历史编舞渊源对拉美交际舞情感内容形成的影响

M. Berdnik
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引用次数: 0

摘要

现代交际舞作为一项运动得到了积极发展,而以情感为特征的舞蹈艺术正在消失。原因是拉丁美洲交际舞作为一种艺术表演水平低,以及发展这种舞蹈起源的必要性。考虑到舞厅舞蹈的历史根源,在情感上表演它也很重要。事实上,现在大量的竞技舞蹈情侣非常注重舞蹈作品的体能训练,而大量的杂技技巧却很少尊重舞蹈的审美方面。否则,他们根本不知道如何表达舞蹈情感内容的深度。舞蹈情侣们不了解如何表演特定的交际舞。这项研究的问题与拉丁美洲交际舞研究有关,也应该由经验丰富的教练来解决,他们希望向舞者展示舞蹈的审美情感方面的重要性。本研究的目的是探讨拉丁美洲交际舞的历史渊源和风格特征,它成为现代拉丁美洲交际舞蹈的基础。方法论。本文分析了拉丁美洲交际舞的具体特点。结果。从交际舞起源和规范的历史来看,每一种舞蹈都有其独特的风格和特点,也有其个性的情感特征。恰恰茶的特点是易于调情和愉悦。桑巴舞是一种庆祝、热情和表达的舞蹈。伦巴充满激情,令人印象深刻,充满爱。Pasodoble是一种充满感情和戏剧性的戏剧舞蹈。Jive轻盈、开朗、无忧无虑。这些都是舞蹈情感和美学成分的一般特征,非常值得在舞蹈中看到,并与表演者一起体验。科学的新颖性。本文试图展示拉丁美洲交际舞的历史风格和情感特征的存在,这些舞蹈作为一种比赛在世界各地进行,但在舞者的表演技巧上没有得到充分的发展。舞厅舞蹈有着不同的起源、节奏、节奏和美学,但有一个共同点:它们都是情感舞蹈。进一步研究的一个建议是,通过建议以下方面的发展,改进拉丁美洲交际舞情感成分的教学方法:积极传播有关舞蹈创造性情感成分重要性的信息(如研讨会、大师班)、,开发用于表演舞蹈情感部分的训练练习,并进行运动心理学研究。现实意义。本文的材料可用于编舞家、交际舞表演者和拉丁美洲交际舞比赛舞者的实践活动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Impact of Historical Choreographic Origins on Forming Emotional Content in Latin American Ballroom Dance
Modern ballroom dance is actively developed as a sport whereas the art of dancing, which is characterized by emotions, is disappearing now. The causes are dealt with the low level of performing Latin American ballroom dance as an art and the necessity to develop the origins of this dance. It is also important to perform a particular Ballroom dance emotionally considering its historical roots. It is fact that now the great number of competitive dance couples give a lot of attention to the physical training of choreographic compositions with a large number of acrobatic tricks and little respect to the aesthetic aspects of dance. Otherwise, they simply do not know how to express the depth of the emotional content of the dance. Dance couples are lack of understanding how to perform a particular ballroom dance. The issue of this study is relevant in Latin American ballroom dance studies as well as should be solved by experienced instructors and their desire to show dancers the importance of aesthetically emotional aspects of dance. The purpose of this study is to explore the historical origins and stylistic features of Latin American ballroom dance which became the basis of modern Latin American ballroom dance. The methodology. The author provides an analysis of specific features of the Latin American ballroom dance. The results. It is shown that according to the history of the origin and standardization of ballroom dance each dance has its own unique style and characteristics as well as its individual emotional features. Cha-cha-cha is characterized by easy flirtation and pleasure. Samba is a dance of celebration, ardour and expression. Rumba is full of passion, impressing and love. Pasodoble is emotional and dramatic-theatrical dance. Jive is light, cheerful and carefree. And these are general features of the emotional and aesthetic component of dance that are very desirable to see in dance and experience them together with the performers. The scientific novelty. An attempt is made in this paper to show the presence of historical stylistic and emotional features of the Latin American ballroom dances, which are danced as a competition all over the world, are not sufficiently developed in the performance skills of the dancer. Ballroom dances have diverse origins, rhythms, tempos and aesthetics, but have one thing in common: they are all danced emotionally. A recommendation for further research is the perspective of improving the methodology of teaching the emotional component of Latin American ballroom dance by suggesting the development of aspects such as: active ways of spreading information about the importance of the creative, emotional component of dance (e.g. seminars, master classes), teaching acting skills, developing training exercises for performing the emotional part of the dance, and conducting research in sports psychology. The practical significance. The material of this article can be used in the practical activities of choreographers, ballroom dance performers and Latin American ballroom dance competition dancers.
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