第九届东亚与当代日语文学论坛述评

Q4 Arts and Humanities
Sho Sugimoto
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引用次数: 0

摘要

我有幸参加了2021年10月16日至17日举行的第九届东亚与当代日语文学论坛国际会议。不幸的是,与去年一样,由于新冠肺炎疫情,会议不得不在线举行。然而,它为我提供了一个宝贵的机会,加深了我对“全球本地”文化的思考,这是会议的主题。在关注东亚地区时,应该注意到,“全球主义”并不是这个全球化时代所特有的,在现代时期也存在。从19世纪到20世纪,东亚受到帝国主义、殖民主义、现代化和西方化的影响,形成了一个复杂的文化地形,产生了多样化的“全球本土”文化。这些主要与不同作家在该地区的流动以及他们作品的翻译、改编和跨国界和地区的发行有关。通过会议上的众多演讲,包括主研讨会“现当代亚洲的全球本土文化:身份、文学和历史”,我得以探索东亚“全球本土”文化的复杂历史。随着新冠肺炎疫情的逐步缓解,我期待着会议能够在线下举行,也期待着在未来与与会者进行进一步富有成果的讨论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Report on the 9th East Asia and Contemporary Japanese-Language Literature Forum
I had the opportunity to participate in the 9th Forum on East Asia and Contemporary Japanese-Language Literature, an international conference which was held on October 16 and 17, 2021. Unfortunately, as in the previous year, the conference had to be held online due to COVID-19. However, it provided an invaluable opportunity for me to deepen my thinking about “glocal” culture, which was the subject of the conference. When focusing on the region of East Asia, it should be noted that “glocalism” is not unique to this global age but was also observed during the modern period. From the 19th to the 20th century, East Asia was affected by imperialism, colonialism, modernization, and westernization, the confluence of which created a complex cultural topography that gave rise to diverse “glocal” cultures. These were primarily related to the movement around the region of various writers and the translations, adaptations, and distribution of their work across borders and regions. I was able to explore the complex history of “glocal” culture in East Asia through the numerous presentations at the conference, including the main symposium “Glocal Culture in Modern and Contemporary Asia:Identity, Literature, and History.” As the COVID-19 crisis is gradually abating, I look forward to a time when the conference will be held offline, and am eager to share further fruitful discussions with participants in the future.
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