THE PRINCIPLES OF YUGOSLAVCULTURAL POLICY (1945-1952)

D. Popovska
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Abstract

After World War II and the formation of the new Yugoslav state, the Communist Party of Yugoslavia began to establisha new political system. In the process oftransformation of Yugoslav society, the resource of culture was crucial. The paper focuses on the basic principles upon which the cultural policy in the new Yugoslavia was built, whose specificity was largely conditioned by the current political and educational situation. Based on theavailable archival material, the paper analyzes the fundamental ideas in the specific field, in the periods before and after the conflict with the Information Bureau (Cominform). The differences between the two periodsshowhow important the social factors are in the formulation of the goals of the cultural policy. Namely, in the first years there is a strong sovietization in the cultural field, where the following of the Soviet modelsin politics is especiallynoticeable. In the 1950s began desovietization,а process that consisted of abandoning the Soviet model of cultural practices, abandonment of the ideological matrix of socialist realism and introduction of self-administrativesocialism, which would contribute to acertain democratization in the fieldof cultural production
南斯拉夫文化政策原则(1945-1952)
第二次世界大战后,新南斯拉夫国家成立,南斯拉夫共产党开始建立新的政治体制。在南斯拉夫社会转型的过程中,文化资源是至关重要的。本文的重点是新南斯拉夫的文化政策所依据的基本原则,其具体情况在很大程度上取决于当前的政治和教育情况。本文在现有档案资料的基础上,分析了与情报局(Cominform)冲突前后特定领域的基本思想。这两个时期的差异显示了社会因素在制定文化政策目标中的重要性。也就是说,在最初的几年里,文化领域出现了强烈的苏维埃化,在政治领域,苏联模式的效仿尤为明显。20世纪50年代开始了去苏联化,这一过程包括放弃苏联的文化实践模式,放弃社会主义现实主义的意识形态母体,引入自我管理的社会主义,这将有助于文化生产领域的某种民主化
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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