CHINESE CINDERELLAAND HER RUSSIAN “SISTERS” (COMPARATIVE ANALYSIS OF FAIRYTALES TYPE ATU 510A)

Van Ten
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Abstract

The articlecompares the Chinese and Russian versions of fairy tales related to the plot type of ATU 510A “Cinderella”. The Chinese history of “Ye Xian”is known as part of a literary monument of the IX century; Russian texts having a folklore nature appeared much later, in the XIX century. Their comparison allows us toidentify common plot elements and culturally determined differences. In addition, the inclusion of a literary monument with oral origins in the corresponding typological series of folklore works reveals the range of “narrative perspectives”of the plot: the set of possible variations of narrative elements and their semantic possibilities becomes more obvious. The Chinese version of “Cinderella”has obvious genre features of a fairy tale: its main character is an orphan girl who is rewarded inthe end by marriage with the ruler, who found her by the shoe shelost.The plot of “Ye Xian”is a contamination with another plot type: in the first part of the fairy tale, the main character receives help from thebones of a magic animal (a large fish, which she tookcare of). At the same time, the narrative frame models the fairy tale as the life story of a particular girl who belonged to the Dong people. A peculiar violation of the narrative laws of a folk tale can be seen in the fact that after the wedding, the life of the main character is pushed to the periphery of the plot, and the events associated with her husband, the ruler of the island, are in the center. The Chinese version is also interesting because itincludes signs of a different genre –an etiological legend: the story of Ye Xian becomes an explanation of the local toponym and the revered object named by it (the legendary grave of a stepmother and her daughter, where people came to ask for a good bride).The appendix to the article includes the author'stranslation of the fairy tale “Ye Xian”from Chinese into Russian.
中国灰姑娘和她的俄罗斯“姐妹”(童话类型比较分析图510a)
本文比较了ATU 510A《灰姑娘》中、俄两种童话故事的情节类型。“叶仙”的中国历史被认为是九世纪文学纪念碑的一部分;具有民间传说性质的俄罗斯文本出现得晚得多,在十九世纪。他们的比较使我们能够识别出共同的情节元素和文化决定的差异。此外,在民俗作品的相应类型学系列中加入一个具有口头起源的文学纪念碑,揭示了情节的“叙事视角”的范围:叙事元素的可能变化及其语义可能性的集合变得更加明显。中国版的《灰姑娘》具有明显的童话类型特征:它的主角是一个孤儿女孩,她最终嫁给了统治者,统治者通过她丢失的鞋子找到了她。《野仙》的情节是另一种情节类型的污染:在童话故事的第一部分,主角得到了一只神奇动物(一条大鱼,由她照顾)的骨头的帮助。同时,叙事框架将童话塑造成一个侗族女孩的人生故事。在婚礼之后,主人公的生活被推到情节的边缘,与她丈夫有关的事件,即岛上的统治者,成为了中心,这是对民间故事叙事规律的一种奇特的违反。中国版本也很有趣,因为它包含了另一种类型的迹象——一个病因学传说:叶仙的故事成为对当地地名和由此命名的受人尊敬的对象(传说中继母和她的女儿的坟墓,人们来这里要求一个好新娘)的解释。文章的附录包含了作者将童话《野仙》从中文翻译成俄文。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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