{"title":"The Musical-Drama Television Film “Bung Karno Under The Breadfruit Tree”","authors":"I. K. Arba Wirawan","doi":"10.31091/lekesan.v5i1.1992","DOIUrl":null,"url":null,"abstract":"The purpose of this research is to create a Musical-Drama Television Film titled “Bung Karno di Bawah Pohon Sukun” (Bung Karno Under the Breadfruit Tree), a television film that was initiated to form real learning spaces in the film industry for university students; refresh the creativity of the program in the world of industry (DUDI) in Bali TV; and create a work that provides learning related to the values of nationalism. This product is made of five episodes of 24 minutes each. In short, this film tells the story of Bung Karno's contemplation period when he was exiled in Ende, Flores. After the script preparation, the script breakdown was carried out with workshops, pre-production, and production. The workshop stage was carried out for the maturation of the script material and strengthening the appreciation of the characters. The resource persons presented are as follows: I Gusti Putu Bawa Samar Gantang, Jean Couteau, Warih Wisatsana, Heny Shanti, Happy Salma, and Ida Bagus Purwa Susila. All stages of production have been carried out, namely pre-production, production, post-production and distribution stages. The pre-production stage carried out was the preparation of the script, script breakdown, survey of shooting locations at Nusa Penida, Bangli, and Singaraja, wardrobe, logistics, transportation, accommodation, equipment check, casting, reading, recce, and Pre Production Meeting (PPM) which was attended by the entire division. The second stage is the production that took place in Singaraja, followed by the post-production stage of editing and music scoring. The theory used to dissect this film is the theory of mise en scene (Roland Barthes) to describe the visual aspects of the frame. The research method is descriptive qualitative analysis of the constituent elements and structures of the Musical-Drama Television Film \"Bung Karno Under the Breadfruit Tree\".\n \nThe results of the analysis show that the role of institutional leaders, partners in the world of work, lecturers and university students in this Matching Fund (MF) program is the result of the collaboration between the Indonesian Institute of the Arts Denpasar (ISI Denpasar) and Bali TV to actualize the independent learning curriculum for independent campuses (MBKM) at ISI Denpasar. In the implementation of the MF for television film production titled \"Bung Karno under the Breadfruit Tree\", there were 16 students in the seventh semester taking the MBKM class. The involvement of students from Film and TV Production Study Program, Music Study Program, Fashion Study Program, Dance Study Program, and PSP ISI Denpasar Study Program in the production of this film is an effort to hone and train hard skills and soft skills of the students. They were actively involved in collaborating and practicing directly the process of preparing scripts, music, wardrobe, and artistic arrangements in film directing by being given responsibilities according to their respective divisions as film work colleagues. They could also study cases in the field accompanied by a supervisor when there was a problem in the process. Program-based learning in the form of film production involving Bali TV as partner and also supported by PT. (Limited Incorporation) Silur Barong and movie studio Bali (MSB) to strengthen the character of students who are ready to enter the industrial world. In the production of the television film \"Bung Karno under the Breadfruit Tree\", Bali TV as a partner contributed to the publication of activities in the form of behind-the-scenes (BTS) shows, talk shows to the screening of a 5-episode Television Film series.","PeriodicalId":320633,"journal":{"name":"Lekesan: Interdisciplinary Journal of Asia Pacific Arts","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Lekesan: Interdisciplinary Journal of Asia Pacific Arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31091/lekesan.v5i1.1992","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The purpose of this research is to create a Musical-Drama Television Film titled “Bung Karno di Bawah Pohon Sukun” (Bung Karno Under the Breadfruit Tree), a television film that was initiated to form real learning spaces in the film industry for university students; refresh the creativity of the program in the world of industry (DUDI) in Bali TV; and create a work that provides learning related to the values of nationalism. This product is made of five episodes of 24 minutes each. In short, this film tells the story of Bung Karno's contemplation period when he was exiled in Ende, Flores. After the script preparation, the script breakdown was carried out with workshops, pre-production, and production. The workshop stage was carried out for the maturation of the script material and strengthening the appreciation of the characters. The resource persons presented are as follows: I Gusti Putu Bawa Samar Gantang, Jean Couteau, Warih Wisatsana, Heny Shanti, Happy Salma, and Ida Bagus Purwa Susila. All stages of production have been carried out, namely pre-production, production, post-production and distribution stages. The pre-production stage carried out was the preparation of the script, script breakdown, survey of shooting locations at Nusa Penida, Bangli, and Singaraja, wardrobe, logistics, transportation, accommodation, equipment check, casting, reading, recce, and Pre Production Meeting (PPM) which was attended by the entire division. The second stage is the production that took place in Singaraja, followed by the post-production stage of editing and music scoring. The theory used to dissect this film is the theory of mise en scene (Roland Barthes) to describe the visual aspects of the frame. The research method is descriptive qualitative analysis of the constituent elements and structures of the Musical-Drama Television Film "Bung Karno Under the Breadfruit Tree".
The results of the analysis show that the role of institutional leaders, partners in the world of work, lecturers and university students in this Matching Fund (MF) program is the result of the collaboration between the Indonesian Institute of the Arts Denpasar (ISI Denpasar) and Bali TV to actualize the independent learning curriculum for independent campuses (MBKM) at ISI Denpasar. In the implementation of the MF for television film production titled "Bung Karno under the Breadfruit Tree", there were 16 students in the seventh semester taking the MBKM class. The involvement of students from Film and TV Production Study Program, Music Study Program, Fashion Study Program, Dance Study Program, and PSP ISI Denpasar Study Program in the production of this film is an effort to hone and train hard skills and soft skills of the students. They were actively involved in collaborating and practicing directly the process of preparing scripts, music, wardrobe, and artistic arrangements in film directing by being given responsibilities according to their respective divisions as film work colleagues. They could also study cases in the field accompanied by a supervisor when there was a problem in the process. Program-based learning in the form of film production involving Bali TV as partner and also supported by PT. (Limited Incorporation) Silur Barong and movie studio Bali (MSB) to strengthen the character of students who are ready to enter the industrial world. In the production of the television film "Bung Karno under the Breadfruit Tree", Bali TV as a partner contributed to the publication of activities in the form of behind-the-scenes (BTS) shows, talk shows to the screening of a 5-episode Television Film series.
本研究的目的是创作一部名为《面包果树下的Bung Karno di Bawah Pohon Sukun》的音乐剧电视电影,这是一部为大学生在电影行业形成真正的学习空间而发起的电视电影;更新巴厘岛电视台工业世界节目(DUDI)的创意;并创造一项工作,提供与民族主义价值观相关的学习。本产品共5集,每集24分钟。简而言之,这部电影讲述了Bung Karno被流放到弗洛雷斯的恩德时的沉思期。剧本准备完成后,剧本分解分为工作坊、前期制作和制作。工作坊阶段是为了成熟剧本材料和加强对人物的欣赏而进行的。出席的资源人员如下:I Gusti Putu Bawa Samar Gantang, Jean Couteau, Warih Wisatsana, Heny Shanti, Happy Salma和Ida Bagus Purwa Susila。制作的所有阶段都已完成,即前期制作、制作、后期制作和发行阶段。前期制作阶段包括剧本准备、剧本分解、在努沙佩尼达、邦利、Singaraja的拍摄地点调查、服装、后勤、交通、住宿、设备检查、选角、阅读、检查和由整个部门参加的制作前会议(PPM)。第二阶段是在Singaraja进行的制作,然后是后期的剪辑和配乐阶段。用来剖析这部电影的理论是场景的理论(罗兰·巴特)来描述画面的视觉方面。研究方法是对音乐剧电视电影《面包树下的邦加诺》的构成要素和结构进行描述性定性分析。分析结果表明,机构领导者、职场合作伙伴、讲师和大学生在配对基金(MF)项目中的作用是印尼登巴萨艺术学院(ISI Denpasar)和巴厘岛电视台合作的结果,以实现ISI登巴萨独立校园(MBKM)的自主学习课程。在“面包果树下的Bung Karno”电视电影制作MF的实施中,第七学期有16名学生参加了MBKM课程。电影与电视制作专业、音乐专业、时尚专业、舞蹈专业、PSP ISI登巴萨专业的学生参与本片的制作,是对学生硬技能和软技能的磨练和训练。他们作为电影工作的同事,根据各自的部门分配职责,积极参与到电影导演的剧本、音乐、服装、艺术安排的准备过程中,并直接进行合作和练习。当过程中出现问题时,他们也可以在一名主管的陪同下实地研究案例。以电影制作为形式的课程学习,由巴厘岛电视台作为合作伙伴,并由PT.(有限公司)Silur Barong和巴厘岛电影工作室(MSB)提供支持,以加强准备进入工业世界的学生的性格。在电视电影《面包果树下的邦卡诺》的制作中,巴厘岛电视台作为合作伙伴,以幕后(BTS)节目、脱口秀节目的形式为活动的出版做出了贡献,并放映了一部5集的电视电影系列。