Gwagyeong Ilboneo Munhak Yeongu最新文献_第5页

A Report on the 9th East Asia and Contemporary Japanese-Language Literature Forum 第九届东亚与当代日语文学论坛述评

Gwagyeong Ilboneo Munhak Yeongu Pub Date : 2022-06-28 DOI: 10.22628/bcjjl.2022.14.1.220

Sho Sugimoto

{"title":"A Report on the 9th East Asia and Contemporary Japanese-Language Literature Forum","authors":"Sho Sugimoto","doi":"10.22628/bcjjl.2022.14.1.220","DOIUrl":"https://doi.org/10.22628/bcjjl.2022.14.1.220","url":null,"abstract":"I had the opportunity to participate in the 9th Forum on East Asia and Contemporary Japanese-Language Literature, an international conference which was held on October 16 and 17, 2021. Unfortunately, as in the previous year, the conference had to be held online due to COVID-19. However, it provided an invaluable opportunity for me to deepen my thinking about “glocal” culture, which was the subject of the conference. When focusing on the region of East Asia, it should be noted that “glocalism” is not unique to this global age but was also observed during the modern period. From the 19th to the 20th century, East Asia was affected by imperialism, colonialism, modernization, and westernization, the confluence of which created a complex cultural topography that gave rise to diverse “glocal” cultures. These were primarily related to the movement around the region of various writers and the translations, adaptations, and distribution of their work across borders and regions. I was able to explore the complex history of “glocal” culture in East Asia through the numerous presentations at the conference, including the main symposium “Glocal Culture in Modern and Contemporary Asia：Identity, Literature, and History.” As the COVID-19 crisis is gradually abating, I look forward to a time when the conference will be held offline, and am eager to share further fruitful discussions with participants in the future.","PeriodicalId":33066,"journal":{"name":"Gwagyeong Ilboneo Munhak Yeongu","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76752182","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Woman by Haruko Ushijima Revisited：A Writing Strategy Camouflaged in the National Agenda 重新审视臼岛晴子的《女人》:隐藏在国家议程中的写作策略

Gwagyeong Ilboneo Munhak Yeongu Pub Date : 2022-06-28 DOI: 10.22628/bcjjl.2022.14.1.125

Ge Jia

{"title":"Woman by Haruko Ushijima Revisited：A Writing Strategy Camouflaged in the National Agenda","authors":"Ge Jia","doi":"10.22628/bcjjl.2022.14.1.125","DOIUrl":"https://doi.org/10.22628/bcjjl.2022.14.1.125","url":null,"abstract":"With the outbreak of the second Sino-Japanese War in 1937, women were tasked by the nation with producing more human resources in preparation for the expansion and prolongation of the war. As a result, the creation of life in the private sphere came to have a public meaning. By giving birth to a child and dedicating it to the country, not only did women receive preferential treatment, they also played a role in attempting to raise the status of the nation. Haruko Ushijima (1913-2002), who was known as a Manchurian writer, wrote the novel “Woman(女)” based on her personal experience of a stillbirth in 1942. It was announced in “Geibun(藝文)” which can be seen as the stage of national policy. Nowadays, “Woman(女)” is widely seen as a novel which is concerned with the national agenda as a result of Haruko’s remarks of nationalism. However, there are some conflicts in the novel that cannot be integrated into this framework, and are even in tension with it. This paper will focus on Ushijima’s writing strategy and on these conflicts. Through this analysis, I would like to elucidate Haruko Ushijima’s authorial intentions, and in this way re-evaluate “Woman(女)”.","PeriodicalId":33066,"journal":{"name":"Gwagyeong Ilboneo Munhak Yeongu","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86394949","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Born Traitors：Abe Tomoji’s Reconstruction of “The Treason of Pieter Elberveld” and the Image of Eurasians 天生的叛徒:安倍友治对《彼得·埃尔伯费尔德的叛变》的重构与欧亚人的形象

Gwagyeong Ilboneo Munhak Yeongu Pub Date : 2022-06-28 DOI: 10.22628/bcjjl.2022.14.1.73

Dewi Anggraeni

{"title":"Born Traitors：Abe Tomoji’s Reconstruction of “The Treason of Pieter Elberveld” and the Image of Eurasians","authors":"Dewi Anggraeni","doi":"10.22628/bcjjl.2022.14.1.73","DOIUrl":"https://doi.org/10.22628/bcjjl.2022.14.1.73","url":null,"abstract":"This article aims to clarify Japanese South-commissioned writers’ perception of Eurasians in 1940s Indonesia on the basis of Abe Tomoji’s retelling of a tale of treachery in his essay “Chi to Tsuchi to Kokoro— Eruberuferuto no koto nado” (1944.7). The treachery in question is that of Pieter Elberfeld, a Eurasian man accused of plotting a rebellion against Dutch East Indies Company authorities with Javanese assistance, who was then brutally executed. In 1930s Japan, this story was symbolically employed by the “anti-Western” movement. Abe portrays Eurasians as people who act without clear reasons because of their mixed-blood nature, and he represents them as “born traitors.” By employing the notion of the “contact zone” as a conceptual framework through which to interpret Abe’s essay, this article argues that this portrayal of Eurasians is related to the Japanese military policy towards enemy aliens in Indonesia. This policy exempted Eurasians from internment in camps alongside Europeans if they could prove their Asian descent. As a result, many Eurasians who once prided themselves on their European ancestry began to identify themselves as Indonesians. This article’s findings fill the void in previous research on Abe as a South-commissioned writer, which primarily focuses on Indonesian scenic beauty and the eroticization of Dutch women there.","PeriodicalId":33066,"journal":{"name":"Gwagyeong Ilboneo Munhak Yeongu","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87803700","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Role of the Contributing Authors Wan Mengwan and Li Yunbing, from the Chinese Women’s Society of CI JIAN, in Tamura (Satō) Toshiko’s periodical Nü-Sheng 中国词剑妇女研究会万梦婉、李云冰在田村敏子期刊《n<s:1> -生》中的作用

Gwagyeong Ilboneo Munhak Yeongu Pub Date : 2022-06-28 DOI: 10.22628/bcjjl.2022.14.1.15

Caiyun Zhu

{"title":"The Role of the Contributing Authors Wan Mengwan and Li Yunbing, from the Chinese Women’s Society of CI JIAN, in Tamura (Satō) Toshiko’s periodical Nü-Sheng","authors":"Caiyun Zhu","doi":"10.22628/bcjjl.2022.14.1.15","DOIUrl":"https://doi.org/10.22628/bcjjl.2022.14.1.15","url":null,"abstract":"It is known that Tamura Toshiko’s periodical Nü-Sheng (1942-45), which was supported by the Japanese military and Wang Jingwei’s puppet government, had a large proportion of contributing authors who were covert Communists.I found reports on a symposium held by Toshiko with Wan Mengwan and Li Yunbing, who were the chief director and the director of the Chinese Women’s Society of CI JIAN, respectively, which was part of Wang Jingwei’s puppet governmen. They contributed five articles to the early issues of Nü-Sheng. The symposium and two of these articles showed women’s passionate demand for a fuller role in society outside of the family, which was consistent with Toshiko’s advocacy of women’s rights. Their viewpoint differed from Toshiko’s in terms of whether women’s primary responsibility was home-making, and whether women taking a fuller part in society was a valid goal. Finally, in the symposium the two women’s role in Nü-Sheng and Toshiko’s attitude to them were discussed. This paper shows the consistent assertions about women’s rights that the female cadres of Wang Jingwei’s puppet government, who contributed to Nü-Sheng, shared with Toshiko, in spite of some differences between them. These findings show that there was harmony in diversity among contributors to Nü-Sheng and Toshiko in relation to giving voice to the case for women’s rights.","PeriodicalId":33066,"journal":{"name":"Gwagyeong Ilboneo Munhak Yeongu","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75101115","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

A Study of Iwai Shunji’s Swallowtail Butterfly as a Work of Techno-Orientalist Minor Literature and its Representation of the East Asian Diaspora 岩井俊二技术东方主义小文学作品《燕尾蝶》及其对东亚流亡者的表现研究

Gwagyeong Ilboneo Munhak Yeongu Pub Date : 2022-06-28 DOI: 10.22628/bcjjl.2022.14.1.177

Kenji Oba

{"title":"A Study of Iwai Shunji’s Swallowtail Butterfly as a Work of Techno-Orientalist Minor Literature and its Representation of the East Asian Diaspora","authors":"Kenji Oba","doi":"10.22628/bcjjl.2022.14.1.177","DOIUrl":"https://doi.org/10.22628/bcjjl.2022.14.1.177","url":null,"abstract":"This paper is an investigation of “Techno-Orientalism” in postmodern Japanese and global cultural genres and subcultures since the 1980s. It concentrates on the representation of the diaspora from East Asia in the film Swallowtail Butterfly (1996), directed by Iwai Shunji (1963-). This film criticized the expansion of neoliberalism after the collapse of the “Bubble Economy” in the years 1986 to 1991 from the perspective of the diaspora, suggesting a path for the reconsideration of the connection between postmodernism and global capitalism in 1980s Japan. A postmodern genre formed in which urban space in Japan was represented as “Techno-Orientalist”, in works such as Blade Runner (1982) by Sir Ridley Scott (1937-), Akira (1988) by Otomo Katsuhiro (1954-), and Ghost in the Shell (1995) by Oshii Mamoru (1951-). Oriental “Techno Pop” music by Sakamoto Ryuichi (1952-) was also produced in the same context, and it is possible to discuss Iwai Shunji’s Swallowtail Butterfly in this context. The most important point of this movie is that Japanese actors played the roles of those who were part of the diaspora from East Asia, and they speak “Fake Chinese” and “Fake English.” This paper discusses these fake and creole languages through the prism of the theory of “Minor Literature” elaborated by Gilles Deleuze (1925-1995) and Pierre-Félix Guattari (1930-1992).","PeriodicalId":33066,"journal":{"name":"Gwagyeong Ilboneo Munhak Yeongu","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79142733","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

A Study of Akutagawa Ryunosuke’s “Spring Nights”：The Ways in which the Mystery is Understood 芥川龙之介《春夜》研究——解读神秘的途径

Gwagyeong Ilboneo Munhak Yeongu Pub Date : 2022-06-28 DOI: 10.22628/bcjjl.2022.14.1.31

XiangHua Jin

引用次数: 0

The Forgetting and Remembering of the Jeju Uprising：Focusing on Kim Chang-saeng’s Kaze no Koe 济州起义的遗忘与记忆——以金昌生的“风之歌”为中心

Gwagyeong Ilboneo Munhak Yeongu Pub Date : 2022-06-28 DOI: 10.22628/bcjjl.2022.14.1.191

Seong-Cheol Park

引用次数: 0

A Novel Landscape in the Wake of Pandemic ：The Establishment of the International Akutagawa Ryunosuke Society (ISAS), and Akutagawa Ryunosuke’s Transformation 大流行后的新景观:国际芥川龙之介协会的建立与芥川龙之介的转变

Gwagyeong Ilboneo Munhak Yeongu Pub Date : 2022-06-28 DOI: 10.22628/bcjjl.2022.14.1.8

Satoru Miyasaka

{"title":"A Novel Landscape in the Wake of Pandemic ：The Establishment of the International Akutagawa Ryunosuke Society (ISAS), and Akutagawa Ryunosuke’s Transformation","authors":"Satoru Miyasaka","doi":"10.22628/bcjjl.2022.14.1.8","DOIUrl":"https://doi.org/10.22628/bcjjl.2022.14.1.8","url":null,"abstract":"Humanity has suffered the onslaught of several pandemics in the past, which have left many painful scars in human history. Likewise, the Covid pandemic has brought about various changes in the world. The ‘division’ of ‘meeting’ produces new results. The establishment of the International Akutagawa Ryunosuke Association (ISAS), and the changed perspective of Akutagawa Ryunosuke during a previous pandemic, are examples of this.100 years ago, Akutagawa Ryunosuke suffered from Spanish Flu, and lost his family to the disease while his friends also became ill. In the midst of the pandemic that is sweeping the world today, we can gain a new perspective by focusing on the pandemic 100 years ago and by examining Akutagawa’s reaction to it. His view on his own life and on his family deepened after the experience of that pandemic.Even from a distance we can sense the pain caused by the epidemic 100 years ago, in this way drawing closer to the hidden facts of that time. This reveals to us that, now that the end of the current pandemic is starting to look like a forlorn prospect, a novel landscape may also form before our eyes.","PeriodicalId":33066,"journal":{"name":"Gwagyeong Ilboneo Munhak Yeongu","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83833980","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Chinese Reception of Togennite by Mushanokouji Saneatsu ：Focusing on Aying’s Adaptation Tokagen, and Its Performance 武山野二三津对togenite的中国接受——以瑛的改编Tokagen及其表现为中心

Gwagyeong Ilboneo Munhak Yeongu Pub Date : 2022-06-28 DOI: 10.22628/bcjjl.2022.14.1.159

Tao Lin

引用次数: 0

A Study of Hayashi Fumiko “Borneo Daiya”：The Multiple Faces of Borneo 林文美子《婆罗洲大典》研究:婆罗洲的多重面貌

Gwagyeong Ilboneo Munhak Yeongu Pub Date : 2021-12-30 DOI: 10.22628/bcjjl.2021.13.1.139

Fitri Puspita Dewi

{"title":"A Study of Hayashi Fumiko “Borneo Daiya”：The Multiple Faces of Borneo","authors":"Fitri Puspita Dewi","doi":"10.22628/bcjjl.2021.13.1.139","DOIUrl":"https://doi.org/10.22628/bcjjl.2021.13.1.139","url":null,"abstract":"This paper focuses on Hayashi Fumiko’s short story “Borneo Daiya” which is written based on her experiences in Borneo in 1943. Through stories about Japanese people who were sent to Borneo during the wartime such as Ianfu (Comfort Women) and Civilian Army, Fumiko raises the reality of Japanese Colonialization in Borneo -as the land of Japanese occupation- and its reflection into Japan itself. By exploring the meaning of the diamonds mined in Borneo for each character, this study analyze how these diamonds represent the realities of Japanese Colonialism in Borneo and examine the author’s motives in writing about this theme.In the first section, this study considers the importance of geographical aspects of the novel. In the second section it examines the relationship between Hayashi Fumiko and Borneo. In the third section there is an analysis of the significance of the platonic love between Manabe and Tamae, which emerges in the shadow of the Japanese colonization of South Borneo. In the fourth section, this study illustrates the form of pseudo-patriotism that Manabe’s wife displays in offering the diamond to the government. In the fifth section, this study investigates how Tamae’s body is represented as being analagous to the diamonds themselves from a colonialist point of view. Lastly, this study discusses the author’s closeness to Borneo and the island’s significance for Hayashi Fumiko.","PeriodicalId":33066,"journal":{"name":"Gwagyeong Ilboneo Munhak Yeongu","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73963326","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0