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Imperial Art: Duality on Tanwetamani’s Dream Stela 帝国艺术坦威塔马尼梦幻石碑上的双重性
IF 0.5
Arts Pub Date : 2024-07-29 DOI: 10.3390/arts13040128
Christopher Cox
{"title":"Imperial Art: Duality on Tanwetamani’s Dream Stela","authors":"Christopher Cox","doi":"10.3390/arts13040128","DOIUrl":"https://doi.org/10.3390/arts13040128","url":null,"abstract":"In the 7th century BCE, the Kushite king Tanwetamani commissioned his “Dream Stela”, which was to be erected in the Amun Temple of Jebel Barkal. The lunette of the stela features a dualistic artistic motif whose composition, meaning, and significance are understudied despite their potential to illuminate important aspects of royal Kushite ideology. On the lunette, there are two back-to-back offering scenes that appear at first glance to be nearly symmetrical, but that closer inspection reveals to differ in subtle but significant ways. Analysis of the iconographic and textual features of the motif reveals its rhetorical function in this royal context. The two strikingly similar but meaningfully different offering scenes represented the two halves of a Kushite “Double Kingdom” that considered Kush and Egypt together as a complementary geographic dual, with Tanwetamani presiding as king of both. This “Mirrored Motif” encapsulated the duality present in the Kushite ideology of kingship during the Twenty-Fifth Dynasty, which allowed Tanwetamani to reconcile the present imperial expansion of Kush with the history of Egyptian activity in Nubia. The lunette of the Dream Stela is therefore political art that serves to advance the Kushite imperial agenda.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"11 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141854045","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Beyond Quantum Music”—A Pioneering Art and Science Project as a Platform for Building New Instruments and Creating a New Musical Genre "超越量子音乐"--作为构建新乐器和创造新音乐流派平台的先锋艺术与科学项目
IF 0.5
Arts Pub Date : 2024-07-25 DOI: 10.3390/arts13040127
Sonja Lončar, Andrija Pavlović
{"title":"“Beyond Quantum Music”—A Pioneering Art and Science Project as a Platform for Building New Instruments and Creating a New Musical Genre","authors":"Sonja Lončar, Andrija Pavlović","doi":"10.3390/arts13040127","DOIUrl":"https://doi.org/10.3390/arts13040127","url":null,"abstract":"In this text, we discuss the “Beyond Quantum Music” project, which inspired pianists, composers, researchers, and innovators Sonja Lončar and Andrija Pavlović (LP Duo) to go beyond the boundaries of classical and avant-garde practices to create a new style in composition and performance on two unique DUALITY hybrid pianos that they invented and developed to create a new stage design for multimedia concert performances and establish a new musical genre as a platform for future musical expression. “Beyond Quantum Music” is a continuation of the groundbreaking art and science project “Quantum Music”, which began in 2015; we envisioned it as a long-term project. In order to build an experimental dialogue between music and quantum physics, we created the DUALITY Portable Hybrid Piano System. This innovative instrument was essential for expanding the current sound of the classical piano. As a result, new compositions and new piano sounds were produced using various synthesizers and sound samples derived from scientific experiments. The key place for this dialogue between music and science was the Delft University of Technology, the Netherlands, where Andrija Pavlović, as a Kavli artist in residence, and Sonja Lončar, as an expert, spent several months in 2022 collaborating with scientists to compose new music. Later on, we collaborated with the visual artist “Incredible Bob” to develop the idea for the multimedia concert “LP Duo plays Beyond Quantum Music” to be performed at various locations, including the Scientific Institute MedILS Split (Croatia), the Theater Hall JDP Belgrade (Serbia), the Congress Hall TU Delft (the Netherlands), and open-air concerts at the Kaleidoskop Festival (Novi Sad, Serbia) and Ars Electronica Festival in Linz (Austria).","PeriodicalId":30547,"journal":{"name":"Arts","volume":"65 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141755389","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Visualizing Scale: Inducing Transformations in Perception through Art and Science 规模可视化：通过艺术和科学促进感知的转变
IF 0.5
Arts Pub Date : 2024-07-23 DOI: 10.3390/arts13040126
Joshua DiCaglio, Meredith Tromble
{"title":"Visualizing Scale: Inducing Transformations in Perception through Art and Science","authors":"Joshua DiCaglio, Meredith Tromble","doi":"10.3390/arts13040126","DOIUrl":"https://doi.org/10.3390/arts13040126","url":null,"abstract":"In order for scientists and technologists to describe many of their objects, they must observe at a scale that exceeds typical human experience. Atoms and ecologies, microbes and galaxies all exist at scales that require retroactively reconstructing a picture (whether rendered visually, through an alternative visualization, or simply pieced together as a description) of what human perceptual apparatus usually does not observe. Scale is also central to the production of artwork that uses changes in scale to help us examine the world differently, disorient our normalized ways of experiencing, and direct us to new objects and new relations. This article examines these problems of scale as they are shared between art and science, analyzing contemporary artists whose works highlight core aspects of scale. In examining these artworks together, we demonstrate that scale presents one way of clarifying when and how science runs us into basic questions at the core of many artistic practices.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"31 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141755218","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fragments of the Liturgical-Musical Codex from the Archdiocesan Archive of Gniezno (Poland): Source Analysis and Provenance Hypotheses 格涅兹诺（波兰）大主教区档案馆藏礼仪音乐手抄本残片：来源分析和出处假设
IF 0.5
Arts Pub Date : 2024-07-22 DOI: 10.3390/arts13040125
Piotr Wiśniewski
{"title":"Fragments of the Liturgical-Musical Codex from the Archdiocesan Archive of Gniezno (Poland): Source Analysis and Provenance Hypotheses","authors":"Piotr Wiśniewski","doi":"10.3390/arts13040125","DOIUrl":"https://doi.org/10.3390/arts13040125","url":null,"abstract":"This paper discusses hitherto unidentified loose folios of a parchment liturgical and musical book held in the Archdiocesan Archive of Gniezno (Poland), containing the offertory and communion antiphons for the feasts De Trinitate and Corpus Christi. The author provides the codicological description of the leaves (analyzing Latin script, musical notation, ornamentation); identifies the time of their creation (15th century); indicates the type of the liturgical book to which they belong (graduale); seeks a melodic model for them and puts forward provenance hypotheses. He states that the melodics of the antiphons, although closest to the Cistercian tradition, are nevertheless variantly different from the melodic line preserved in foreign and Polish codices. It is possible to narrow down the dating of the leaves thanks to the type of Latin script, the calligraphic ornamentation of the initials and the spelling of certain letters.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"20 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141737053","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
On Perceiving Molecular Time: Computational Chemical Simulations and the Moving Image 关于感知分子时间：计算化学模拟与移动图像
IF 0.5
Arts Pub Date : 2024-07-17 DOI: 10.3390/arts13040122
Andrea Rassell
{"title":"On Perceiving Molecular Time: Computational Chemical Simulations and the Moving Image","authors":"Andrea Rassell","doi":"10.3390/arts13040122","DOIUrl":"https://doi.org/10.3390/arts13040122","url":null,"abstract":"The perception of time undergoes a radical shift between the human scale and the nanoscale. In an age of rapidly evolving media and scientific technologies, we need to understand how these impact human perception and visual culture. This essay explores computational molecular simulations through the lenses of temporal media theory and moving image practice. Emerging from a creative fellowship with a physical chemistry research group, I focus on two moving image works that depict crystalline structures. One is a nanoscale computational simulation of soot formation and the other is a durational video artwork showing the dissolution of sugar. Computational molecular simulations are shown to produce a feeling of time by smearing an extremely short duration across a longer perceptible duration. This analysis uncovers how the awareness of media as a construct troubles our chronoception (perception of time), while unexpectedly, the screen becomes complicit in scientists’ expert temporal understanding. The videos present vastly different spatial and temporal scales and have different chronoceptive effects: one gives a sense of being within time, the other across time. Ultimately, computational simulations emerge as isomorphic media that have explicit aesthetic properties that connect us to the implicit, abstract energetics of chemical reactivity.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"28 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141631643","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Sublime Divinity: Erotic Affectivity in Renaissance Religious Art 崇高的神性文艺复兴时期宗教艺术中的情色情感
IF 0.5
Arts Pub Date : 2024-07-17 DOI: 10.3390/arts13040121
Maya Corry
{"title":"The Sublime Divinity: Erotic Affectivity in Renaissance Religious Art","authors":"Maya Corry","doi":"10.3390/arts13040121","DOIUrl":"https://doi.org/10.3390/arts13040121","url":null,"abstract":"In the context of the Catholic Reformation serious concerns were expressed about the affective potency of naturalistic depictions of beautiful, sensuous figures in religious art. In theological discourse similar anxieties had long been articulated about potential contiguities between elevating, licit desire for an extraordinarily beautiful divinity and base, illicit feeling. In the later fifteenth and early sixteenth centuries, in the decades preceding the Council of Trent, a handful of writers, thinkers and artists asserted a positive connection between spirituality and sexuality. Leonardo da Vinci, and a group of painters working under his aegis in Lombardy, were keenly aware of painting’s capacity to evoke feeling in a viewer. Pictures they produced for domestic devotion featured knowingly sensuous and unusually epicene beauties. This article suggests that this iconography daringly advocated the value of pleasurable sensation to religiosity. Its popularity allows us to envisage beholders who were neither mired in sin, nor seeking to divorce themselves from the physical realm, but engaging afresh with age-old dialectics of body and soul, sexuality and spirituality.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"25 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141631637","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Green Moment to Share: A Theatrical Laboratory to Explore Climate Crisis Possibilities within Single Moments 分享绿色时刻：在单个瞬间探索气候危机可能性的戏剧实验室
IF 0.5
Arts Pub Date : 2024-07-16 DOI: 10.3390/arts13040120
Nic Bennett, Venese Alcantar, Tulasi Ravindran, Vanna Chen, River Terrell, Kathryn Dawson
{"title":"A Green Moment to Share: A Theatrical Laboratory to Explore Climate Crisis Possibilities within Single Moments","authors":"Nic Bennett, Venese Alcantar, Tulasi Ravindran, Vanna Chen, River Terrell, Kathryn Dawson","doi":"10.3390/arts13040120","DOIUrl":"https://doi.org/10.3390/arts13040120","url":null,"abstract":"Many youth experience distress around the climate crisis. However, mainstream environmental messages ignore youth concerns, blame individuals, and suggest techno-fixes rather than addressing root causes. Young people need a way to productively process and collectively engage with their complex feelings about the climate crisis. During the spring of 2023, a group of university students facilitated a Research-based Theatre project to explore their relationship to climate and environmental justice as part of a biannual performance festival of student new work. Specifically, we used Theatre of the Oppressed techniques to slow down and embody participants’ struggles with environmental action. We argue that this process allowed participants to explore how and why they made sense of mainstream environmental messaging about the climate crisis. This paper offers a case study exploring how the interwoven themes of power, positionality, and agency emerged through embodied investigations during the early development of our Research-based Theatre performance. The paper concludes by discussing how Research-based Theatre can embrace a post-activist lens that supports the complexity of sense-making and troubles the over-emphasis on solution as the only response to environmental/climate crisis. Further, we argue for the kin-making possibilities that crisis can teach us when engaged through embodied exploration.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"43 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141625107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Postcards and Emotions: Modernist Architecture in the Films of Pedro Almodóvar and Woody Allen 明信片与情感：佩德罗-阿尔莫多瓦和伍迪-艾伦电影中的现代主义建筑
IF 0.5
Arts Pub Date : 2024-07-14 DOI: 10.3390/arts13040119
Rubén Romero Santos, Ana Mejón, Begoña Herrero Bernal, Carmen Ciller
{"title":"Postcards and Emotions: Modernist Architecture in the Films of Pedro Almodóvar and Woody Allen","authors":"Rubén Romero Santos, Ana Mejón, Begoña Herrero Bernal, Carmen Ciller","doi":"10.3390/arts13040119","DOIUrl":"https://doi.org/10.3390/arts13040119","url":null,"abstract":"Modernism has emerged as the preeminent iconic representation of Barcelona. However, the process through which this peculiar style has attained its iconic status is an arduous and multifaceted endeavor. This paper examines the challenges inherent in the categorization and periodization of Modernisme, followed by a succinct review of its initial filmic representations, culminating in a comprehensive analysis of two films in which Modernisme assumes a pivotal role: All About My Mother (Pedro Almodóvar 1999) and Vicky Cristina Barcelona (Woody Allen 2008). We conclude that Modernisme’s transformation into a cultural brand is largely attributable to the erosion of its ideological component in favor of a touristic and globalizing gaze.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"31 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141608184","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Egyptian Art in Colonized Nubia: Representing Power and Social Structure in the New Kingdom Tombs of Djehutyhotep, Hekanefer and Pennut 殖民地努比亚的埃及艺术：新王国时期杰胡提霍特普、赫卡内费尔和彭努特墓葬中的权力和社会结构表征
IF 0.5
Arts Pub Date : 2024-07-14 DOI: 10.3390/arts13040118
Rennan Lemos
{"title":"Egyptian Art in Colonized Nubia: Representing Power and Social Structure in the New Kingdom Tombs of Djehutyhotep, Hekanefer and Pennut","authors":"Rennan Lemos","doi":"10.3390/arts13040118","DOIUrl":"https://doi.org/10.3390/arts13040118","url":null,"abstract":"Monumental rock-cut tombs decorated with wall paintings or reliefs were rare in New Kingdom colonial Nubia. Exceptions include the 18th Dynasty tombs of Djehutyhotep (Debeira) and Hekanefer (Miam), and the 20th Dynasty tomb of Pennut (Aniba). The three tombs present typical Egyptian artistic representations and inscriptions, which include tomb owners and their families, but also those living under their direct control. This paper compares the artistic and architectural features of these decorated, monumental rock-cut tombs in light of the archaeological record of the regions in which they were located in order to contextualize art within its social setting in colonized Nubia. More than expressing cultural and religious affiliations in the colony, art seems to have been essentially used as a tool to enforce hierarchization and power, and to define the borders of the uppermost elite social spaces in New Kingdom colonial Nubia.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"29 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141608182","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mural as a Living Element of Urban Space: Seasonal Dynamics and Social Perception of “The Four Seasons with Kora” in Warsaw 壁画作为城市空间的活元素：华沙 "科拉四季 "的季节动态和社会感知
IF 0.5
Arts Pub Date : 2024-07-10 DOI: 10.3390/arts13040117
Aleksander Cywiński, Anita Karyń
{"title":"Mural as a Living Element of Urban Space: Seasonal Dynamics and Social Perception of “The Four Seasons with Kora” in Warsaw","authors":"Aleksander Cywiński, Anita Karyń","doi":"10.3390/arts13040117","DOIUrl":"https://doi.org/10.3390/arts13040117","url":null,"abstract":"Street art, with a particular emphasis on murals, plays a crucial role in shaping the cultural DNA of contemporary cities. A prime example of this is the mural “Four Seasons with Kora” in Warsaw, which is dedicated to the renowned Polish artist Kora (Olga Jackowska). This large-scale mural, which combines the artist’s portrait with a chestnut tree motif, visually changes with the season, influencing the artist’s social perception. This study analyzed murals’ functions in social, cultural, and ecological contexts, highlighting their role in informal education and as a platform for social dialogue and integration. Using research methods such as visual analysis and examining comments and reactions on social media, this work aimed to understand how a mural integrates with its surroundings and is perceived throughout different seasons. The results indicated that the mural has become an important element of public space, not only for beautifying the city but also for stimulating social and cultural reflection.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"13 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141566292","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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