Brikolase Pub Date : 2018-10-04 DOI:10.33153/bri.v10i1.2174
Much. Sofwan Zarkasi, S. Sukirno
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引用次数: 0

摘要

利用STENLING技术(将STENLING技术与大理石纹技术相结合)创作具有二维印刷艺术特征的平面艺术创作与实验的机会,以抽象的普野川人物为对象的单幅版画艺术作品。其中之一是将模版技术和大理石纹技术相结合,创作单幅版画艺术作品。这种创作的目的是为了尽可能广泛地打开图形艺术作品的创造力的机会,图形艺术作品被视为在美术中仅次于绘画的第二艺术。在这个作品的创作中应用的方法是实验的方法,这是模板技术和大理石纹技术的结合。将这两种技法结合在一起创作出具有视觉效果的单印版画作品,以普野川人物抽象的形式出现。希望本作品的创作成果能够成为平面艺术在技术和形式形式上的创新之一,从而提升平面艺术本身的威望。关键词:单印,组合模版和大理石纹
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ABSTRAKSI FIGUR PUNOKAWANDENGAN TEKNIK STENLING (Menggabungkan Teknik StencilDan Teknik Marbling)
ABSTRACTCreation of Mono PrintGraphic Art Work with Abstraction of Punokawan Figure Use STENLING Technique (Combining Stencil Technique and Marbling Technique), based on opportunities related to creativity and experimentation in graphic arts that have two-dimensional printing art character. One of them is creating mono print graphic artwork with the process of combining stencil techniques and marbling techniques. The purpose of this creation is to open opportunities as wide as possible regarding creativity in graphic art works that have been seen as having occupied the position of the second art in fine arts after painting. The method applied in the creation of this work is the method of experimentation which is the incorporation of stencil techniques and marbling techniques. The creation of monoprint graphic artwork by combining these two techniques produces monoprint graphic artwork with visuals in the form of Punokawan figure characters abstraction. It is hoped that the results of the creation of this work can be one of the innovations in graphic art both in technical and form forms so that it can elevate the prestige of the graphic artwork itself.Keywords: monoprint, combined stencil & marbling
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审稿时长
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