Caesura Journal of Philological and Humanistic Studies最新文献_第7页

CHINESE CINDERELLAAND HER RUSSIAN “SISTERS” (COMPARATIVE ANALYSIS OF FAIRYTALES TYPE ATU 510A) 中国灰姑娘和她的俄罗斯“姐妹”(童话类型比较分析图510a)

Caesura Journal of Philological and Humanistic Studies Pub Date : 2021-01-01 DOI: 10.17072/1857-6060-2021-19-1-144-163

Van Ten

{"title":"CHINESE CINDERELLAAND HER RUSSIAN “SISTERS” (COMPARATIVE ANALYSIS OF FAIRYTALES TYPE ATU 510A)","authors":"Van Ten","doi":"10.17072/1857-6060-2021-19-1-144-163","DOIUrl":"https://doi.org/10.17072/1857-6060-2021-19-1-144-163","url":null,"abstract":"The articlecompares the Chinese and Russian versions of fairy tales related to the plot type of ATU 510A “Cinderella”. The Chinese history of “Ye Xian”is known as part of a literary monument of the IX century; Russian texts having a folklore nature appeared much later, in the XIX century. Their comparison allows us toidentify common plot elements and culturally determined differences. In addition, the inclusion of a literary monument with oral origins in the corresponding typological series of folklore works reveals the range of “narrative perspectives”of the plot: the set of possible variations of narrative elements and their semantic possibilities becomes more obvious. The Chinese version of “Cinderella”has obvious genre features of a fairy tale: its main character is an orphan girl who is rewarded inthe end by marriage with the ruler, who found her by the shoe shelost.The plot of “Ye Xian”is a contamination with another plot type: in the first part of the fairy tale, the main character receives help from thebones of a magic animal (a large fish, which she tookcare of). At the same time, the narrative frame models the fairy tale as the life story of a particular girl who belonged to the Dong people. A peculiar violation of the narrative laws of a folk tale can be seen in the fact that after the wedding, the life of the main character is pushed to the periphery of the plot, and the events associated with her husband, the ruler of the island, are in the center. The Chinese version is also interesting because itincludes signs of a different genre –an etiological legend: the story of Ye Xian becomes an explanation of the local toponym and the revered object named by it (the legendary grave of a stepmother and her daughter, where people came to ask for a good bride).The appendix to the article includes the author'stranslation of the fairy tale “Ye Xian”from Chinese into Russian.","PeriodicalId":31432,"journal":{"name":"Caesura Journal of Philological and Humanistic Studies","volume":"36 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80844154","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

THE PRINCIPLES OF YUGOSLAVCULTURAL POLICY (1945-1952) 南斯拉夫文化政策原则(1945-1952)

Caesura Journal of Philological and Humanistic Studies Pub Date : 2021-01-01 DOI: 10.17072/1857-6060-2021-19-2-25-38

D. Popovska

{"title":"THE PRINCIPLES OF YUGOSLAVCULTURAL POLICY (1945-1952)","authors":"D. Popovska","doi":"10.17072/1857-6060-2021-19-2-25-38","DOIUrl":"https://doi.org/10.17072/1857-6060-2021-19-2-25-38","url":null,"abstract":"After World War II and the formation of the new Yugoslav state, the Communist Party of Yugoslavia began to establisha new political system. In the process oftransformation of Yugoslav society, the resource of culture was crucial. The paper focuses on the basic principles upon which the cultural policy in the new Yugoslavia was built, whose specificity was largely conditioned by the current political and educational situation. Based on theavailable archival material, the paper analyzes the fundamental ideas in the specific field, in the periods before and after the conflict with the Information Bureau (Cominform). The differences between the two periodsshowhow important the social factors are in the formulation of the goals of the cultural policy. Namely, in the first years there is a strong sovietization in the cultural field, where the following of the Soviet modelsin politics is especiallynoticeable. In the 1950s began desovietization,а process that consisted of abandoning the Soviet model of cultural practices, abandonment of the ideological matrix of socialist realism and introduction of self-administrativesocialism, which would contribute to acertain democratization in the fieldof cultural production","PeriodicalId":31432,"journal":{"name":"Caesura Journal of Philological and Humanistic Studies","volume":"47 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84564267","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

THE SOCIO-HISTORICAL AND TECHNOLOGICAL CONDITIONS OF THE ORIGIN OF THE SCIENCE FICTIONGENRE 科幻小说类型起源的社会历史和技术条件

Caesura Journal of Philological and Humanistic Studies Pub Date : 2021-01-01 DOI: 10.17072/1857-6060-2021-19-2-131-147

I. Milosavljević

引用次数: 0

THE BYZANTINE HYMNOGRAPHIC GENRES REFLECTEDINTHEMACEDONIANMEDIEVAL MUSIC AND LITERARY TRADITION 拜占庭的诗歌体裁反映了马其顿中世纪的音乐和文学传统

Caesura Journal of Philological and Humanistic Studies Pub Date : 2021-01-01 DOI: 10.17072/1857-6060-2021-19-2-39-47

Ilija Velev

引用次数: 0

EUROPEAN SOCIETY IN THE POETRY BY V.F. KHODASEVICH IN THE 1920s AND 1930s 霍达塞维奇二三十年代诗歌中的欧洲社会

Caesura Journal of Philological and Humanistic Studies Pub Date : 2021-01-01 DOI: 10.17072/1857-6060-2021-19-2-91-109

Darya A. Sukhoeva

引用次数: 0

OVERTHROWING THE MATRIARCH: „ STRIBOR'S FOREST“ AND „BRIDESMAN SUN AND BRIDE BRIDEKINS“ 推翻女族长:“stribor的森林”和“伴娘太阳和新娘”

Caesura Journal of Philological and Humanistic Studies Pub Date : 2021-01-01 DOI: 10.17072/1857-6060-2021-19-1-95-113

V. Radman

{"title":"OVERTHROWING THE MATRIARCH: „ STRIBOR'S FOREST“ AND „BRIDESMAN SUN AND BRIDE BRIDEKINS“","authors":"V. Radman","doi":"10.17072/1857-6060-2021-19-1-95-113","DOIUrl":"https://doi.org/10.17072/1857-6060-2021-19-1-95-113","url":null,"abstract":"If we understand „Croatian Tales of Long Ago“ not only as a collection of fairy tales, but also as an authentic piece of women's writing, i.e. as a text that records, embodies and articulates gender specific experience, new venues open for the analysis of this literary masterpiece..The two tales discussed, „ Stribor's Forest“ and „Bridesman Sun and Bride Bridekins“, I understand as the two sides of a coin, the two solutions of the same problem. On the surface, the two stories seem to have different plots and different characters, but if we look beyond the manifest content we find the same conflict latent to both tales: the conflict of the two generations of women, the old mother and the daughter in law. Talestalk about subverting and re-establishing female hierarchies, about subjecting to or rebelling against the rule of the matriarch. In both tales, the masculine is marginal, a mere object, while feminine is active; the subject. The female position, differentiated into the heroine and the villain(esse), is in each of the stories studied from the different perspective, i.e. the different character is the subject. „Stribor's forest“ demonizes the daughter in law and proclaims her power over the male illegal andher sexuality monstrous, while the old mother is raised to the pedestal of the defender of the righteous order of the maternal rule. In contrast, „Bridesman Sun and Bride Bridekins“ casts the rebel in the role of the heroine. Rejecting the maternal choice of a husband, she opposes oppressive maternal rule, described as monstrous, and successfully takes over.","PeriodicalId":31432,"journal":{"name":"Caesura Journal of Philological and Humanistic Studies","volume":"44 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78045142","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

STYLISTIC FEATURESOFABOMINATION AND CHEERFUL SERENITY(Sonja M. Milovanović, Textemesas Stylistic Dominants in the Poetry of Novica Tadić, Andrićev institut, Andrićgrad, 2020)

Caesura Journal of Philological and Humanistic Studies Pub Date : 2021-01-01 DOI: 10.17072/1857-6060-2021-19-2-249-253

Vladimir Vukomanovic Rastegorac

引用次数: 0

BETWEEN LITERARY HISTORY AND AUTOPOETICS (NOTES OF TIHOMIR OSTOJIĆABOUT LITERARYPERIODICALS IN JOURNALS„STRAŽILOVO“ AND „LETOPIS MATICE SRPSKE“)

Caesura Journal of Philological and Humanistic Studies Pub Date : 2021-01-01 DOI: 10.17072/1857-6060-2021-19-2-48-62

M. Ćuković

引用次数: 0

GOOD INTENTIONS:OTHERING LGBTQ LITERATURE FOR CHILDREN AND YOUNG ADULTS IN THE SLOVENIAN LITERARY SYSTEM 善意:在斯洛文尼亚文学体系中为儿童和年轻人提供其他LGBTQ文学

Caesura Journal of Philological and Humanistic Studies Pub Date : 2021-01-01 DOI: 10.17072/1857-6060-2021-19-1-181-202

Andrej Zavrl

引用次数: 1

THE MEDITERRANEAN ORIENTATION OF SERBIAN LITERATURE(Svetlana Seatović. 2019. In the hinterland of the Mediterranean: the Mediterranean in Modern Serbian Literature. Belgrade: Institutefor Literature and Art, 2019)

Caesura Journal of Philological and Humanistic Studies Pub Date : 2021-01-01 DOI: 10.17072/1857-6060-2021-19-2-242-248

Maja Medan Orsić

引用次数: 0