Visualizing Scale: Inducing Transformations in Perception through Art and Science

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY
Arts Pub Date : 2024-07-23 DOI:10.3390/arts13040126
Joshua DiCaglio, Meredith Tromble
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引用次数: 0

Abstract

In order for scientists and technologists to describe many of their objects, they must observe at a scale that exceeds typical human experience. Atoms and ecologies, microbes and galaxies all exist at scales that require retroactively reconstructing a picture (whether rendered visually, through an alternative visualization, or simply pieced together as a description) of what human perceptual apparatus usually does not observe. Scale is also central to the production of artwork that uses changes in scale to help us examine the world differently, disorient our normalized ways of experiencing, and direct us to new objects and new relations. This article examines these problems of scale as they are shared between art and science, analyzing contemporary artists whose works highlight core aspects of scale. In examining these artworks together, we demonstrate that scale presents one way of clarifying when and how science runs us into basic questions at the core of many artistic practices.
规模可视化:通过艺术和科学促进感知的转变
为了让科学家和技术专家描述许多对象,他们必须在超出人类典型经验的尺度上进行观察。原子和生态、微生物和星系都存在于一定的尺度上,需要对人类感知设备通常无法观察到的事物进行追溯重建(无论是通过视觉呈现、替代可视化还是简单拼凑描述)。尺度也是艺术作品制作的核心,它利用尺度的变化帮助我们以不同的方式审视世界,迷惑我们正常化的体验方式,并引导我们发现新的对象和新的关系。本文探讨了艺术与科学共同面临的这些尺度问题,分析了当代艺术家的作品,这些作品突出了尺度的核心内容。通过对这些艺术作品的共同研究,我们表明,尺度是澄清科学何时以及如何将我们带入许多艺术实践核心的基本问题的一种方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Arts
Arts HUMANITIES, MULTIDISCIPLINARY-
自引率
40.00%
发文量
104
审稿时长
11 weeks
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