Lekesan: Interdisciplinary Journal of Asia Pacific Arts最新文献

{"title":"Motivation for Creating the Baris Nadewa Creation Dance in the New Normal Era","authors":"I. G. Gunadi Putra, I. G. Mawan, I. B. Wijna Bratanatyam","doi":"10.31091/lekesan.v5i2.2156","DOIUrl":"https://doi.org/10.31091/lekesan.v5i2.2156","url":null,"abstract":"\u0000Baris Nadewa creation dance is one of the male dance creations whose existence is still relatively new in Bali. The duration of this dance is approximately 10 minutes and in each performance, this dance is accompanied by the Gong Kebyar gamelan instrument. Baris Nadewa dance is a duet dance because it is performed by two male dancers and each carries the property of a spear that looks like a bow. This dance represents the bravery and patriotism of Nakula and Sahadewa fighting on the battlefield. The creation of this dance was inspired by the characters Nakula and Sahadewa who are part of the Five Pandavas in the Mahabharata story. The idea of the movement comes from the development of the bebarisan dance movement (a traditional dance genre in Bali) that already existed before. The form of presentation of this dance represents the spirit of patriotism, courage, and skill of Nakula and Sahadewa in martial arts while on the battlefield. The motivation for creating this dance is none other than responding to the existence of radicalism that has begun to poison the younger generation in particular which  can break up national unity. Presented through dynamic and firm movements, indirectly the creation of this dance work wants to convey the message of the importance of cultivating patriotism, such as being brave, never giving up, and being willing to sacrifice for the nation and state. This study uses a qualitative descriptive research method to determine the function and motivation for the creation of the Baris Nadewa dance.\u0000","PeriodicalId":320633,"journal":{"name":"Lekesan: Interdisciplinary Journal of Asia Pacific Arts","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123180143","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Embodiment of Mahakrya Lango Film","authors":"I. N. Payuyasa, Nyoman Lia Susanthi, I. B. Hari, Kayana Putra","doi":"10.31091/lekesan.v5i2.2157","DOIUrl":"https://doi.org/10.31091/lekesan.v5i2.2157","url":null,"abstract":"\u0000The Indonesian Institute of the Arts Denpasar (ISI Denpasar) is an arts college in Bali that is established based on the values of local wisdom and national insight in order to enrich human values. ISI Denpasar seeks to strengthen media literacy to campaign for the heritage of cultural arts values through audio-visual media to the public. In order to support the presence of this audio-visual media, the author conducted research and created a short film with the title Mahakrya Lango. Mahakrya Lango is a short film that is strengthened by a poetic narrative. In short, this film covers the journey of Balinese art and culture, the hustle and bustle of Bali, the oblivion of heritage, to the presence of ISI Denpasar as an art and cultural advisory institution. In its embodiment, this film takes several main visuals with a water background set as a symbol of the source of life, flexibility, dynamism, firmness, to fragility. The film creation method uses three stages, namely pre-production, production, and post-production. In the embodiment of the Mahakrya Lango film, the location set is Tamblingan Lake to visualize water as a source of life, waterfalls to symbolize flexibility and dynamism, and beach locations to depict celebrations. \u0000","PeriodicalId":320633,"journal":{"name":"Lekesan: Interdisciplinary Journal of Asia Pacific Arts","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132909525","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Effectiveness of Graphic on Product’s Virtual Exhibitions as Learning Media in VCD UC","authors":"Quina Reivaldi Limantara","doi":"10.31091/lekesan.v5i2.1953","DOIUrl":"https://doi.org/10.31091/lekesan.v5i2.1953","url":null,"abstract":"One way to convey student ideas and concepts is through exhibitions. We are in a pandemic COVID-19, the Graphic On Product (GOP) course in the Visual Communication Design study program at Universitas Ciputra (VCD UC) Surabaya uses virtual exhibitions as an alternative service so that students can still expose their work, considering it is part of the exam assessment and is a pass requirement. This study aims to find views on the effectiveness of virtual exhibitions as learning media in GOP courses, used for future considerations, including after the COVID-19 pandemic. This study uses qualitative methods through descriptive analysis of the results of data collection from exploration sources. The virtual exhibition of Graphic On Product VCD UC Surabaya is the subject of research in this study. The informants who will be the study are determined using the purposive sampling method. From the results of the interview, it can be concluded that the virtual exhibition in the GOP course runs quite effectively as a learning medium. The exhibition has given students access to appreciation from visitors, but there is no access to negative comments that can be constructive in their next work. In the future, virtual exhibitions are considered to still be able to be carried out, even after the COVID-19 pandemic because they have a wider range of visitors and the use and operation of the gallery is quite easy but adequate gadgets and internet are needed to be able to access virtual exhibitions.","PeriodicalId":320633,"journal":{"name":"Lekesan: Interdisciplinary Journal of Asia Pacific Arts","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115918019","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Southeast Asian Visual Culture In The Animated Film “Raya And The Last Dragon”","authors":"S. Sutanto","doi":"10.31091/lekesan.v5i2.2089","DOIUrl":"https://doi.org/10.31091/lekesan.v5i2.2089","url":null,"abstract":"In the year of 2020 “Raya and The Last Dragon” was launched and became part of the Disney Princess animated series. This animated film is rumored to be Disney's first film created based on Southeast Asian visual culture. This study aims to analyze the visual culture of Southeast Asia portrayed in the animated film Raya and The Last Dragon. \u0000The research is carried out with qualitative approach, through documentation of previous studies, especially those related to visual culture in Disney Princess animation, as well as direct observation of the film studied. Animated films are a reflection of the thoughts, feelings, and desires of the creators through visual media in the form of signs or semiotics. Therefore, the film Raya and The Last Dragon is analyzed using the semiotic analysis method. These data is strengthened by interviews with cultural experts. The results of this study indicate that Raya and The Last Dragon displays visual signs in the form of settings, costumes, and tools that are a fusion Southeast Asian culture are observable in characterizations, character visualization, to visualization of promotional media of “Raya and the Last Dragon”. However, the visualization is not a genuine representation, and does not properly reflect the visual culture of Southeast Asia.","PeriodicalId":320633,"journal":{"name":"Lekesan: Interdisciplinary Journal of Asia Pacific Arts","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123402424","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Still-life Photography as Visual Poetry Media for Social Criticism of Lumpur Lapindo","authors":"Yulius Widi Nugroho","doi":"10.31091/lekesan.v5i2.2083","DOIUrl":"https://doi.org/10.31091/lekesan.v5i2.2083","url":null,"abstract":"Visual media photography is prioritized to present actual and factual information as news media and art media, and Visual Poetry is a work of art that combines two visual and verbal media as one work. The purpose of this research is to make still life photography works and the meaning of photo works as a medium for Visual Poetry. The object of the photo is about the condition of the Lapindo Mud on Porong Sidoarjo Indonesia, which has been neglected for years without serious handling. This creation method uses a photographic method of photographing natural objects. Methods of collecting data by observation, interviews, and documentation offline and online. The discussion of meaning uses the semiotic theory of Roland Barthes. The result of this creation is to capture visual phenomena which are then converted into words and finally assembled into poetry. The meaning of the final work of the photo comes from the visual and verbal media that are presented together, and of course it remains open to meaning that is free from the audience. Visual Poetry's work is used as a social critique of the condition of the Lapindo Mud which is physically and socially neglected. The conclusion of this creation is that visual and verbal media have their respective advantages and limitations, but can be combined into new works and new meanings. The benefit of the creation of this work is the development of methods of visual meaning that can produce new art media.","PeriodicalId":320633,"journal":{"name":"Lekesan: Interdisciplinary Journal of Asia Pacific Arts","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115563440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Different Types of Curators Based on Field of Work and Responsibilities in OHD Museum","authors":"K. Anam, Lono P. Simatupang, Suwarno Wisetrotomo","doi":"10.31091/lekesan.v5i2.1821","DOIUrl":"https://doi.org/10.31091/lekesan.v5i2.1821","url":null,"abstract":"The development of curatorial work practices will be very important for the development of museums, arts, and culture. However, it is undeniable that studies and understanding of the development of curatorial work practices are still not optimal in Indonesia. Awareness of the realm and responsibility of the curator is also sometimes poorly understood by the public and the practitioners of curatorial work practices themselves. This vacancy becomes an obstacle in the development of the profession of independent curator and museum curator. Where the curator profession is no longer seen only as a museum guard or seen only as a writer in an exhibition. The discourse in this study will raise the question of how curatorial work practices at OHD Museum are based on the field of work and responsibilities, which we can see from the different types of curators in an art museum. This study focuses on explaining and understanding the definition of curator and the types of the curator in the development of curatorial studies in an art museum. The results of this study indicate that from the division of In-House Curators and Guest Curators at the OHD Museum, they are distinguished by their field of work and responsibilities. The In-House Curators has responsibilities, among others; acquisition, deaccession, borrowing, conservation, restoration, documentation, and research, where related to the field of collection. Then, look at the Guest Curator with responsibilities, among others; creating a curatorial concept for an exhibition, selecting the collections and artists involved, producing a narrative document (curatorial text), and designing an exhibition.","PeriodicalId":320633,"journal":{"name":"Lekesan: Interdisciplinary Journal of Asia Pacific Arts","volume":"61 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126546345","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Android-Based Learning Media Development of the Condong Legong Keraton Dance and Baris Tunggal Dance","authors":"Ni Made Liza Anggara Dewi, A.A. Trisna Ardanari Adipurwa, I. P. Arya Janottama","doi":"10.31091/lekesan.v5i2.2128","DOIUrl":"https://doi.org/10.31091/lekesan.v5i2.2128","url":null,"abstract":"This article discusses the process of developing learning media for Condong dance and Baris Tunggal dance based on Android. Currently, dance learning can be done by using alternative media indirectly. However, existing media tend to be less communicative and require complex tools to use. The data is presented in the form of a description of the basic techniques of women's dance, namely the Condong Legong Keraton dance, and the men's dance, the Baris Tunggal dance which is then analyzed to produce material that is ready to be applied in media that gives users space to access the desired information. The development of learning media for the Condong Legong Keraton dance and the Baris Tunggal dance based on Android consists of three stages. First, identify problems related to the basic material in learning Balinese dance. Second, the process of making this learning media application has several main things, namely the stage of making flowcharts and storyboards. Third, a development that contains activities to make a design into a product and test the validity of the product repeatedly until the product is produced per the specified specifications. Based on the description in this article, it can be concluded that the development of learning media for the Condong Legong Keraton dance and the Baris Tunggal dance based on Android, it presents an alternative to basic learning media for Balinese dance that is flexible and accommodates a variety of materials used in the interactive learning process.","PeriodicalId":320633,"journal":{"name":"Lekesan: Interdisciplinary Journal of Asia Pacific Arts","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115319621","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Trend in Art Studies Post SWOT Analysis","authors":"Setyo Budi, Deny Tri Ardianto","doi":"10.31091/lekesan.v5i2.2097","DOIUrl":"https://doi.org/10.31091/lekesan.v5i2.2097","url":null,"abstract":"Historical pieces of Indonesian Fine Arts show that art was once used as a provocative medium for political interests. This condition occurred when people only positioned art inthe factual aesthetic area without being balanced with conceptual intelligence. In the early 21st century, there was a revival of art discourse. Art-based higher education institutionsbegan to study arts in a balanced portion. This policy-oriented qualitative research produced a historiographical map of Indonesian art position, clarified by some changes in various policies in the academic environment. The era of 'National intelligenceawakening' is marked by visionary openness in the Higher Education environment. Such phenomenon demands adaptation and acceleration from the technical to strategic levels. The acceleration of educational technology eliminates various models of positivistic monitoring and evaluation. The use of SWOT Analysis in art fields should also be reviewed. The SDCS (Superiority, Differentiations, Connectedness, and Sustainability) analysis model offers a more visionary analysis in building the awareness that all higher education bodies in Indonesia should be “one giant educational mechanism” under one vision of improving the national intellect.","PeriodicalId":320633,"journal":{"name":"Lekesan: Interdisciplinary Journal of Asia Pacific Arts","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114655412","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Musical-Drama Television Film “Bung Karno Under The Breadfruit Tree”","authors":"I. K. Arba Wirawan","doi":"10.31091/lekesan.v5i1.1992","DOIUrl":"https://doi.org/10.31091/lekesan.v5i1.1992","url":null,"abstract":"The purpose of this research is to create a Musical-Drama Television Film titled “Bung Karno di Bawah Pohon Sukun” (Bung Karno Under the Breadfruit Tree), a television film that was initiated to form real learning spaces in the film industry for university students; refresh the creativity of the program in the world of industry (DUDI) in Bali TV; and create a work that provides learning related to the values of nationalism. This product is made of five episodes of 24 minutes each. In short, this film tells the story of Bung Karno's contemplation period when he was exiled in Ende, Flores. After the script preparation, the script breakdown was carried out with workshops, pre-production, and production. The workshop stage was carried out for the maturation of the script material and strengthening the appreciation of the characters. The resource persons presented are as follows: I Gusti Putu Bawa Samar Gantang, Jean Couteau, Warih Wisatsana, Heny Shanti, Happy Salma, and Ida Bagus Purwa Susila. All stages of production have been carried out, namely pre-production, production, post-production and distribution stages. The pre-production stage carried out was the preparation of the script, script breakdown, survey of shooting locations at Nusa Penida, Bangli, and Singaraja, wardrobe, logistics, transportation, accommodation, equipment check, casting, reading, recce, and Pre Production Meeting (PPM) which was attended by the entire division. The second stage is the production that took place in Singaraja, followed by the post-production stage of editing and music scoring. The theory used to dissect this film is the theory of mise en scene (Roland Barthes) to describe the visual aspects of the frame. The research method is descriptive qualitative analysis of the constituent elements and structures of the Musical-Drama Television Film \"Bung Karno Under the Breadfruit Tree\".\u0000 \u0000The results of the analysis show that the role of institutional leaders, partners in the world of work, lecturers and university students in this Matching Fund (MF) program is the result of the collaboration between the Indonesian Institute of the Arts Denpasar (ISI Denpasar) and Bali TV to actualize the independent learning curriculum for independent campuses (MBKM) at ISI Denpasar. In the implementation of the MF for television film production titled \"Bung Karno under the Breadfruit Tree\", there were 16 students in the seventh semester taking the MBKM class. The involvement of students from Film and TV Production Study Program, Music Study Program, Fashion Study Program, Dance Study Program, and PSP ISI Denpasar Study Program in the production of this film is an effort to hone and train hard skills and soft skills of the students. They were actively involved in collaborating and practicing directly the process of preparing scripts, music, wardrobe, and artistic arrangements in film directing by being given responsibilities according to their respective divisions as film work colleag","PeriodicalId":320633,"journal":{"name":"Lekesan: Interdisciplinary Journal of Asia Pacific Arts","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130401942","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Capitalist Community in Tourism Development: Cultural Study Perspective","authors":"Dewa Putu Oka Prasiasa","doi":"10.31091/lekesan.v5i1.1990","DOIUrl":"https://doi.org/10.31091/lekesan.v5i1.1990","url":null,"abstract":"The study of capitalist society in tourism development based on the perspective of cultural studies is more emphasized on the relationship between politics and tourism, especially in terms of how tourism can change the composition of power and values in a Tourist Destination Area and vice versa. This research is a literature review research with qualitative descriptive analysis. Based on the results of the analysis of literature documents, this study finds the pattern of tourism development and its processes are the answers to conflicting values and interests; tourism can change the composition of power and values in a tourist destination in the form of domination as the exercise of power; tourism grows and develops in the midst of political changes that are strongly influenced by space and time; the study of tourism politics has presented three key players in tourism development, namely the state, society and market; capitalization and commodification arise as a result of the globalization of the tourism market or as a result of the internationalization of tourism; the placement of tourism in the capitalist space as a consequence of tourism politics will talk about who gets what, where it is obtained, and how to get it; and in studying tourism politics, it is necessary to know the political theory and political values that underlie public policy decisions, both explicitly and implicitly.","PeriodicalId":320633,"journal":{"name":"Lekesan: Interdisciplinary Journal of Asia Pacific Arts","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130965667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}