CURTIUS AS THE PROUST’S READER

V. Kotelevskaya
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Abstract

This essay examines a book by the German philologist, researcher of European and French literature Ernst Robert Сurtius (1886–1956), dedicated to Proust’s poetics. Almost unknown to Russian readers, the essay “Marcel Proust” appeared in 1925 to be the first in-depth German study of Proust’s style, his epistemological and aesthetic ideas. In its insights and precision, this essay by Curtius is on a par with the critical writings of Proust’s early critics, such as Ortega y Gasset, Benjamin, and Nabokov. It is an analytically transparent exploration of Proust’s world and style, which reveals itself like a prophecy today. What is striking is the calmness and firmness with which the German philologist identifies, at such close quarters, the “topoi” of Proust that we today bring into the arsenal of Proustianism with a certain irony.
库尔提乌斯是普鲁斯特的读者
本文考察了德国语言学家,欧洲和法国文学研究者恩斯特罗伯特Сurtius(1886-1956)的一本书,致力于普鲁斯特的诗学。1925年发表的《马塞尔·普鲁斯特》(Marcel Proust)一文几乎不为俄罗斯读者所知,这是德国人对普鲁斯特的风格、他的认识论和美学思想进行的第一次深入研究。Curtius的这篇文章在其洞察力和准确性方面与普鲁斯特早期评论家的批评著作不相上下,如奥尔特加·y·加塞特、本杰明和纳博科夫。这本书对普鲁斯特的世界和风格进行了分析性的透明探索,就像今天的预言一样。令人震惊的是,这位德国语言学家在如此近的距离内,冷静而坚定地识别普鲁斯特的“主题”,我们今天带着某种讽刺的意味,把普鲁斯特的“主题”纳入了普鲁斯特主义的武器库。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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