Arts最新文献 - Book学术

“Solving/Resolving”: On the Role of Women in Building Ghana’s Contemporary Art Ecosystem “解决/解决”：女性在加纳当代艺术生态系统建设中的作用

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Arts Pub Date : 2026-10-22 DOI: 10.3390/arts15100239

Colleen Foran

引用次数: 0

Postcognitivism and the Unfolding of a Music Cognition Research Program: Embodiment, Imagination, and Intersubjectivity in the Latin American South 后认知主义和音乐认知研究项目的展开：拉丁美洲南部的具体化、想象和主体间性

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Arts Pub Date : 2026-10-22 DOI: 10.3390/arts15110241

Isabel Cecilia Martínez

{"title":"Postcognitivism and the Unfolding of a Music Cognition Research Program: Embodiment, Imagination, and Intersubjectivity in the Latin American South","authors":"Isabel Cecilia Martínez","doi":"10.3390/arts15110241","DOIUrl":"https://doi.org/10.3390/arts15110241","url":null,"abstract":"This narrative review examines a research program in psychology of music developed over two decades in Latin American South, tracing how studies at the intersection of music psychology, developmental psychology, and the philosophy of mind articulated a postcognitivist account of musical experience. The program unfolded in three overlapping phases: a focus on the listener’s imaginative engagement with tonal structure (2004–2009); an expansion toward embodied and intersubjective processes in adult–infant interaction and musical performance (2010–2018); and a consolidation around the second-person perspective and social enactivism (2018–present). The review revolves around five thematic axes: imaginative ontogenesis, metaphorization in adult musical practice, the postcognitivist turn, embodied performance, and second-person social cognition. Across studies of communicative musicality, image-schematic listening, cross-cultural and tango performance, jazz duos, ensembles, and dancing crowds, a recurring finding emerges: embodied engagement with shared musical structure takes stable but idiosyncratic, culturally and stylistically specific forms, rather than converging through a common entrainment mechanism. The program is discussed in relation to predictive processing, the coupling–constitution debate, simulation-theoretic, entrainment, and new-materialist accounts. Its limits—situatedness, the corroborative rather than comparative status of its second-person claims, and an underdeveloped pedagogical line—are acknowledged, and a future agenda is outlined.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"6 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2026-10-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"149241246","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Reimagining Cultural Memory Through Bioart: A Multisensory Installation Based on Ecuadorian Horchata Waste 通过生物艺术重新想象文化记忆：一个基于厄瓜多尔奥尔查塔废物的多感官装置

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Arts Pub Date : 2026-10-22 DOI: 10.3390/arts15110240

Maria Gabriela Punin, Oscar Correa, Israel Campoverde

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The Dynamic Relationship Between Global Aesthetic Homogenization and the Preservation of Culturally Rooted Visual Expression in Web Design 网页设计中全球美学同质化与文化根源视觉表达保存的动态关系

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Arts Pub Date : 2026-10-20 DOI: 10.3390/arts15100238

Aristeidis Lamprogeorgos, Dalila Honorato, Michail Panagopoulos, Andreas Giannakoulopoulos

{"title":"The Dynamic Relationship Between Global Aesthetic Homogenization and the Preservation of Culturally Rooted Visual Expression in Web Design","authors":"Aristeidis Lamprogeorgos, Dalila Honorato, Michail Panagopoulos, Andreas Giannakoulopoulos","doi":"10.3390/arts15100238","DOIUrl":"https://doi.org/10.3390/arts15100238","url":null,"abstract":"The aesthetic quality of a website is shaped by the interaction of color, typography and layout, with simplicity and coherent color harmonies consistently linked to more positive user perception and emotional response. In this research, a systematic and comparative analysis of the aforementioned parameters is carried out on a selection of thousands of popular websites, originating both from Greece and around the world. Data extraction techniques were employed to systematically gather archival information from a major internet repository, covering a continuous period of over twenty years from 2000 to 2020. This long-term dataset provides a comprehensive historical record of website design practices, enabling the study to trace aesthetic developments, shifts, and patterns across two decades of aesthetic evolution. The purpose of this examination is to map and describe each website’s distinct aesthetic identity. By evaluating these characteristics, the study seeks to uncover emerging trends and recurring patterns in website aesthetics through time. A central question guiding this investigation is whether design practices are gradually converging toward a unified, globalized aesthetic identity or whether regional visual design practices continue to shape online environments in meaningful ways. Ultimately, this analysis contributes to a deeper understanding of how regional variation coexists with increasingly globalized web-design practices.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"493 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2026-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"149241249","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

From Bare to Informed Looking: An Art-Historical Proposition on Mindful Art Engagement, Emotion Regulation, and Cognitive Enrichment in the Age of AI 从光秃秃的通知:看一个艺术史的命题注意艺术接触,情感管理,和认知浓缩在人工智能的时代

IF 0.5

Arts Pub Date : 2026-10-15 DOI: 10.3390/arts15100233

Ewelina Chwiejda

{"title":"From Bare to Informed Looking: An Art-Historical Proposition on Mindful Art Engagement, Emotion Regulation, and Cognitive Enrichment in the Age of AI","authors":"Ewelina Chwiejda","doi":"10.3390/arts15100233","DOIUrl":"https://doi.org/10.3390/arts15100233","url":null,"abstract":"The rapid diffusion of artificial intelligence has unsettled more than the labour market. It has given rise to two related anxieties: an existential unease about human meaning, agency, and uniqueness—“AI anxiety”—and a quieter abdication of critical effort to machines, which recent works call “cognitive surrender.” The remedies most often proposed for these conditions, among them psychoeducation, regulation, engineering ethics, and therapy, leave a conspicuous gap, since none of them draws on aesthetic experience or on the making of meaning. This article, written from an engaged, applied art-history position, proceeds as a conceptual analysis rather than an empirical study. It defines “mindful art engagement” as a receptive, two-phase practice that moves from bare to informed looking, an open and contemplative looking followed by art-historically informed interpretation, sets out its boundaries, distinguishes the three constructs on which it bears (felt meaningfulness, art-historical understanding, and cognitive enrichment), and maps the existing evidence onto its components. On this basis, it advances a hypothesis that such a practice could contribute to emotion regulation and to cognitive enrichment in the age of AI, and that meaning is the point at which the two pathways meet.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"87 1","pages":"233"},"PeriodicalIF":0.5,"publicationDate":"2026-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"149210540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

From Print Collection to Living Pedagogical Archive: Artistic Formation and Institutional Memory in Skopje 从印刷品收藏到生活教学档案：斯科普里的艺术形成和制度记忆

IF 0.5

Arts Pub Date : 2026-10-15 DOI: 10.3390/arts15100231

Slavica Janešlieva, Ana Frangovska

{"title":"From Print Collection to Living Pedagogical Archive: Artistic Formation and Institutional Memory in Skopje","authors":"Slavica Janešlieva, Ana Frangovska","doi":"10.3390/arts15100231","DOIUrl":"https://doi.org/10.3390/arts15100231","url":null,"abstract":"This article examines the Graphic Collection of the Faculty of Fine Arts in Skopje as a material record of artistic formation, institutional memory, and pedagogical heritage. It proposes the concept of the living pedagogical archive not as a replacement for established categories such as teaching collection, university collection, or institutional archive, but as an analytical framework for examining the changing relationships between pedagogical production, institutional preservation, and subsequent reactivation. The framework is articulated through four interconnected processes—preservation, transmission, production, and reinterpretation—and explored through a qualitative case study combining archival research, institutional history, visual analysis, and comparison of seven purposively selected diploma portfolios produced between 1984 and 1997. The analysis identifies contrasting relationships between diploma-period formation and subsequent professional trajectories, including continuity within printmaking, expansion across media, methodological transformation, and professional redirection. It further reconstructs the institutional networks through which different Yugoslav pedagogical traditions became locally embedded in Skopje, while distinguishing such documented genealogies from claims of direct stylistic transmission. The study argues that pedagogical collections can preserve material evidence of artistic formation that remains underrepresented in museum collections and conventional art-historical narratives. In the Skopje case, current cataloguing, digitisation, and research constitute a primarily archival and scholarly activation of this material, demonstrating how educational collections may become newly legible as sources for art history, institutional memory, and heritage formation.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"33 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2026-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"149172757","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Beyond Rhythm: Peacebuilding Themes in Selected Hausa Music 超越节奏：豪萨音乐中的和平建设主题

IF 0.5

Arts Pub Date : 2026-10-15 DOI: 10.3390/arts15100232

Ibrahim Uba Yusuf, Abiodun Salawu

引用次数: 0

Bone Ecologies: Matter, Technique, and Figuration in Trecento Italian Cofanetti 骨生态学：意大利科法内蒂的物质、技术和形态

IF 0.5

Arts Pub Date : 2026-10-03 DOI: 10.3390/arts15100230

Flavia Galli Tatsch

{"title":"Bone Ecologies: Matter, Technique, and Figuration in Trecento Italian Cofanetti","authors":"Flavia Galli Tatsch","doi":"10.3390/arts15100230","DOIUrl":"https://doi.org/10.3390/arts15100230","url":null,"abstract":"This article proposes an ecological approach to bone cofanetti produced in central and northern Italy between the Trecento and early Quattrocento. The analysis follows bone as a material with its own biological, economic, and technical trajectory, from animal remains to carved plaques, examining the relations among its physical properties, workshop practices, images, and handling. To this end, the article proposes the notion of “bone ecologies” as a framework for understanding how organisms, natural substances, artisanal knowledge, visual conventions, and embodied use converged in the making and reception of these objects. The argument unfolds through three interrelated axes: the ecology of matter, encompassing economies of breeding, slaughter, reuse, and anatomical properties of bone; technical ecology, centered on carving, polishing, composite construction, and assembling; and the ecology of the image, which examines how vegetation, fauna, landscapes, and natural phenomena structured biblical, classical, and courtly narratives. The relations between materials and motifs are understood as historically contingent and mediated by technical practices and visual conventions. This article argues that these cofanetti emerged from a relational field in which biological matter, artisanal practice, figuration, and haptic engagement jointly shaped the finished object.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"9 1","pages":"230"},"PeriodicalIF":0.5,"publicationDate":"2026-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"149092875","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The End Times in and After Philippe Thomassin’s Last Judgment (1606) 菲利普·托马辛《最后审判》前后的末世（1606）

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Arts Pub Date : 2026-09-30 DOI: 10.3390/arts15100229

Ianick Takaes

引用次数: 0

Image Decoys 图像诱饵

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Arts Pub Date : 2026-09-29 DOI: 10.3390/arts15100228

Marco De Mutiis

{"title":"Image Decoys","authors":"Marco De Mutiis","doi":"10.3390/arts15100228","DOIUrl":"https://doi.org/10.3390/arts15100228","url":null,"abstract":"This paper examines the emergence of the image decoy as a tactic in contemporary digital and networked visual culture: an image that exploits the tension between its representational surface and its underlying algorithmic operations in order to deceive, distract, or lure both human and machine viewers. Building on Harun Farocki’s notion of the operational image and its extension by later media scholars, it argues that the operational capacities of digital images—their legibility to machine vision, their circulation through platform algorithms, their role as training data—are not the exclusive property of corporations, platforms, and states, but can be reclaimed, redirected, and weaponised by artists, designers, technologists, and everyday users. Through an analysis of vernacular and artistic practices from the past two decades, the paper maps four thematic clusters of image decoys: Hiding in Plain Sight, which conceals messages within ubiquitous images; Image Triggers, which baits or evades automated machine vision; Occupy the Internet, which reclaims algorithmic visibility through tagging and search; and Superspreaders, which infiltrates the infrastructures of circulation themselves. Together these cases sketch an adaptable grammar of counter-operational tactics, positioning the image decoy as a form of tactical media suited to a condition of continuous technological adaptation.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"26 1","pages":"228"},"PeriodicalIF":0.5,"publicationDate":"2026-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"149123096","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0