{"title":"GAMBAR WAYANG KARYA SURIPNO DARI PERSPEKTIF RASA DALAM KEBUDAYAAN JAWA","authors":"Feri Widiyanto","doi":"10.33153/bri.v10i1.2172","DOIUrl":null,"url":null,"abstract":"<p align=\"center\"><strong><em>ABSTRACT</em></strong></p><p align=\"center\"> </p><p><em>Wayang purwa is a Javanese art and culture product. The existence of wayang purwa in Javanese culture is very influential on the life of Javanese society. Variants of wayang that can be found today is one of them is a puppet image made by Suripno. The process of creating Suripno puppet shapes also can not be separated from the experience and knowledge of Suripno as the maker. The method used in this study is an ethnographic method that emphasizes the observation of behavior, interviews and artifacts.</em></p><p><em>Suripno's wayang pictures are an expression of his inward appreciation to the characters, mythology and the wayang story. Viewed from the perspective of taste in the Javanese culture aesthetics Suripno puppet pictures are a non-sensory aesthetic based on sense of appreciation, protection, tranquility, evenness and irony.</em></p><p><em> </em></p><p><em>Keywords: Suripno, puppet image, aesthetics, taste, Javanese culture.</em></p>","PeriodicalId":33111,"journal":{"name":"Brikolase","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Brikolase","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.33153/bri.v10i1.2172","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT
Wayang purwa is a Javanese art and culture product. The existence of wayang purwa in Javanese culture is very influential on the life of Javanese society. Variants of wayang that can be found today is one of them is a puppet image made by Suripno. The process of creating Suripno puppet shapes also can not be separated from the experience and knowledge of Suripno as the maker. The method used in this study is an ethnographic method that emphasizes the observation of behavior, interviews and artifacts.
Suripno's wayang pictures are an expression of his inward appreciation to the characters, mythology and the wayang story. Viewed from the perspective of taste in the Javanese culture aesthetics Suripno puppet pictures are a non-sensory aesthetic based on sense of appreciation, protection, tranquility, evenness and irony.
Wayang purwa是爪哇的一种艺术文化产品。爪哇文化中wayang purwa的存在对爪哇社会生活产生了很大的影响。今天可以找到的wayang的变体之一是Suripno制作的木偶形象。Suripno木偶造型的创作过程也离不开Suripno作为制作者的经验和知识。本研究使用的方法是民族志方法，强调对行为、访谈和人工制品的观察。Suripno的wayang图片是他对人物、神话和wayang故事的内心欣赏的表达。从爪哇文化美学的审美角度看，Suripno木偶画是一种以欣赏感、保护感、宁静感、均匀感和反讽感为基础的非感官美学。关键词:Suripno，木偶形象，美学，品味，爪哇文化。
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