Kul''tura Ukrayini最新文献

{"title":"Representation of the Influence of Travel Vlog on the Development of Tourism (On the Example of the Authorial Channels on Youtube Video Hosting)","authors":"L. Bozhkо","doi":"10.31516/2410-5325.080.03","DOIUrl":"https://doi.org/10.31516/2410-5325.080.03","url":null,"abstract":"The purpose of the article. The purpose of the article is to study and demonstrate the influence of travel vlog on the development of tourism using the example of the authorial YouTube video hosting channels. \u0000The methodology. The research methods were content and discourse analysis of travel vlogs from YouTube video hosting, as well as analysis of their structure and target audience. \u0000The results. Ukrainian YouTube travel vlogs are an important leader of public opinion. This category of Internet bloggers has great potential for use in the promotion of Ukraine as a tourist destination, raising the level of awareness of Ukrainians with Ukraine, organizing leisure activities of Ukrainian citizens and foreign guests. \u0000Analyzing the thematic rating of the videos, especially the latest ones, we came to the conclusion that the most relevant topics for the audience of the channels today are trips to different parts of Ukraine, including those in which there were military actions and which were under occupation, as evidenced by the number of views. Some topics are still silenced in the official media and are not widely discussed, despite the fact that these topics are really relevant for society, especially for young people, since the youth audience is the main audience on the Internet platform YouTube. We can express the hope that Ukrainian travel channels will continue to develop in this direction as a high-quality example of new media and will contribute to the formation of a new Ukrainian audiovisual culture. \u0000It is also undeniable that, as part of Travel 2.0, travel blogs make life easier for consumers of travel services in many ways: they help to learn more about the destination and what it can offer the tourist; help to make decisions about certain destinations, add confidence in the choice. reduce the risks and uncertainties associated with travel planning, etc. Therefore, the blogosphere, in our case, YouTube video hosting, can be considered an effective tool for the development of tourism. Bloggers provide feedback and contribute to the development of the country as a modern and popular tourist destination, and their reviews, opinions, comments are sometimes a more reliable than information from the travel service providers themselves. \u0000The scientific novelty. Consideration of tourism through the prism of audiovisual culture. \u0000The practical significance. The materials of this article can be used to develop programs or strategies for the further development of tourism as an integral part of Ukrainian culture.","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43507085","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Trainings and Training System in the Process of Mastering the Profession of an Actor by Students","authors":"V. Miziak","doi":"10.31516/2410-5325.080.11","DOIUrl":"https://doi.org/10.31516/2410-5325.080.11","url":null,"abstract":"The purpose of the study. To show the effectiveness and significance of training sessions and training systems during formation of professional skills in young actors. An additional goal of the research is to reveal the significance of practical self-education (particularly, in the form of various psychophysical training sessions) in the professional activity by the students of the Acting Department, Faculty of Theater Arts of Kharkiv State Academy of Culture. \u0000The methodology. To solve the tasks specified in the article, the research methodology was chosen that is determined by specific and multi-layered nature of chosen topic and by the purpose of the study. Among the applied methods, the main one is a complex multidisciplinary method with an additional use of the authorial methodological materials. Besides, using this method the author relied on materials of generally recognized theatrical studies-related sources on the topic of the article. Principles peculiar to the method of analytical and synthetic processing of sources, as well as to artistic analysis, were also applied. \u0000The results. From the very first hours of students’ studies, acting skills offer them forms of group- and partner-based training sessions and individual training sessions as the tools to learn the profession’s individual components in practice. The mechanisms of forming the habit for this type of work are related both to the mechanism of student-actor’s self-discipline and to the need for constant application of such a habit. When mastering and constantly improving his/her skills during training sessions and in individual training systems, student-actor also learns to use appropriate tools and methods aimed at improving his/her professional activity without wasting his/her time on ineffective exercises and tasks (because students have already tried this in their own experience and understand exactly how much this helps them). This, in turn, works to raise personal level of professional mastery. In accordance with industry standards of higher education, student-actors’ practical activity (both under educational assignments and during independent work) should be aimed at deepening the quality of professional knowledge, at development of creative abilities and students’ creative individuality, and their self-affirmation.  \u0000The scientific novelty lies in the fact of being an attempt to generally systematize the implementation of the system of training sessions into the structure of educating the actors of drama theater and movies and to review these areas in the context of expediency with regard to social demands facing modern novice actors.  \u0000The practical significance. Study of foreign expe-rience is a promising trend in the specified topic and can produce positive results in further scientific research. In addition, study of experience of acting schools close to the Ukrainian one can become a positive basis for further scientific research. Comparative analysis of speech t","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47196460","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Impact of Historical Choreographic Origins on Forming Emotional Content in Latin American Ballroom Dance","authors":"M. Berdnik","doi":"10.31516/2410-5325.080.09","DOIUrl":"https://doi.org/10.31516/2410-5325.080.09","url":null,"abstract":"Modern ballroom dance is actively developed as a sport whereas the art of dancing, which is characterized by emotions, is disappearing now. The causes are dealt with the low level of performing Latin American ballroom dance as an art and the necessity to develop the origins of this dance. It is also important to perform a particular Ballroom dance emotionally considering its historical roots. \u0000It is fact that now the great number of competitive dance couples give a lot of attention to the physical training of choreographic compositions with a large number of acrobatic tricks and little respect to the aesthetic aspects of dance. Otherwise, they simply do not know how to express the depth of the emotional content of the dance. Dance couples are lack of understanding how to perform a particular ballroom dance. The issue of this study is relevant in Latin American ballroom dance studies as well as should be solved by experienced instructors and their desire to show dancers the importance of aesthetically emotional aspects of dance. \u0000The purpose of this study is to explore the historical origins and stylistic features of Latin American ballroom dance which became the basis of modern Latin American ballroom dance. \u0000The methodology. The author provides an analysis of specific features of the Latin American ballroom dance. \u0000The results. It is shown that according to the history of the origin and standardization of ballroom dance each dance has its own unique style and characteristics as well as its individual emotional features. Cha-cha-cha is characterized by easy flirtation and pleasure. Samba is a dance of celebration, ardour and expression. Rumba is full of passion, impressing and love. Pasodoble is emotional and dramatic-theatrical dance. Jive is light, cheerful and carefree. And these are general features of the emotional and aesthetic component of dance that are very desirable to see in dance and experience them together with the performers. \u0000The scientific novelty. An attempt is made in this paper to show the presence of historical stylistic and emotional features of the Latin American ballroom dances, which are danced as a competition all over the world, are not sufficiently developed in the performance skills of the dancer. Ballroom dances have diverse origins, rhythms, tempos and aesthetics, but have one thing in common: they are all danced emotionally. \u0000A recommendation for further research is the perspective of improving the methodology of teaching the emotional component of Latin American ballroom dance by suggesting the development of aspects such as: active ways of spreading information about the importance of the creative, emotional component of dance (e.g. seminars, master classes), teaching acting skills, developing training exercises for performing the emotional part of the dance, and conducting research in sports psychology. \u0000The practical significance. The material of this article can be used in the practical activities of choreogra","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44133401","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Formation of the Balance Mechanism of the (Industry-Specific) Labor Market in the Field of Culture","authors":"H. Afenchenko, N. Shumlyanska","doi":"10.31516/2410-5325.080.07","DOIUrl":"https://doi.org/10.31516/2410-5325.080.07","url":null,"abstract":"The scientific topicality is that government institutions, public organizations of graduates and educational institutions, trade unions, employers’ associations, marketing agencies for market research, employment intermediary companies, local self-government bodies, freelancers and even separate events, festivals, forums strive to balance demand and supply, form the infrastructure of this specific market. \u0000The purpose is to analyze the opportunities and approaches of determining the market demand for specialists in the field of culture and art as a result of determining the structure of the industry. \u0000The methodology. During the research, the analytical method, methods of description, comparison and generalization were applied. \u0000The results. In order to solve the problem of assessing the demand for specialists in the labor market, firstly, it is proposed to outline the boundaries of the industry and define the types of activities. The division of the field of culture and art by types of activity into the field of classical (traditional) art, the field of cultural industries, and the field of cultural leisure and entertainment, is substantiated. The task of a culture management specialist to ensure their sustainable functioning is presented. \u0000The scientific novelty. A comparison was made between the accepted approaches to the classification of the sectors of cultural and creative industries in the context of their importance for the economy of countries and the structure of cultural industries in the context of employment and the demand for specialists in the labor market. \u0000The practical significance. In the future, there are prospects for outlining the sectors of the cultural manager’s professional activity in the cross-section of the field of cultural industries with an indication of their inherent tasks and types of activity. \u0000The conclusions. Types of activities in the structure of creative and cultural industries differ from scientific and technical spheres by their inherent artistic direction, as well as by activities related to their implementation, fixation and design. \u0000Culture management is an intermediary between the artist and society. It focuses, on the one hand, on the provision of conditions and maintenance of art, on the other hand, on the receiving, promoting, using and preservating of achievements of art in society.","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43045005","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Multi­-Vector Interaction of a Higher Education Institution with Stakeholders in the Educational Communication System","authors":"V. Sheiko, N. Kushnarenko","doi":"10.31516/2410-5325.080.01","DOIUrl":"https://doi.org/10.31516/2410-5325.080.01","url":null,"abstract":"The purpose of the article is to provide a conceptual justification (mainly based on the materials of KSAC) of the essence of multi-vector interaction in the system of internal and external communication of higher educational institutions with the main stakeholders of the educational process. \u0000The methodology. The peculiarity of the analysis of the multi-vector interaction of higher education institutions with stakeholders in the system of educational communication required the application of the entire spectrum of principles and methods of socio-communicative and cultural-educational direction. \u0000The results of the study of the given topic are embodied in the concept, proposed by the authors, of raising the higher education of Ukraine to the European and world level, which involves, first of all, a fundamental reform of its substantive, structural, organizational, methodological and technological foundations. \u0000The scientific novelty of the researched topic is that, in fact, for the first time, the authors, on the basis of a comprehensive study of scientific sources, based on many years of scientific and pedagogical experience at Kharkiv State Academy of Culture, qualified the communication links of a higher education institution on the micro-, meso-, exo-, macro- and mega-levels. \u0000The practical significance of the scientific results of the study of the given topic is that they can be used for further study of this and similar issues, and can also be used in the process of educational and creative work of higher education institutions teachers of Ukraine during the interaction of higher education institutions with stakeholders in the educational communication system.","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46652604","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Development of the Ukrainian Orchestra of Folk Instruments: Socio-Cultural and Historical Aspects","authors":"V. Tsytsyriev","doi":"10.31516/2410-5325.080.15","DOIUrl":"https://doi.org/10.31516/2410-5325.080.15","url":null,"abstract":"The relevance of the article. Ukraine is currently going through a difficult period of its existence, all strata of the Ukrainian population are now suffering from the consequences of the beginning of full-scale Russian aggression against our country, so today the preservation and development of folk and instrumental performance on folk instruments is relevant, covering all aspects of society and the national preservation of folk art and the unity of the Ukrainian people. \u0000The purpose of the study is to demonstrate key points at the stage of development of such phenomenon of national music-making as the Ukrainian orchestra of folk instruments and to indicate specific features of orchestral-ensemble activity for facilitating further fixation and analysis of the modern experience of the groups of such type. \u0000The methodology. Among the applied approaches and methods, a complex multidisciplinary method supplemented by an additional source of own methodical materials is of primary importance. Such methodological tools as a systematic approach allowed to determine the main orchestra components, study their essence and identify methods for combining them into an organic whole; theoretical approach applied to comprehend and clarify the content of the main concepts of folk-orchestral performance; comparative-historical method — to describe and trace the key stages of the evolutionary development of the Ukrainian orchestra of folk instruments and reproduce a complete picture of its formation in the context of the Ukrainian musical culture. \u0000The results. Investigating the current state of development of such a specific form of Ukrainian national music making as the orchestra of folk instruments, and relying on the history of folk musical instruments, we conclude that the cultural and historical conditions were favorable for the emergence and further development of the folk orchestra in Ukraine. According to the definition of theoretical musical studies of different years, which were cited in this study in the literature review, it is indicated that the formation of the Ukrainian orchestra of folk instruments was influenced by both socio-political and purely socio-cultural factors. After the beginning of such influence and interaction, the strengthening and development of professional musical education in the general direction of new or forgotten folk instruments was of great importance. As a result, the process of founding departments of folk instruments in conservatories and musical faculties of educational institutions in Ukraine began. The matter of the repertoire policy of orchestras of folk instruments is revealed due to the historical studies regarding the formation of the Ukrainian folk orchestra. This was done only after the plan for the development of the musical instruments of the Ukrainian folk instrument orchestra was professionally outlined. This was also done taking into account the processes of formation of the instrumental composition. No le","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42902066","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Piano Works by V. Polova: Conceptual, Genre, Style and Linguistic-Expressive Dimensions","authors":"A. Rumiantseva","doi":"10.31516/2410-5325.080.12","DOIUrl":"https://doi.org/10.31516/2410-5325.080.12","url":null,"abstract":"The relevance of the article is determined by the dissonance between the intensification of the represen-tation of V. Polova’s piano works in the world and national artistic space and the degree of its research in the national musicological discourse. \u0000The purpose of the article is to highlight the conceptual, stylistic, genre and expressive constructions of V. Polova’s piano works. \u0000The methodology of the article is based on the guidelines of the cultural and historical approaches, as well as genre and semantic analysis. \u0000The results. V. Polova’s piano works, reflecting the leading mainstream of contemporary musical art, philosophical comprehension of eternal, globally significant problems of human spiritual existence, demonstrated the rejection of attributive postmodern trends of irony, theatricalization and visualization of performance and electronic experiments. At the conceptual level, the specificity of the composer’s piano works lies in the dominance of the concepts of spirituality, spiritual purity, lyrical and philosophical reflection in the picture of the universe based on a new simplicity and appeal to the sign of artistic experience of the past, comprehended as a whole. At the level of genre, V. Polova’s piano works are marked by the tendency to programmatic, conceptually mobile and compositional labile genre models of chamber music significance, as well as individualization of genre solutions (tendency to reduce the sonata structure, a free and open form, principle of free comparison of the spheres of lyrical reflection). At the level of musical language and thinking, the composer’s piano works demonstrate the significance of the sign of past artistic experience and the authorial style (rehearsal constructions, ascending dynamic “flashes” of arpeggios, chronotopic effects, emancipated sound, sonority and dynamics as carriers of meaning and drama drivers. \u0000The scientific novelty of the article is due to the coverage of the characteristic features of V. Polova’s piano works, in particular on the example of the works “Pasakalia”, “Iskia. Island”, “Vitruvian Man”, Sonata No. 1 “Seren-sonata”, Sonata No. 2 “Quasi una fantasia”, which are not fully mastered by national musicology. \u0000The practical significance of the article is due to the heuristic application of the research results in the musicological context and performance practice.","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42879683","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Microtonality in the Works for Guitar Ensemble of Agustín Castilla-Ávila","authors":"M. Trianov","doi":"10.31516/2410-5325.080.14","DOIUrl":"https://doi.org/10.31516/2410-5325.080.14","url":null,"abstract":"The relevance is determined by the necessity of a comprehensive systematical study of contemporary microtonal music for the academic guitar ensemble and its significance in the works of Agustín Castilla-Ávila. \u0000The purpose of the article is to study the peculiarities of microtonality as a special technique of the musical composition in the A. Castilla-Ávila’s works for guitar ensembles. \u0000The methodology. In the process of research, the methods of abstraction, analysis and synthesis were applied as well as special musicological methods such as methods of musical analysis: theoretical notation-based analysis, interpretative analysis. \u0000The results. Microtonality, which originates from the ancient traditional musical culture, rapidly developed in the music of the XX century as a complexification and alteration of the equal temperament. Since the 1950s, which were marked by a qualitatively new type of guitar performance, there has been a gradual adaptation of the guitar technique to the performance of microtones. The combination of traditionally and microtonally tuned guitars in the ensemble allows the composer to use a wide range of microtonal systems (third, quarter tones and various edos — equal division of the octave). \u0000Agustín Castilla-Ávila is one of the most prominent guitar composers nowadays. In his works, microtonality appears to be one of the main creative and aesthetic principles. Decided not to modify the traditional classical guitar, Agustín Castilla-Ávila uses: \u0000–   retuning the strings (microtone scordatura) as the most effective way to get microtones on the guitar. In the works of the early period, the composer often replaces a set of guitar strings with six of the same type in thickness tuned in 36edo; \u0000–   extended techniques: band, bi-tone, glissando, playing with the slider; \u0000–   preparations. \u0000The whole list of microtonal ensemble works of A. Castilla-Ávila can be classified into three main periods. For early works six same strings and 36edo are typical. The next period is characterized by using of bi-tones and harmonics. In the third period, he combines the material of two previous phases with using of electric guitar. \u0000The scientific novelty. The study is within the field of actual research on a classical guitar ensemble and its contemporary repertoire. \u0000The practical significance. The materials of this article can be used as a basis for further research of guitar ensemble music. In particular, obtained results can be useful for contemporary music performers.","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44617967","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Сharity Impresa as a Determining Point of Cultural and Artistic Activity of Nowadays","authors":"R. Nabokov","doi":"10.31516/2410-5325.079.03","DOIUrl":"https://doi.org/10.31516/2410-5325.079.03","url":null,"abstract":"The relevance of the article. Charitable activities play an important role in the formation of value guidelines and moral norms of an individual and society as a whole. Its development is determined by various factors that occur in society. The start of active hostilities in Ukraine in 2022 affected all spheres of human existence. Among them, there were changes in the functioning and development strategies of charity events, in particular events. This issue needs clarification, because it will allow not only to understand the strategies of adaptation of this form of charity, but also to predict further ways of its transformation. That is why scientific, including socio-cultural analysis of the phenomenon of charity event is extremely relevant. \u0000The purpose of the article. To analyze charitable events in the socio-cultural space in the conditions of a full-scale Russian-Ukrainian war; to reveal the cultural, artistic, financial and technical factors affecting the organization and holding of events. \u0000The methodology. A cultural approach to the analysis of the mentioned problem demonstrates that the concept of charity belongs to certain historically developed and regulated norms of social actions that implement their worldview orientations and cultural values. The specifics of scientific intelligence led to the use of the structural-functional method, which made it possible to investigate specific functional characteristics and regularities. The method of content analysis and personal practical experience of holding events made it possible to determine the artistic features of conducting charity events, the method of terminological analysis helped to find out that the Polonism “impreza” successfully filled a gap in the lexical system of the Ukrainian language. \u0000The results. We believe that charity is one of the “material” factors of the spiritual culture of mankind. This phenomenon arose spontaneously at the beginning of human civilization. Subsequently, it developed as targeted attention and concrete help from society to people who are unable to independently solve the issue of personal livelihood due to a number of reasons (subjective or objective). If we trace the genesis of charity, it is possible to distinguish three main historical types that are peculiar to the Western European mentality: ancient, Christian and modern charity. It was revealed that today the prevalence of charity in Ukraine is rated as “high”. It has been found out that in terms of its artistic structure, the charity event has all the features inherent in such forms of stage art as collective concert, thematic spectacle, solo concert. However, when forming the concept of a charity event, the organizers should naturally and organically integrate an auction, exhibition, fair or active online donation into the structure of the event. An important factor in organizing a charity event is attracting external help and finding people you can rely on and who will show a genuine interes","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42982587","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Art Techniques and Means of Expression of “Black Cinema”: From Neo-Noir to Post-Noir","authors":"N. Markhaichuk, V. Tarasov","doi":"10.31516/2410-5325.079.06","DOIUrl":"https://doi.org/10.31516/2410-5325.079.06","url":null,"abstract":"The purpose of the article is to study art techniques and means of expression of neo-noir and post-noir in the cinematography of the late XX — early XXI centuries. The subject of analysis are noir phenomena — the latest and postmodern processes in cinema, based on the aesthetic, genre and style canon of noir. Noir phenomena in the language of cinematography could not remain within the narrow limits of the aesthetics of “black” cinema. That is why they became a space of transformations: stylistic, genre, narrative, semantic, etc. \u0000The methodology of theoretical analysis in this article is based both on the whole complex of ideas related to the subject of research, and on specific scientific tools. The study is part of a more general research case, which focuses on the analysis of the phenomenology of “black cinema” (or noir) in the cinema of the late XX — early XXI centuries. In a separate publication, the authors of this study investigated the issue of “genre memory” of noir. Also, a part of the research case is the problem of analysis of expressive means and artistic techniques in cinematography of the late XX — early XXI centuries. This problem was also considered by the authors of the study in a series of publications devoted to the “collage” artistic language of the Ukrainian director S. Paradzhanov. The methodological basis of the article relies on the research of Western scientists: Gavin Smith, Charles Scruggs, Jean-Pierre Chartier, Simon P. Otieno, David Copenhafer, Mary P. Wood, Lisa Colpaert, Thomas Leitch, James McRoy, Emily R. Anderson. \u0000The results. Our definition of the set of basic techniques and expressive means of “noir” phenomena in the cinematography of the second half of the XX — beginning of the XXI centuries allows us to distinguish three spatial-compositional systems that characterize the specifics of noir, neo-noir and post-noir. \u0000In the first case, we observe a linear unfolding of the action, within which scenes and framing are in a direct cause-and-effect relationship. \u0000In the context of neo-noir, compositionality is a question of the specific action topos of the film; despite the existence of general rules and characteristics of working with planes and space, the general impression of “panoramity” and different scales is dominant. \u0000Post-noir aesthetics is formed in the plane of a greater variety of artistic techniques, which is connected with the practical absence of “canonical” boundaries and the property of post-aesthetics to combine various effects, means (and in some cases to resort to “citation” and “redefinition”). \u0000The scientific novelty of the research lies in the fact that the formation of artistic symbolism and imagery of neo- and post-classical noir aesthetics as a system is investigated for the first time. The authors analyze the specifics of expressive means of neo-noir and post-noir, which unite the phenomena into one whole. \u0000The practical significance of the article is that the conducted scientific analys","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48617839","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}