Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies最新文献

“ACCESS POINT” – 2020: DIGITAL THEATER IN THE PANDEMIC CONDITIONS "接入点" - 2020:大流行条件下的数字战区

Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies Pub Date : 2021-12-01 DOI: 10.18522/2415-8852-2021-4-83-91

Vera V. Serdechnaia

引用次数: 0

DIASTASIS: AN INTRODUCTION TO DISTANCE THEORY 距离理论导论

Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies Pub Date : 2021-12-01 DOI: 10.18522/2415-8852-2021-4-30-41

A. Markov

引用次数: 0

LITERATURE AS A SCHOOL DISCIPLINE: FROM “SUBJECT-SUBJECT” TO ANTHROPOLOGICAL APPROACH 文学作为一门学校学科:从“主体-主体”到人类学研究

Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies Pub Date : 2021-12-01 DOI: 10.18522/2415-8852-2021-4-64-82

M. Pavlovets

{"title":"LITERATURE AS A SCHOOL DISCIPLINE: FROM “SUBJECT-SUBJECT” TO ANTHROPOLOGICAL APPROACH","authors":"M. Pavlovets","doi":"10.18522/2415-8852-2021-4-64-82","DOIUrl":"https://doi.org/10.18522/2415-8852-2021-4-64-82","url":null,"abstract":"The article focuses on some recent approaches to teaching literature as a school discipline, that arise to “reconstruct” it on a new ground in response to the general awareness of crisis in this area. Special attention is paid to the concept of “subject-to-subject reading method” formulated by a widely known expert on F.M. Dostoevsky’s work, doctor of Philology Tatyana Kasatkina. In this article we conclude that this method is hardly applicable for public schools, as it proposes conflict of a first reading experience and a research-based “re-reading” with a priority of the latter. This approach lets the image of reader’s life experience fade in the process of comprehension of the text for the sake of cognizing the subjectivity of the author. However, being relevant for a professional philological research, the method depreciates the role of readers’ subjective comprehension and interpretation of the text and may even discourage reading motivation of pupils, who do not look forward to getting a philological education, but for whom the free time reading and communication, based on the texts they read, may become one of the most significant life priorities.","PeriodicalId":318261,"journal":{"name":"Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125402914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“CAPITAL” AND “PROVINCE”: PHILOLOGY IN THE SYSTEM OF INTERNATIONAL INTELLECTUAL EXCHANGE “首都”与“省”:国际知识交流体系中的文献学

Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies Pub Date : 2021-12-01 DOI: 10.18522/2415-8852-2021-4-17-29

S. Zenkin

{"title":"“CAPITAL” AND “PROVINCE”: PHILOLOGY IN THE SYSTEM OF INTERNATIONAL INTELLECTUAL EXCHANGE","authors":"S. Zenkin","doi":"10.18522/2415-8852-2021-4-17-29","DOIUrl":"https://doi.org/10.18522/2415-8852-2021-4-17-29","url":null,"abstract":"The paper, written on the basis of a report read at Tyumen University, is devoted to the prospects of international exchange in philology in the context of widely spread institutional and disciplinary preconceptions about “metropolitan” and “provincial” science. The focus is on the specifics of the subject and prevailing practices in both cases (the study of concepts / the study of contacts); the specifics of the treatment of the national literary canon; the choice of methodological approach and research contexts, etc. The main vectors of philological exchanges that overcome the “peripheral” limitations of local philological research, mostly seen in its subordinate informative function for world science, are comprehended. Among them, the methodological reflection, independent of specific national and cultural material, stands out. The assumption is made that general ideas and theoretical questions asked to the subject are best derived from a separate tradition into international circulation and have the greatest chance of being picked up by researches from other countries to enter into a dialogue with their own concepts. Such questions are asked to masterpieces of national classics, “big data” studied by specialists in “world literature”, and to great theorists of the past, whose legacy reconfigured the history of ideas. It is also indicated that the export of ideas is especially effective in the situation of revision of disciplinary divisions, the collapse of old and the formation of new research paradigms. Philology in this perspective acts as an epistemological reference point, helping to clarify the relationship between a culturally limited “science for oneself” and a cosmopolitan “science for everyone”.","PeriodicalId":318261,"journal":{"name":"Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies","volume":"86 25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126290507","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

NEO-BAROQUE ELEMENTS OF YURY BUIDA’S POETICS 尤里·布达诗学中的新巴洛克元素

Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies Pub Date : 2021-12-01 DOI: 10.18522/2415-8852-2021-4-92-123

Thomas Cenis

{"title":"NEO-BAROQUE ELEMENTS OF YURY BUIDA’S POETICS","authors":"Thomas Cenis","doi":"10.18522/2415-8852-2021-4-92-123","DOIUrl":"https://doi.org/10.18522/2415-8852-2021-4-92-123","url":null,"abstract":"The article analyzes the neo-baroque elements in the work of the writer Yury Buida, considers the concepts of neo-Baroque (Benjamin, Deleuze, Calabrese, Lipovetsky), as well as the relationships between Baroque and neo-Baroque in postmodern poetics. In Buida’s prose such distinctive features of neo-Baroque aesthetics are revealed as excessive quoting and genre-style eclecticism (“The Fifth Kingdom”); “rhythm of repetitions and breaks” in repetitive motifs and representation of the characters (“Everyone flowing”); manifestation of neo-Baroque melancholy and nostalgia (“The Prussian Bride”); the aesthetics of excess, manifested in the physical and moral deformation of the characters or in mass scenes of violence in a theatrical fashion; the image of the library-labyrinth (“Nscdtchndsi”). The article also interprets the role of the Königsberg text as an object of the author’s melancholy and nostalgia, an element of the narrative linking of the author’s stories. The neo-Baroque elements are analyzed not only as a re-mythologization of the style and of the specific views of the epoch, but also from the point of view of their poetic function in the texts. In Buida’s texts these elements can perform as tools of author’s control over the reader’s reception, as well as strategies aimed to confront chaos and entropy.","PeriodicalId":318261,"journal":{"name":"Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114778028","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

SEMANTIC STRUCTURE MODELLING OF THE TEXTS ABOUT HOME CITY 关于家乡城市的文本语义结构建模

Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies Pub Date : 2021-12-01 DOI: 10.18522/2415-8852-2021-4-124-133

Daria S. Pavlova, A. A. Savelyeva

引用次数: 0

Settling in distant worlds 在遥远的世界定居

Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies Pub Date : 2021-12-01 DOI: 10.18522/2415-8852-2021-4-7-16

Alexander Ilichevsky, E. Maksimova

引用次数: 0

CURTIUS AS THE PROUST’S READER 库尔提乌斯是普鲁斯特的读者

Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies Pub Date : 2021-12-01 DOI: 10.18522/2415-8852-2021-4-134-142

V. Kotelevskaya

引用次数: 0

MYSTICAL DISTANCE IN D.H. LAWRENCE’S SHORTER FICTION: THE SPIRIT OF PLACE AND THE LANDSCAPES OF THE HEART d.h.劳伦斯短篇小说中的神秘距离:地域精神与心灵风景

Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies Pub Date : 2021-12-01 DOI: 10.18522/2415-8852-2021-4-42-63

Marina S. Ragachewskaya

引用次数: 0

WOMEN’S WRITING AND WOMEN’S FREEDOM: ABOUT TOLSTOY’S NOVEL “FAMILY HAPPINESS” 女性写作与女性自由——论托尔斯泰的小说《家庭幸福》

Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies Pub Date : 2021-09-01 DOI: 10.18522/2415-8852-2021-3-114-124

A. Molnar

{"title":"WOMEN’S WRITING AND WOMEN’S FREEDOM: ABOUT TOLSTOY’S NOVEL “FAMILY HAPPINESS”","authors":"A. Molnar","doi":"10.18522/2415-8852-2021-3-114-124","DOIUrl":"https://doi.org/10.18522/2415-8852-2021-3-114-124","url":null,"abstract":"The article is devoted to aspects of women’s writing and women’s freedom in Leo Tolstoy’s novel “Family Happiness” (1859), which is studied by researchers widely, including the context of the “women’s freedom”, despite the fact that it is not solved in it “progressively”. Tolstoy does not justify the feminist expectations of the reader, whose attention is attracted not so much by the question of the social status of women in a patriarchal society or in the big world (although this topic is also being significantly rethought), as by the path of self-knowledge that runs through experience and understanding the essence of love, flirt, and happiness. Each of the spouses must go this way by oneself; only then will the broken bonds of marriage be sealed again, and the spouses will find unity in real “family happiness” – children. Such a result contradicts what the gender approach, sometimes attributed to the works of the classics. The main subject of the narrative – the question of happiness – is considered ambiguously, in the conflict of male and female writing: both ideologically (in reasoning) and metaphorically (in so-called “lyrical digressions”). The narrative, ideological layers, and the layer of imagery of Tolstoy’s novella cannot be distinguished: the plot twists turn out to be in relation to the images of nature and demonstrate the evolution of the heroine’s understanding of happiness.","PeriodicalId":318261,"journal":{"name":"Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114887505","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0