Gwagyeong Ilboneo Munhak Yeongu最新文献_第4页

Use of “Genji Monogatari” seen in Kigin Kitamura’s Confucian Women’s classics lessons ：Focusing on “Kana Retsujoden” and “Ominaeshi Monogatari” 北村敬金儒家女性经学课对“源氏物语”的运用——以“假名礼书”和“小品物语”为中心

Gwagyeong Ilboneo Munhak Yeongu Pub Date : 2022-06-28 DOI: 10.22628/bcjjl.2022.14.1.213

Yi-Hsiu Chen

引用次数: 0

The Conflictual Legacy of the Korea-Japan Joint World Cup 韩日联合世界杯的矛盾遗产

Gwagyeong Ilboneo Munhak Yeongu Pub Date : 2022-06-28 DOI: 10.22628/bcjjl.2022.14.1.4

Sam-hun Park

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The Fluctuations in Self-Narration in 1930s Colonial Taiwan：On Zhang Wen-huan’s “Father’s Demand” and Conversion Literature 20世纪30年代殖民台湾自我叙事的波动——张文焕“父亲的要求”与转换文学

Gwagyeong Ilboneo Munhak Yeongu Pub Date : 2022-06-28 DOI: 10.22628/bcjjl.2022.14.1.89

Zhenghao Qiu

{"title":"The Fluctuations in Self-Narration in 1930s Colonial Taiwan：On Zhang Wen-huan’s “Father’s Demand” and Conversion Literature","authors":"Zhenghao Qiu","doi":"10.22628/bcjjl.2022.14.1.89","DOIUrl":"https://doi.org/10.22628/bcjjl.2022.14.1.89","url":null,"abstract":"This paper re-appraises the Taiwanese colonial writer Zhang Wen-huan’s Japanese novel, “Father’s Demand” (Chichi No Yōkyū), published in 1935, as a form of “conversion literature” in terms of its narrative style and in relation to the nexus of ideas in the literary field of its time. First, I examine the difference between the contemporary autobiography and the literary portrayal of popular life on the basis of the prevailing literary discourses in 1930s Taiwan, and I then show the threshold or hybrid status of Zhang Wen-huan’s texts, positioned between the two genres. Next, I examine the discourse of “conversion literature” and of the “I-novel” in 1930s Japan and clarify how Zhang’s “Father’s Demand” reflected the perspective of the literary elite but also differentiated itself from their work. Furthermore, by paying attention to the representation of prisoners in the work, I clarify the difference between the depiction of intellectual subjectivity in “Father’s Demand” and in other Japanese works of conversion literature. By analyzing the letters in the final section of the novel, I present the contradictions in the subject formation of colonial intellectuals and identify their prior state. Through these analyses, I reconsider the so-called “conversion” in “Father’s Demand,” viewing it not as a return to a specific identity, but as a focus on the body and other pre-subjective entities.","PeriodicalId":33066,"journal":{"name":"Gwagyeong Ilboneo Munhak Yeongu","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89278203","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“Anguished Youth” and “Self-Cultivation Diary”：A Study on the Modern Diary Azamukazaru no Ki “痛苦的青春”与“修身日记”——近代日记《阿扎鲁·诺奇》研究

Gwagyeong Ilboneo Munhak Yeongu Pub Date : 2022-06-28 DOI: 10.22628/bcjjl.2022.14.1.51

Yiheng Xiao

{"title":"“Anguished Youth” and “Self-Cultivation Diary”：A Study on the Modern Diary Azamukazaru no Ki","authors":"Yiheng Xiao","doi":"10.22628/bcjjl.2022.14.1.51","DOIUrl":"https://doi.org/10.22628/bcjjl.2022.14.1.51","url":null,"abstract":"Kunikida Doppo (1871-1908) wrote a diary named Azamukazaru no Ki (Diary Without Deceit) over the course of five years. Azamukazaru no Ki not only gained a large audience, but has also been recognized as a “Shūyō Sho” (self-cultivation work) in the process of repeated reprints, which have included new material. However, this text has not received sufficient attention in prior studies, and often serves merely as reference material for studies on Kunikida or his literary works. In the few studies that are centered on this text itself, the dimension of “Shūyō Sho” has not received much attention. From the starting point of “Shūyō Sho”, this paper clarifies Kunikida’s position in the discourse of “Hanmon Seinen” (anguished youth) and “Shūyō Nikki” (self-cultivation diary), and discusses how contemporary readers during the “Shūyō Boom” read Azamukazaru no Ki. It argues that Doppo, as a “Hanmon Seinen” in distress in the midst of his process of self-discovery, is engaged in “Shūyō” through the self-management and self-healing mechanism of “Shūyō Nikki”. Through this analysis, this paper adopts a new approach to the diary as a form of literature through the prism of “Shūyō”.","PeriodicalId":33066,"journal":{"name":"Gwagyeong Ilboneo Munhak Yeongu","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89711654","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Process of Shanghai Becoming “Far Away” in Shanghai by Hayashi Kyoko 林恭子《上海变得“遥远”的过程

Gwagyeong Ilboneo Munhak Yeongu Pub Date : 2022-06-28 DOI: 10.22628/bcjjl.2022.14.1.107

Wei Song

{"title":"The Process of Shanghai Becoming “Far Away” in Shanghai by Hayashi Kyoko","authors":"Wei Song","doi":"10.22628/bcjjl.2022.14.1.107","DOIUrl":"https://doi.org/10.22628/bcjjl.2022.14.1.107","url":null,"abstract":"In her novel Shanghai, the titular city seems to have become psychologically distant from Hayashi Kyoko. This paper analyzes the continuity of life in Shanghai in the post-war period, focusing on the issue of occupied territories that has not received much attention to this point in the studies on Shanghai. Through the prism of post-colonialism, this paper examines the causes of “Shanghai becoming far away” in terms of the remaining sense of control people felt over their lives, the impact of the border crossers from occupied territories, and the tensions within the discourse on the experience of the war. The paper starts with a brief introduction to the author Hayashi Kyoko and her novel Shanghai, and theories of post-colonialism. Second, it clarifies how Hayashi expresses her sense of both control and guilt by describing her preparations before leaving for Shanghai. Next, this paper analyzes how Hayashi describes and views the border crossers produced by Japanese colonialism. Finally, it analyzes the problem of discussing the experience of the war in the novel, as the “I” expresses Hayashi’s own experience, but there is no confidence in its delivery of the truth. This paper explores the reasons for Shanghai becoming “far away” from Hayashi and how the legacy of the occupation is expressed in the novel.","PeriodicalId":33066,"journal":{"name":"Gwagyeong Ilboneo Munhak Yeongu","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75047480","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Ghost Ship in the West and East：Madonna’s Pearl and Roi Rose 鬼船在西方和东方:麦当娜的珍珠和罗伊玫瑰

Gwagyeong Ilboneo Munhak Yeongu Pub Date : 2022-06-28 DOI: 10.22628/bcjjl.2022.14.1.143

Jianing Liu

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A Study of Iwai Shunji’s Swallowtail Butterfly as a Work of Techno-Orientalist Minor Literature and its Representation of the East Asian Diaspora 岩井俊二技术东方主义小文学作品《燕尾蝶》及其对东亚流亡者的表现研究

Gwagyeong Ilboneo Munhak Yeongu Pub Date : 2022-06-28 DOI: 10.22628/bcjjl.2022.14.1.177

Kenji Oba

{"title":"A Study of Iwai Shunji’s Swallowtail Butterfly as a Work of Techno-Orientalist Minor Literature and its Representation of the East Asian Diaspora","authors":"Kenji Oba","doi":"10.22628/bcjjl.2022.14.1.177","DOIUrl":"https://doi.org/10.22628/bcjjl.2022.14.1.177","url":null,"abstract":"This paper is an investigation of “Techno-Orientalism” in postmodern Japanese and global cultural genres and subcultures since the 1980s. It concentrates on the representation of the diaspora from East Asia in the film Swallowtail Butterfly (1996), directed by Iwai Shunji (1963-). This film criticized the expansion of neoliberalism after the collapse of the “Bubble Economy” in the years 1986 to 1991 from the perspective of the diaspora, suggesting a path for the reconsideration of the connection between postmodernism and global capitalism in 1980s Japan. A postmodern genre formed in which urban space in Japan was represented as “Techno-Orientalist”, in works such as Blade Runner (1982) by Sir Ridley Scott (1937-), Akira (1988) by Otomo Katsuhiro (1954-), and Ghost in the Shell (1995) by Oshii Mamoru (1951-). Oriental “Techno Pop” music by Sakamoto Ryuichi (1952-) was also produced in the same context, and it is possible to discuss Iwai Shunji’s Swallowtail Butterfly in this context. The most important point of this movie is that Japanese actors played the roles of those who were part of the diaspora from East Asia, and they speak “Fake Chinese” and “Fake English.” This paper discusses these fake and creole languages through the prism of the theory of “Minor Literature” elaborated by Gilles Deleuze (1925-1995) and Pierre-Félix Guattari (1930-1992).","PeriodicalId":33066,"journal":{"name":"Gwagyeong Ilboneo Munhak Yeongu","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79142733","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

A Study of Akutagawa Ryunosuke’s “Spring Nights”：The Ways in which the Mystery is Understood 芥川龙之介《春夜》研究——解读神秘的途径

Gwagyeong Ilboneo Munhak Yeongu Pub Date : 2022-06-28 DOI: 10.22628/bcjjl.2022.14.1.31

XiangHua Jin

引用次数: 0

The Forgetting and Remembering of the Jeju Uprising：Focusing on Kim Chang-saeng’s Kaze no Koe 济州起义的遗忘与记忆——以金昌生的“风之歌”为中心

Gwagyeong Ilboneo Munhak Yeongu Pub Date : 2022-06-28 DOI: 10.22628/bcjjl.2022.14.1.191

Seong-Cheol Park

引用次数: 0

A Novel Landscape in the Wake of Pandemic ：The Establishment of the International Akutagawa Ryunosuke Society (ISAS), and Akutagawa Ryunosuke’s Transformation 大流行后的新景观:国际芥川龙之介协会的建立与芥川龙之介的转变

Gwagyeong Ilboneo Munhak Yeongu Pub Date : 2022-06-28 DOI: 10.22628/bcjjl.2022.14.1.8

Satoru Miyasaka

{"title":"A Novel Landscape in the Wake of Pandemic ：The Establishment of the International Akutagawa Ryunosuke Society (ISAS), and Akutagawa Ryunosuke’s Transformation","authors":"Satoru Miyasaka","doi":"10.22628/bcjjl.2022.14.1.8","DOIUrl":"https://doi.org/10.22628/bcjjl.2022.14.1.8","url":null,"abstract":"Humanity has suffered the onslaught of several pandemics in the past, which have left many painful scars in human history. Likewise, the Covid pandemic has brought about various changes in the world. The ‘division’ of ‘meeting’ produces new results. The establishment of the International Akutagawa Ryunosuke Association (ISAS), and the changed perspective of Akutagawa Ryunosuke during a previous pandemic, are examples of this.100 years ago, Akutagawa Ryunosuke suffered from Spanish Flu, and lost his family to the disease while his friends also became ill. In the midst of the pandemic that is sweeping the world today, we can gain a new perspective by focusing on the pandemic 100 years ago and by examining Akutagawa’s reaction to it. His view on his own life and on his family deepened after the experience of that pandemic.Even from a distance we can sense the pain caused by the epidemic 100 years ago, in this way drawing closer to the hidden facts of that time. This reveals to us that, now that the end of the current pandemic is starting to look like a forlorn prospect, a novel landscape may also form before our eyes.","PeriodicalId":33066,"journal":{"name":"Gwagyeong Ilboneo Munhak Yeongu","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83833980","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0