Brikolase最新文献_第3页

PERSEPSI MAHASISWA TERHADAP SENI RUPA TRADISI DAN KONTEMPORER SERTA RELASI PROSES PENJELAJAHAN IDE KREATIF DALAM BERKARYA 学生对美术的传统、当代和关系的看法，是创意探索的过程

Brikolase Pub Date : 2019-01-23 DOI: 10.33153/BRI.V10I2.2325

Narsen Afatara, Sigit Purnomo Adi, Sayid Mataram, Nadia Sigi Prameswari

{"title":"PERSEPSI MAHASISWA TERHADAP SENI RUPA TRADISI DAN KONTEMPORER SERTA RELASI PROSES PENJELAJAHAN IDE KREATIF DALAM BERKARYA","authors":"Narsen Afatara, Sigit Purnomo Adi, Sayid Mataram, Nadia Sigi Prameswari","doi":"10.33153/BRI.V10I2.2325","DOIUrl":"https://doi.org/10.33153/BRI.V10I2.2325","url":null,"abstract":"ABSTRACTThe essence of art is creating beauty. Since ancient times beauty is something that is always sought after by humans. The beauty is getting worse due to traditional art increasingly abandoned. Traditional art is all things related to values in a particular community which are maintained purely from generation to generation. In contrast to contemporary art, one of the most prominent and prominent characteristics in contemporary art is the disappearance of boundaries between art. Both forms and styles of fine arts need to be preserved by students as the next generation. The importance of preserving art is part of the preservation of the arts and culture of the nation's heritage. Traditional and contemporary art are taught in the realm of education, especially at the university level through fine arts courses. The purpose of this study is to find out the perceptions of art students on traditional art and contemporary art, so that students as young people can identify and determine their interest in one form and style between traditional and contemporary art. Keywords: Fine Art, Contemporary and Traditional","PeriodicalId":33111,"journal":{"name":"Brikolase","volume":"99 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81338206","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

SPIRIT OF NOAH : MEMAKNAI ULANG SEMANGAT KENABIAN DALAM ALKITAB MELALUI KARYA SENI RUPA 诺亚的精神:通过艺术品重新点燃圣经中预言的精神

Brikolase Pub Date : 2019-01-23 DOI: 10.33153/BRI.V10I2.2331

Theresia Agustina Sitompul

引用次数: 1

REFLEKSI DIRI TERHADAP HUBUNGAN MANUSIA DAN ALAM SEBAGAI SUMBER INSPIRASI PENCIPTAAN KARYA SENI RUPA EKSPERIMENTAL 作为一件实验艺术品创作灵感的来源，自我反思的人类和自然关系

Brikolase Pub Date : 2019-01-23 DOI: 10.33153/bri.v10i2.2327

Farid Dwi Bagus Sugiharto, Satriana Didiek Isnanta

引用次数: 1

PEMBELAJARAN EKSTRAKULIKULER SENI LUKIS KACA DI SMP NEGERI 3 SUKASADA

Brikolase Pub Date : 2019-01-23 DOI: 10.33153/BRI.V10I2.2328

I. G. Suryawan

引用次数: 1

KOMUNITAS SEBAGAI INFRASTRUKTUR PERKEMBANGAN SENI GRAFIS DI YOGYAKARTA 日惹作为图形艺术发展基础设施的社区

Brikolase Pub Date : 2018-10-04 DOI: 10.33153/BRI.V10I1.2175

A. N. Mahendrapati

{"title":"KOMUNITAS SEBAGAI INFRASTRUKTUR PERKEMBANGAN SENI GRAFIS DI YOGYAKARTA","authors":"A. N. Mahendrapati","doi":"10.33153/BRI.V10I1.2175","DOIUrl":"https://doi.org/10.33153/BRI.V10I1.2175","url":null,"abstract":"ABSTRACTThe research was conducted on the basis of there are at least three reasons why the first is, there has been no mapping to the printmaking community in Yogyakarta and their activity. Second, raise awareness college students to forming a community as a receptacle for learning, working, and do the movement of together in independent to develop printmaking. Third, the results of the study to determine the learning methods that continued as an effort to increasing the quality of the artworks of the students are, created the atmosphere at work, to providing the socialization about printmaking to the people. Qualitative descriptive study is used in analyzing the results of observations are done continuously thus obtaining a complete mapping concerning the phenomenon of the growth of the printmaking communities following the influence of existence of them in the development of printmaking in Yogyakarta, and positive values to be adopted or developed further as learning materials for graphic art students the Indonesia Institute of The Arts Surakarta. The result of research conducted in the form of mapping the art community graphic in yogyakarta and recommendations on one method learning with a system of the formation of groups small in the class in the process of the achievement of the creation for students, and a growing spirit to introduce printmaking to the people of Surakarta to become a branches of art popular. Keywords: mapping , community , printmaking, popular.","PeriodicalId":33111,"journal":{"name":"Brikolase","volume":"15 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73953081","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

ABSTRAKSI FIGUR PUNOKAWANDENGAN TEKNIK STENLING (Menggabungkan Teknik StencilDan Teknik Marbling)

Brikolase Pub Date : 2018-10-04 DOI: 10.33153/bri.v10i1.2174

Much. Sofwan Zarkasi, S. Sukirno

{"title":"ABSTRAKSI FIGUR PUNOKAWANDENGAN TEKNIK STENLING (Menggabungkan Teknik StencilDan Teknik Marbling)","authors":"Much. Sofwan Zarkasi, S. Sukirno","doi":"10.33153/bri.v10i1.2174","DOIUrl":"https://doi.org/10.33153/bri.v10i1.2174","url":null,"abstract":"ABSTRACTCreation of Mono PrintGraphic Art Work with Abstraction of Punokawan Figure Use STENLING Technique (Combining Stencil Technique and Marbling Technique), based on opportunities related to creativity and experimentation in graphic arts that have two-dimensional printing art character. One of them is creating mono print graphic artwork with the process of combining stencil techniques and marbling techniques. The purpose of this creation is to open opportunities as wide as possible regarding creativity in graphic art works that have been seen as having occupied the position of the second art in fine arts after painting. The method applied in the creation of this work is the method of experimentation which is the incorporation of stencil techniques and marbling techniques. The creation of monoprint graphic artwork by combining these two techniques produces monoprint graphic artwork with visuals in the form of Punokawan figure characters abstraction. It is hoped that the results of the creation of this work can be one of the innovations in graphic art both in technical and form forms so that it can elevate the prestige of the graphic artwork itself.Keywords: monoprint, combined stencil & marbling","PeriodicalId":33111,"journal":{"name":"Brikolase","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85482195","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

EKSPLORASI TEKNIK FACE DAN BODY PAINTING UNTUK MENAMBAH ARTISTIK PAGELARAN BATIK FASHION ART WEAR

Brikolase Pub Date : 2018-10-04 DOI: 10.33153/bri.v10i1.2176

S. Syamsiar, Nunuk Nur Shokiyah

{"title":"EKSPLORASI TEKNIK FACE DAN BODY PAINTING UNTUK MENAMBAH ARTISTIK PAGELARAN BATIK FASHION ART WEAR","authors":"S. Syamsiar, Nunuk Nur Shokiyah","doi":"10.33153/bri.v10i1.2176","DOIUrl":"https://doi.org/10.33153/bri.v10i1.2176","url":null,"abstract":"ABSTRACTThis artistic research is conducted to explore face and body painting techniques. Its application to the model in fashion batik fashion show. Face painting is a painting that only uses the face as a medium (the field to be painted), while the body painting medium is the whole body from the neck to the feet. The creation process model refers to contemporary art in which art barriers are not limited to a combination of face and body painting, batik fashion art wear, dance art and music art, which is packaged in the form of a fashion show. Kind of batik fashion art wear is selected batik carnival fashion, glamorous batik fashion, Fashion Batik Klasic and fashion batik casual. The four forms of fashion batik is chosen because it is often displayed in the event of a major fashion show in the city of Solo.Creation methods include Exploration (Observation, exploration of objects and the subject of creation), Improvisation (Experiments to make sketches of face design and body painting), Embodiments (creation of works and Fashion show performances). Creation of the work of face and body painting is expected to be able to produce artwork face and body painting the right model used in batik fashion art wear fashion, and able to add artistic batik fashion art fashion wear. Keywords: Face painting, body painting, fashion, batik, artistic, art wear.","PeriodicalId":33111,"journal":{"name":"Brikolase","volume":"17 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88201720","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

KUASA SIMBOLIK PATUNG RUANG PUBLIK : STUDI KASUS DI WILAYAH KOTA SURAKARTA 公共空间象征力量:日惹市个案研究

Brikolase Pub Date : 2018-10-04 DOI: 10.33153/bri.v10i1.2177

M. H. Himawan

{"title":"KUASA SIMBOLIK PATUNG RUANG PUBLIK : STUDI KASUS DI WILAYAH KOTA SURAKARTA","authors":"M. H. Himawan","doi":"10.33153/bri.v10i1.2177","DOIUrl":"https://doi.org/10.33153/bri.v10i1.2177","url":null,"abstract":"ABSTRACTThis article is the result of research examining how the development of public art, definitive public space sculpture and conventions that surround it, to see the extent to which the political dimension sees how to make the existence of public sculpture as a tool of legitimacy of power, development of image and power and contact with social discourse that develops in society.From the qualitative method of the Slamet Riyadi Statue on Jalan Slamet Riyadi, the Major Achmadi Statue in the Banjarsari Lima Proximity (Proliman), 45 Banjarsari Monument Statue (Serangan 4 Hari Monument in Surakarta) is located in Banjarsari Park, and the Statue Soekarno at Manahan Sports Complex, Surakarta, found that the existence of the statue was a proof of how the symbolic system was carried out to legitimize power by government authorities.Various forms of work that illustrate the dominance of militaristic icons compared to civilian icons, which shows how the quo vadis of military-civil relations are explicit and implied. Furthermore, this research found evidence that so far there have been a lot of public space sculptural works that do not idolize the public's need for living space.Symbolic power practices are continuously echoed through a system of visual language and symbolization that shows how power sneaks under the conscious space of society. The community is not aware of how the power system stands and hides behind these sculptures of public space, whatever the reason for their establishment; inheritance of nationalism, development of moral values, even ideology. Keywords: history, public space sculpture, symbolic of power, Surakarta City","PeriodicalId":33111,"journal":{"name":"Brikolase","volume":"22 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82922483","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

GAMBAR WAYANG KARYA SURIPNO DARI PERSPEKTIF RASA DALAM KEBUDAYAAN JAWA

Brikolase Pub Date : 2018-10-04 DOI: 10.33153/bri.v10i1.2172

Feri Widiyanto

引用次数: 0

KEBERADAAN KERAJINAN LOGAM DI TUMANG CEPOGOBOYOLALI 他们在TUMANG cepoboyolali发现了金属工艺

Brikolase Pub Date : 2018-10-04 DOI: 10.33153/bri.v10i1.2173

Kuntadi Wasi Darmojo

{"title":"KEBERADAAN KERAJINAN LOGAM DI TUMANG CEPOGOBOYOLALI","authors":"Kuntadi Wasi Darmojo","doi":"10.33153/bri.v10i1.2173","DOIUrl":"https://doi.org/10.33153/bri.v10i1.2173","url":null,"abstract":"ABSTRACT Metal Crafts in Tumang, Cepogo, Boyolali, is one of the nation's cultural assets that has been passed down through generations from generation to generation, which is still occupied by the majority of Tumang people. The tradition of making products in Tumang metal handicrafts has undergone significant changes, where from the beginning of its establishment until before the 1960s, the results of products oriented to household items, then in the early 1970s until now have experienced object-oriented product changes ornamental.Factors that cause cultural change through new products include: internal and external factors, impulses and direction of the process of change (innovation), as well as various phenomena of socio-cultural change. Internal factors are driven by the creativity of metal craft makers, while external factors are triggered by scholars, artists, or other innovation figures.Changes in Tumang metal handicraft products have implications for the community, marked by a professional division of labor and the establishment of new institutions. The existence of metal crafts in Tumang, as an art product in society is still accepted in accordance with the development and changes in civilization of its supporting society. Keywords: crafts, metals, Tumang, changes and products","PeriodicalId":33111,"journal":{"name":"Brikolase","volume":"121 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77064826","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0