the condition of a stricter approach (compliance with at least two criteria), the results were unsatisfactory. It had been determined that the dynamics of “pro-Ukrainity” in the top YouTube and TikTok profiles had not accelerated during the last three months. In Instagram, it is still remaining unchanged. The high level of Ukrainianization and social relevance of Instagram accounts had been explained by the fact that they were run by celebrities who had been long and closely associated with activities in the Ukrainian culture. \u0000The scientific novelty. The author’s analysis had made possible to move away from a simplified, exclusively language-related point of view on the issues under consideration. \u0000The practical significance. The materials of this article can be used in the scientific and public discussions.","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46765896","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Author’s Cinema in the Cultural Space of the Second Half of the ХХ and Early ХХІ Century 20世纪后半叶ХХ和ХХІ世纪初文化空间中的作者电影
Kul''tura Ukrayini Pub Date : 2023-03-23 DOI: 10.31516/2410-5325.079.11
V. Myslavskyi
{"title":"Author’s Cinema in the Cultural Space of the Second Half of the ХХ and Early ХХІ Century","authors":"V. Myslavskyi","doi":"10.31516/2410-5325.079.11","DOIUrl":"https://doi.org/10.31516/2410-5325.079.11","url":null,"abstract":"Book review: Pohrebniak H. P. Author’s cinema in the cultural space of the second half of the ХХ and early ХХІ century: monograph. Kyiv: National Academy of Managerial Staff of Culture and Arts, 2020. — 448 p.","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45178540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
On the Question of Formation and Development of the Animation Industry in the XX — Beginning of XXI Century 论20 - 21世纪初动漫产业的形成与发展问题
Kul''tura Ukrayini Pub Date : 2023-03-23 DOI: 10.31516/2410-5325.079.04
I. Pecheranskyi
{"title":"On the Question of Formation and Development of the Animation Industry in the XX — Beginning of XXI Century","authors":"I. Pecheranskyi","doi":"10.31516/2410-5325.079.04","DOIUrl":"https://doi.org/10.31516/2410-5325.079.04","url":null,"abstract":"The purpose of the article is to analyze distinct aspects of the formation and development of the animation industry during XX — at the beginning of XXI century in connection with the movie industry and broadcasting mainly in the USA that allows a deep understanding of the essence and peculiarities of audiovisual industry functioning as the separate segment of creative industry. \u0000The methodology. On the basis of the historical approach and also methods of data collecting and analytical and synthetical processing, qualitative analysis of development was conducted. It was found out that today the animation industry is a separate segment of audiovisual industry, that had overcome a difficult way of development in co-evolution with the movie and TV industries that have survived in the globalization of production and its distribution. \u0000The results. The industry of animation appeared in the USA under the influence of cinematography and its further formation was determined by two main factors: technological development that enabled diversified markets and products, improved animators’ ability to express their own creative ideas, besides, assisted to enlarge the global market and many regional market niches, and also the tendency of cost decrease of production that provided the basic conditions for the animation production in other countries-subcontractors.  \u0000After the World War II a sharp drop in showing animated cartoons in the cinema was observed but with the appearance and spreading of TV for the animated industry new possibilities became available. Significant changes happened in 1980 when after almost a decade break, 2D animated films were actively made for the cinemas, and within the animated industry two measurements were formed — local-artisanal and global Hollywood system. Technological determinism brought new markets and two tendencies into animated production: mass production for the non-theatrical markets, CGI in the world market. Using cheap software and fast rendering of CGI-animation have changed forever the TV animation and had a huge influence on the geography of the animated industry. \u0000The scientific novelty. Analysis of the animation through the prism of branch industrialization during XX — beginning XXI century. \u0000The practical significance. The material of the given article can be used for the development of program or strategies for the animated industry development in Ukraine as a foreign experience.","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44920106","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Culturological Aspects of the Music-Critical Press Publications of Nestor Nyzhankivskyi 内斯托尔·尼赞科夫斯基音乐评论新闻出版物的文化方面
Kul''tura Ukrayini Pub Date : 2023-03-23 DOI: 10.31516/2410-5325.079.02
U. Molchko
{"title":"Culturological Aspects of the Music-Critical Press Publications of Nestor Nyzhankivskyi","authors":"U. Molchko","doi":"10.31516/2410-5325.079.02","DOIUrl":"https://doi.org/10.31516/2410-5325.079.02","url":null,"abstract":"The scientific topicality. The development of Ukrainian musical art was thoroughly reflected in the various thematic newspaper materials of the composer, social and educational activist, pianist, and critic Nestor Nyzhankivskyi. The cultural, thematic content of the Galician author’s journalism, which revealed the importance of musical influence on the formation of national artistic value orientations, has become especially relevant in our present. \u0000The purpose of the article is to outline the development of musical culture in the 1930-s at the beginning of the XX century in Eastern Galicia through the prism of the press publications “Paths of the Ukrainian music development (In response to Mr. Anton Rudnytskyi)” and “Our musical pains” by Nestor Nyzhankivskyi, in which a social and educational figure defines a holistic worldview of cultural problems of the specified historical era. \u0000The methodology. The following methodology was applied when analyzing the mentioned publications of N. Nyzhankivsky: method of analysis and synthesis — for the study of sources from the history of musical art of Eastern Galicia of first third of the XX century; descriptive method — for revealing the content of music-critical materials; classifications and typologies — to characterize the analyzed newspapers publications; the method of systematization was used to generalize the results of the study and make conclusions. The combination of these methods made it possible to investigate the trends in the development of Nyzhankivsky’s music journalism in close connection with the socio-aesthetic paradigms of the time. \u0000The results. Among the voluminous journalistic heritage of N. Nyzhankivskyi, the press publications “Our musical pains” and “Paths of the Ukrainian music development (In response to Mr. Anton Rudnytskyi)” stand out, which were published in the pages of the magazine “Dilo” in the 1930-s. The content of these newspaper materials, which contain rich, informative material regarding the definition of the educational role of art and the understanding of the high professional level of composer’s work in the musical culture of Eastern Galicia at the beginning of the XX century, determines their cultural significance. It has been established that these socio-cultural press publications have axiological potential, which translates the system of values into the public space of the Ukrainian people. \u0000The scientific novelty consists in the fact that, for the first time, the content of the journalistic materials of N. Nyzhankivskyi is considered through the prism of sociocultural factors that took place in the artistic life of Lviv in the 1930s of the early XX century. \u0000Conclusions. Nestor Nyzhankivskyi’s press releases “Our musical pains” and “Paths of the Ukrainian music development (In response to Mr. Anton Rudnytskyi)”, which covered various aspects of musical life, played an essential role in shaping the national worldview in the multi-ethnic environment of Eastern ","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42091046","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Historical Themes in Fiction and Documentary Cinematography: Comparative Analysis 小说与纪实电影的历史主题:比较分析
Kul''tura Ukrayini Pub Date : 2023-03-23 DOI: 10.31516/2410-5325.079.05
O. Kosachova
{"title":"Historical Themes in Fiction and Documentary Cinematography: Comparative Analysis","authors":"O. Kosachova","doi":"10.31516/2410-5325.079.05","DOIUrl":"https://doi.org/10.31516/2410-5325.079.05","url":null,"abstract":"The purpose of this article to investigate the peculiarities of the representation of historical transformations in fiction and documentary cinematography, to reveal the artistic potential of cinema in the coverage of historical issues. \u0000The methodology. The main methods of cognition were used: socio-communicative, axiological, culturological approaches, figurative-stylistic analysis and structural-functional method, art history approach combined with morphological analysis, hermeneutic approach. The specified methods contributed to the in-depth study of fiction and documentary films aimed at the coverage of historical or current events. \u0000The results. In the course of the study, it was found that the line between documentary and fiction films is extremely thin, especially when the films claim to cover historical events or real figures. Despite the fact that fiction cinema is realized thanks to the play of actors, and documentary cinema is realized thanks to the shooting of real participants in the events, the means of expression of both types of cinematography are similar. One of the results of the analysis was the conclusion that documentary cinema uses a greater number of expressive means than fiction films. This is due to the fact that the directors of fiction films strive to document the aesthetics of the film, and the directors of the documentary, on the contrary, to strengthen the artistic component. Historical themes combine documentary and fiction films, while the aesthetics of documentary films is more diverse. \u0000The scientific novelty of the research. In this research for the first time, we investigated the historical transformations in fiction and documentary cinematography from the point of view of cultural meanings and aesthetic foundations of both types of cinema, and also analyzed the potential of cinematography to reveal hot and controversial topics on the example of contemporary cinema works. \u0000The practical significance of the article. The presented research can be used by filmmakers in both the field of fiction and documentary cinema in order to create an objective, unbiased and artistically valuable screen product. In addition, the conducted analysis can be useful in teaching professional courses in the specialty 021 “Audiovisual art and production”.","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":"10 21","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41243231","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Evocation of P. Eluard’s Poetry in F. Poulenc’s Little Cantata “Snowy Evening” 普伦茨小合唱《雪夜》对爱德华诗歌的唤起
Kul''tura Ukrayini Pub Date : 2023-03-23 DOI: 10.31516/2410-5325.079.07
V. Voskoboinikova
{"title":"The Evocation of P. Eluard’s Poetry in F. Poulenc’s Little Cantata “Snowy Evening”","authors":"V. Voskoboinikova","doi":"10.31516/2410-5325.079.07","DOIUrl":"https://doi.org/10.31516/2410-5325.079.07","url":null,"abstract":"The relevance of the research topic. The topicality of the issues of the cantata “Snowy evening” is due to the terrible events of the full-scale war that is currently going on in Ukraine. Society painfully reacts to the cruel realities of today, and art helps humanity to overcome these problems. \u0000The purpose of the study. To reveal the peculiarities of the composer’s reading of Paul Eluard’s poetry in the cantata “Snowy evening” by Francis Poulenc, using a complex analysis of the musical work. \u0000The methodology. Methodological principles are based on historicism, genre-style, intonation-dramaturgical and interpretive types of analysis; in the article we have used the hermeneutic method, which makes it possible to understand the content features of the figurative interpretation of the work. \u0000The scientific novelty. Cantata “Snowy evening” by F. Poulenc is analyzed for the first time in Ukrainian musicology, as well as features of the evocation of P. Eluard’s poetry in it. \u0000The practical significance of this study lies in the expansion and deepening of theoretical knowledge about the choral work of Francis Poulenc. \u0000The results. The small cantata “Snowy evening” is a psychological portrait of a man whose life was cut short by a terrible war. The first part of the work talks about the hero’s disappointment in a cruel life; in the second part, the author condemns the moral beliefs of society to destruction and war; the third part is shown as the final destruction of the inner and surrounding world; and at the end, in the fourth part, death is presented to the listeners as the only hope for salvation. The allegorical nature inherent in Eluard’s poetry provided ample opportunities for subtle interpretation of the images and symbols depicted in the work. With the methods of musical expressiveness, harmony and rhythm, Poulenc vividly depicted the psychological state of man during the war. \u0000The compositional unity of the literary and musical layers of the cantata is determined by the logic of the evolution of the feelings and emotions of the lyrical hero. Poulenc uses a detailed approach to the verbal text, based on the music-text principle of formography. Music expands the content of poetry, brings it to a new figurative and meaningful level. The composer subordinates the music to the free metric of the poem. The original cantata style combines the stylistic principles of different eras. The composer uses the expressive means of ancient genres and the principles of modern choral writing. \u0000The search for new harmonic structures and combinations allowed Poulenc to expand the timbral colors of the choir. The author uses different types of texture in the cantata. This tool helps to reveal the author’s message about the inseparability of personal and civic sense of self, the inseparability of the fate of every citizen from the fate of the nation. Despite the numerical structure, the cantata has many common intonation connections that pass through all parts of ","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47300983","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
F. Liszt’s Hungarian Rhapsody No. 12: the Summa of Performance Paradigms 李斯特的匈牙利狂想曲第12号:表演范式的总结
Kul''tura Ukrayini Pub Date : 2023-03-23 DOI: 10.31516/2410-5325.079.09
M. Holshtein
{"title":"F. Liszt’s Hungarian Rhapsody No. 12: the Summa of Performance Paradigms","authors":"M. Holshtein","doi":"10.31516/2410-5325.079.09","DOIUrl":"https://doi.org/10.31516/2410-5325.079.09","url":null,"abstract":"The relevance of the study is determined by several factors: 1. Inclusion of F. Liszt’s Hungarian Rhapsody No. 12 into the number of the most performed works in the concert programs of pianists around the world; 2. Continuous development of principles of performative interpretation; 3. Emergence of new creative individuals in the art of piano interpretation, relentless changes in the understanding of content and form creation. \u0000The purpose of the article is to provide summa of performance paradigms of F. Liszt’s Hungarian Rhapsody No. 12 based on the analysis of interpretations of prominent virtuosos of the XX and XXI centuries. \u0000The methodology lies in the interdisciplinary interaction of general and special methods inherent in modern musicology. The historical method is applied to study of F. Liszt’s creative principles of interpretation. The genre-style method is intended to consider genre features of F. Liszt’s Rhapsody No. 12. The interpretative analysis is used to reveal the logic of performance interpretations. Comparative analysis is involved to compare interpretive versions of Hungarian Rhapsody No. 12 and motivate the degree of their objectivity, based on the specifics of their correspondence to the composer’s text. \u0000The results. The article is devoted to the study of the theoretical, historical, and interpretological aspects of the functioning of the summa of performance paradigms of F. Liszt’s Hungarian Rhapsody No. 12. For this purpose, the analytical parameters of piano interpretation, the principles of F. Liszt’s auto-interpretation of his own piano works, and the attitude of the piano genius to the performance of his own works by his contemporaries, are considered. The comparative analysis of interpretation versions of F. Liszt’s Hungarian Rhapsody No. 12 performed by outstanding pianists of the XX and XXI centuries, was conducted. \u0000The scientific novelty of the research consists in introducing into the scientific space of musicology the concept of the summa of performance paradigms, which functions as a consequence of the interpretative plurality; construction of a graph reflecting the tempo logic of the performance interpretation of F. Liszt’s Hungarian Rhapsody No. 12 in interpretations of O. Siloti, V. Cliburn, V. Benelli Mozell. \u0000The practical significance. Conducting a comparative analysis of performances of F. Liszt’s Hungarian Rhapsody No. 12 will be an experimental basis for determining the summa of its performance paradigms on the level of an individual interpreter. Furthermore, new vectors for the analysis of interpretative versions will be created. \u0000The conclusions. Consequently, the summa of the performance paradigms of F. Liszt’s Hungarian Rhapsody No. 12 is observed in a combination of the following aspects of its interpretation: a degree of applying tempo rubato, additional applying of melismas, variety of dynamics, articulation, pedalization, imitation of symphony orchestra instruments, folk instruments, and eleme","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42568565","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Memorial tourism as a component of memorial culture 纪念旅游作为纪念文化的组成部分
Kul''tura Ukrayini Pub Date : 2022-12-23 DOI: 10.31516/2410-5325.078.01
L. Bozhko, K. Kysliuk
{"title":"Memorial tourism as a component of memorial culture","authors":"L. Bozhko, K. Kysliuk","doi":"10.31516/2410-5325.078.01","DOIUrl":"https://doi.org/10.31516/2410-5325.078.01","url":null,"abstract":"The purpose of the article is to demonstrate the memorial tourism as a component of memorial culture — promising direction of post-war tourism in Ukraine, to determine the reasons for its demand and the role it can play in current cultural situation. Memorial tourism is a new form of memorial activity: the creation of a “place of memory” for committed crimes (museumification of places of tragedies; opening of individual monuments; memorial complexes; museums; exhibitions dedicated to tragic events; creation of organized burials), etc. \u0000The methodology. In the research process, the methods of abstraction, analysis and synthesis were used in the historiographical study of the memorial tourism, empirical method was used for collecting and describing material about the first virtual museums of the Russian-Ukrainian war, content analysis and statistical method were used for comparing the content of popular Telegram news channels about the war with the exhibits of these museums. \u0000The results. The analysis of the literature showed that the phenomenon of memorial tourism has a global character. It becomes part of the global structure of contemporary mediating and tourism narratives of peace, reconciliation and sustainability paradigms. The paradigms of “shared memories” introduce a new vision of war memory as an alternative of the patriotic, aggressive and militarized approach. The authors note that the most expedient is the promotion of Ukraine on the international arena as a “place of memory” for the largest-scale destruction since the Second World War. This is the practice of the first virtual museums of the Russian-Ukrainian war. It currently corresponds to the content of acute cultural memory, represented in one of the most widespread Ukraininan media discourses. This approach will allow the state to popularize civic values, encourage active diplomacy, and stimulate tourism as a tool of economic development. \u0000The scientific novelty. Consideration of the relationship between the theory of memorial tourism and the first practices of museumification of the Russian-Ukrainian war and one of the leading Ukrainian media discourses of its coverage. \u0000The practical significance. The materials of this article can be used to develop programs or strategies for the development of memorial tourism in the war and post-war times in Ukraine.","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48986184","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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