Brikolase最新文献

{"title":"PENYUSUNAN ENSIKLOPEDIA BIDANG SENI LUKIS KLASIK, SENI UKIR, DAN TEKSTIL DI BALI","authors":"Wayan Setem, I. W. Mudana","doi":"10.33153/brikolase.v13i2.3763","DOIUrl":"https://doi.org/10.33153/brikolase.v13i2.3763","url":null,"abstract":"Artikel ini merupakan hasil riset bertujuan untuk mendeskripsikan leksikon yang rangkuman informasi beragam  terkait istilah-istilah seni rupa bidang seni lukis klasik wayang Kamasan, seni ukir, dan tekstil di Bali. Adapun sebagai sub-sistem, seni lukis klasik wayang Kamasan, seni ukir, dan tekstil mengandung berbagai unsur saling berkait yakni   konsep keindahan yang menjadi arahan, teknik yang dicari, disebarkan dan dikembangkan untuk memberi bentuk kepada konsep-konsep keindahan, ada seniman/pengerajian  yang mengelola pembuatan karya, penularan keahlian, teknik, fungsi, makna, dan peristiwa kesejarahan.  Teori yang digunakan adalah linguistik struktural, leksikologi dan leksikografi. Metode pengumpulan data yang digunakan dalam penelitian ini yakni metode kajian pustaka, wawancara, dan lawatan sejarah yang dilanjutkan dengan  teknik pencatatan. Dalam metode analisis data pemilihan elemen penentu dengan teknik korelasional dilanjutkan teknik analisis induktif dan deduktif. Hasil dari penelitian ini menunjukkan adanya leksikon khas yang digunakan oleh seniman/pengerajin seni lukis klasik wayang Kamasan, seni ukir, dan tekstil di Bali.  Leksikon tersebut terdiri dari tiga katagori, yakni alat dan bahan, proses pembuatan, dan estetika. Leksikon ketiga bidang seni rupa tersebut juga memiliki dua katagori fungsi yakni sebagai pemberian nama dan sebagai proses pembuatan. Begitu juga pada ragam penggambaran/motif memiliki nilai budaya berdemensi vertikal (religi dan kepercayaan) serta nilai budaya berdemensi horisontal meliputi nilai tradisi, nilai perasaan dan kedamaian, berorientasi alam, nilai kesejahteraan, dan nilai sosial.  ","PeriodicalId":33111,"journal":{"name":"Brikolase","volume":"26 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79317766","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"TEKNIK GREEN SCREEN DALAM PENGEMBANGAN VIDEO PEMBELAJARAN PRAKTIKUM KEILMUAN SENI RUPA DAN DESAIN DI ERA PANDEMI COVID-19","authors":"D. Ardianto, Anugrah Irfan IlIsma, Arifansyah Wicaksono, Sayid Mataram, R. W. Herlambang","doi":"10.33153/brikolase.v13i2.3991","DOIUrl":"https://doi.org/10.33153/brikolase.v13i2.3991","url":null,"abstract":"Revolusi industri 4.0 membawa perubahan pada bidang teknologi informasi. Manusia yang semakin akrab dengan teknologi menghasilkan kebudayaan digital. Perkembangan tersebut berdampak pada kemunculan era disrupsi yang memerlukan sikap adaptif untuk mengikutinya. Pandemi Covid 19 yang memiliki efek secara global, menyebabkan lebih banyak tuntutan untuk beradaptasi karena terjadi beragam perubahan pola dalam kehidupan. Salah satu tuntutan tersebut terjadi dalam dunia pendidikan yang memiliki kendala dalam berkomunikasi antara pendidik dan peserta didik. Hal ini memunculkan permasalahan mengenai bagaimana pendidik menyikapi fenomena online learning dalam mengembangkan media ajar berbasis video. Sebagai alternatif solusi dari permasalahan tersebut, yaitu dengan menciptakan media ajar video menggunakan teknik green screen yang diunggah melalui kanal-kanal video.","PeriodicalId":33111,"journal":{"name":"Brikolase","volume":"11 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91203377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"DESAIN KOMIK DIGITAL CERITA RAKYAT DESA ARJOWILANGUN","authors":"Prisca Amelia, Harijati Purwaningsih","doi":"10.33153/brikolase.v13i2.3829","DOIUrl":"https://doi.org/10.33153/brikolase.v13i2.3829","url":null,"abstract":"Indonesia adalah negara dengan banyak kebudayaan, salah satunya adalah cerita rakyat. Banyak cara untuk melestarikan cerita rakyat dengan menarik minat generasi muda, salah satunya adalah cerita rakyat tersebut dijadikan sebuah komik. Salah satunya adalah dengan mengangkat kisah cerita rakyat dari Desa Arjowilangun, Malang. Di zaman yang semakin maju, penggunaan gawai kian meningkat pesat, dengan memanfaatkan gawai maka pelestarian cerita rakyat lebih mudah. Diciptakannya sebuah komik dalam bentuk digital agar mudah membaca, mengakses dan menyebarkannya lebih muda.            Untuk menciptakan komik digital, dilakukan metode kualitatif untuk mendapatkan sumber data. Metode kualitatif mudah menemukan hasil data yang sesuai dengan keinginan peneliti, karena dengan menjabarkannya secara rinci. Untuk mendapatkan data yang sesuai, dilakukan pengumpulan data dengan cara wawancara warga di Desa Arjowilangun, observasi di sekitar desa, dan dokumentasi. Setelah mendapatkan data maka dilakukan analisis data, maka digunakannya analisis SWOT agar dapat ditemukan kelebihan dan kekurangan dalam pembuatan komik digital mengenai Desa Arjowilangun.            Hasil perancangan ini berupa komik digital dengan mengangkat budaya yang ada di Desa Arjowilangun. Karya ini menampilkan budaya dengan Desa Arjowilangun pada masa awal mula terbentuknya Desa Arjowilangun dengan penggunaan warna, typografi dan latar belakang yang sesuai dengan Desa Arjowilangun. Perancangan ini berupa komik digital, dengan media pendukung yaitu buku, kaos, pin dan stiker, yang diharapkan  dapat memberi suatu bentuk edukasi mengenai Desa Arjowilangun.","PeriodicalId":33111,"journal":{"name":"Brikolase","volume":"54 81 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76159548","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"EKSPLORASI LIMBAH PLASTIK DALAM KARYA SENI RUPA","authors":"S. Syamsiar","doi":"10.33153/brikolase.v13i2.4023","DOIUrl":"https://doi.org/10.33153/brikolase.v13i2.4023","url":null,"abstract":"Art creation: Exploration of Plastic Waste in Fine Art is an experiment in utilizing plastic waste around the author into an aesthetic 2-dimensional work of art as an effort to reduce waste on earth, and at the same time enriching the treasures of art in Indonesia, especially and the world in general. Plastic waste can unknowingly threaten the survival of the human environment. Plastic cannot be destroyed through natural processes and lasts a very long time in nature. It takes 500-1000 years for plastic to degrade, but it will still leave microplastic particles that are harmful to living things. Creating works of art is one of the efforts of the author as an artist to take care of reducing plastic waste. The concept of the work in this creation is a spooky facial expression that conveys a message to the audience that plastic waste is dangerous for the future of living things. To achieve the goal of creation, it is done by using the method of material experimentation and exploration of the form of the work of creation. The materials used are various kinds of plastic waste which are cleaned, sorted by color and then pressed using an electric iron on the prepared medium. Through this method, several works of spooky facial expressions were obtained. Abstrak               Penciptaan karya seni: Eksplorasi Limbah Plastik dalam Karya Seni Rupa adalah sebuah eksperimen dalam memanfaatkan limbah plastik yang ada di sekitar penulis menjadi sebuah karya seni 2 dimensi yang estetis sebagai upaya dalam mengurangi limbah sampah di bumi, dan sekaligus dapat memperkaya khasanah kesenirupaan di tanah air khususnya dan dunia umumnya. Limbah plastik tanpa disadari dapat mengancam kelangsungan lingkungan kehidupan manusia. Plastik tidak dapat hancur lewat proses alami dan bertahan sangat lama di alam. Dibutuhkan 500-1000 tahun bagi plastik agar tergradasi, tapi tetap saja akan menyisakan partikel mikroplastik yang berbahaya bagi makhluk hidup. Menciptakan karya seni adalah salah satu upaya penulis sebagai perupa untuk ikut peduli mengurangi limbah plastik. Konsep karya dalam penciptaan ini adalah ekspresi wajah seram yang membawa pesan kepada audiens bahwa limbah plastik berbahaya bagi masa depan makhluk hidup. Untuk mencapai tujuan penciptaan dilakukan dengan menggunakan metode ekspremen bahan dan eksplorasi bentuk ciptaan karya. Bahan yang digunakan adalah berbagai macam limbah plastik yang dibersihkan, dipilah warnanya kemudian dipress menggunakan setrika listrik pada medium yang telah disiapkan. Melalui metode ini kemudian didapatkan beberapa karya ekspresi wajah seram.  ","PeriodicalId":33111,"journal":{"name":"Brikolase","volume":"6 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79361827","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"SHOWROOM SEBАGАI MEDIА KOMUNIKАSI VISUАL BRАND TENUN TROSO KАBUPАTEN JEPАRА","authors":"Kukuh Dwi Wijanarko, Tristan Alfian","doi":"10.33153/brikolase.v11i2.2823","DOIUrl":"https://doi.org/10.33153/brikolase.v11i2.2823","url":null,"abstract":"Brаnding Tenun Troso sаngаt penting, kаrenа kаin Troso sebаgаi tekstil yаng dаpаt mencerminkаn stаtus seseorаng dаlаm mаsyаrаkаt. Permаsаlаhаn utаmа kаin Troso аdаlаh selаin hаrgаnyа lebih mаhаl dаri kаin yаng lаin, promosi untuk membrаnding Troso jugа sаngаt kurаng. Secаrа umum tujuаn penelitiаn ini untuk mencаri jаwаbаn yаng sesuаi dengаn permаsаlаhаn utаmа yаitu konsep brаnding berbаsis industri kreаtif dаn strаtegi komunikаsi visuаl brаnd sehinggа memberi dаmpаk terhаdаp perkembаngаn Tenun Troso Jepаrа. Brаnding yаng telаh bаnyаk ditаmpilkаn melаlui showroom sebаgаi setrаtegi komunikаsi pаrа pengusаhа dihаrаpkаn dаpаt menаrik minаt wisаtаwаn untuk membeli tenun. Metode penelitiаn аdаlаh deskriptif yаitu untuk membuаt penjelаsаn secаrа аkurаt, sistemаtis dаn fаktuаl mengenаi fаktа-fаktа dаn sifаt populаsi аtаu lokаsi tertentu dаlаm аrti ini pаdа riset. Konsep brаnding tenun Troso pаdа аwаlnyа dijаlаnkаn pengusаhа melаlui Showroom аtаu tempаt untuk memаjаng аtаu melаkukаn displаy hаsil produksi.Sebаgiаn besаr pemаsаrаn dikirimkаn ke Bаli, Jаkаrtа, Yogyаkаrtа, Solo, dаn dаerаh-dаerаh di Luаr Jаwа seperti di Lаmpung, Sulаwesi, NTB, Flores, Pаpuа, dаn lаin-lаin. Prospek setelаh brаnding Tenun Troso terkenаl, dihаrаpkаn pengusаhа dаpаt memаsаrkаn lаngsung kepаdа pembeli tаnpа perаntаrа pihаk ke tigа.","PeriodicalId":33111,"journal":{"name":"Brikolase","volume":"4 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-02-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90302708","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Perubahan nilai dan filosofi busana kebaya di Jawa Tengah","authors":"R. Santoso, Theresia Widyastuti, L. R. D. Sakuntalawati, Adji Isworo Josef, Tiwi Bina Affanti","doi":"10.33153/brikolase.v11i1.2479","DOIUrl":"https://doi.org/10.33153/brikolase.v11i1.2479","url":null,"abstract":"Indonesia yang mayoritas mendiami wilayah Jawa Tengan dikenal dengan kekuatan budayanya. Hal ini tampak dari bagaimana mereka menjunjung tinggi tradisi warisan nenek moyangnya. Selain itu orang Jawa Tengah mudah di kenal melalui busana khas kebayanya. Kebaya beserta kelengkapannya dari ujung kepala hingga ujung kaki, konon awalnya hanya digunakan oleh kalangan kerajaan saja mempunyai nilai dan filosofi yang sangat menarik. selama berpuluh tahun kebaya sebagai bagian dari sejarah, mengalami berbagai perubahan sejalan dengan jaman yang terus berjalan. Hal yang terpenting bahwa kebaya saat ini bukan lagi menjadi pakaian sehari-hari seperti dahulu kala. Riset paper ini menggunakan bentuk penelitian kualitatif dengan menggunakan pendekatan budaya. Penelitian ini bertujuan untuk mengetahui (1) perubahan nilai dan filosofi semacam apa yang terjadi pada busana kebaya khususnya yang digunakan di wilayah Jawa Tengah; (2) apakah kebaya masa kini masih bisa disebut pakaian tradisional terutama dengan berbagai perubahan yang disebabkan dengan kondisi masa ini.","PeriodicalId":33111,"journal":{"name":"Brikolase","volume":"126 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76387480","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"KEBERADAAN KEBUTUHAN EXISTENCE, RELATEDNESS, GROWTH, DALAM VIDEO GAME HARVEST MOON BACK TO NATURE","authors":"Arief Budiman","doi":"10.33153/BRIKOLASE.V11I1.2678","DOIUrl":"https://doi.org/10.33153/BRIKOLASE.V11I1.2678","url":null,"abstract":"ABSTRACT Playing video games is basically an activity where it must have an stimulus energy which is commonly referred to as motivation. Without motivation, player will not be interested in playing a video game with a long duration. The Harvest Moon Back to Nature video game as a video game that was quite successful, which made the video game a legendary video game for the audience's audience as early as 1997. Harvest Moon Back to Nature looks so strong in representating about social life of rural communities, especially one who works as a farmer. It creates interest which in turn encourages researchers to know more about how motivation for human needs is presented by the Harvest Moon Back to Nature video game. This research fundamentally use interpretative analytical descriptive method with narrative approach. Using a view from ERG theory Clayton Alderfer, which according to him motivation is related to basic human needs which consist of existence needs, relatedness needs, and growth needs. In increasing one's motivation, the three basic human needs must be fulfilled wherever possible. From the results of the research conducted using these instruments, it can be concluded that the power of motivation has been presented in the Harvest Moon Back to Nature video game from the fulfillment of existence needs, relatedness needs, and growth needs, both in the context events of farming, raising, and in carrying out other events.Keywords : motivation, existence needs, relatedness needs, and growth needs.   ","PeriodicalId":33111,"journal":{"name":"Brikolase","volume":"246 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-04-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90666060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PEMANFAATAN SENI KOLASE SEBAGAI PRODUK KREATIF UNTUK PENGEMBANGAN KARYA PROYEK STUDI MAHASISWA JURUSAN SENI RUPA FBS UNNES","authors":"Arif - Fiyanto","doi":"10.33153/BRI.V10I2.2329","DOIUrl":"https://doi.org/10.33153/BRI.V10I2.2329","url":null,"abstract":"Efforts to develop artworks from student study projects at the FBS UNNES Department of Fine Arts which choose collage art are very interesting when applied to tottebag, as a creative product. After going through observations and various considerations, collage artworks that have been worked on as student study projects will be more economically valuable, and become creative products. So that the work can collaborate into handmade products with archipelago images. Because the material used in making these products uses batik patchwork with designs that utilize Indonesian decorative motifs, especially in developing the tourism potential of Semarang. Thus the use of collage art as a creative product for the development of student study project works can be a research that discusses inspirational and innovative methods of development. Keywords: study projects, creative products, collage art","PeriodicalId":33111,"journal":{"name":"Brikolase","volume":"25 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91132049","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"RASIONALISASI DAN REALITAS BUDAYA JAWA TERHADAP MOTIF GURDA","authors":"Aan Sudarwanto","doi":"10.33153/bri.v10i2.2326","DOIUrl":"https://doi.org/10.33153/bri.v10i2.2326","url":null,"abstract":"The article that discusses the motive of the gurda aims to find out more clearly how the position and changes in the gurda motives in the perspective of Javanese society. In addition, it is also to find out the forms of the gurda motif and its application to Javanese culture from several perspectives, namely tradition, modern and postmodern.Changes from tradition to modernism then arrive at postmodern discourse to be interesting, because from there it can be analyzed how far the changes are from aspects of form, structure and application, as well as several causes. Several approaches are used in analyzing these problems. among others, using the concept of Max Weber's rationality and the concept of deconstruction that Derrida proposes.The importance of material objects raised in this article is based on the idea that the gurda motif on batik does not appear suddenly but has undergone a very long journey. The motif that symbolizes the eagle was originally described as more realistic and even anthropomorphic which can be found in various temple realiefs on Java, including Prambanan temple, Penataran temple, jago temple, candi Belahan and Sukuh temple. After becoming a batik motif until the postmodern era also experienced a very interesting dynamic to study so that it could become a model of changing a cultural phenomenon. Keywords: motifs of gurda, tradition, modern, postmodern discourse","PeriodicalId":33111,"journal":{"name":"Brikolase","volume":"47 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75969903","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"METAFORA DAN IDIOLOGI FILM IKLAN MANDIRI SECURITAS","authors":"H. Handriyotopo, Gr Lono Lastoro, S. Gustami","doi":"10.33153/BRI.V10I2.2332","DOIUrl":"https://doi.org/10.33153/BRI.V10I2.2332","url":null,"abstract":"The Mandiri Securitas advertisement film is a corporate advertisement that contains a persuasive message to increase brand image as a leader in investment in the Stock Exchange or trusted banking investment in Indonesia. The metaphor in the Mandiri Securitas advertisement contains cinematographic images that borrow keris culture to be sided with banking culture. This qualitative descriptive study uses a semiotic approach to appropriate verbal and visual messages from the system of rhetorical marks \"Minus One\". The content of visual rhetoric and verbal rhetoric on the Mandiri Securitas advertisement was reviewed by Roland Barthes's semiotic theory, because it was considered capable of uncovering the relationship of the sign meaning behind the denotative marker system and connotative markers from the ideology of Mandiri Securitas advertisements with the  theme of empu keris (keris maker). The results of this study prove that the application of the \"Minus-One\" method is very helpful to find and recognize the roles played by the constituent elements of a film construction. The Mandiri Securitas advertisement film is an example of the appropriation of the tradition world for the benefit of the modern world. The tradition world is not displayed in its entirety as it is, but is displayed partially and determined based on the image of the modern world wants to construct as an imagery form of advertising. Keywords: Metaphor, rhetoric, Semiotics, and ideology ","PeriodicalId":33111,"journal":{"name":"Brikolase","volume":"30 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90388745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}