中世纪至今Wrocław(波兰)圣玛利亚抹大拉教堂独特管风琴结构的历史与概述

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY
Arts Pub Date : 2025-10-02 DOI:10.3390/arts14050121
Karol Czajka-Giełdon, Krystyna Kirschke
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引用次数: 0

摘要

历史上的管风琴是一种规模庞大、结构复杂的乐器,与礼拜仪式和欧洲教会的历史有着重要的联系。它也是少数被认为是建筑作品的乐器之一。风琴制作的演变,特别是在17至19世纪,需要对音乐文化和技术有深入的了解。弗罗茨瓦夫(布雷斯劳)圣玛利亚抹大拉教堂的前任和现任机构的例子说明了这种关系的重要性。第一个教堂风琴出现在中世纪,正如我们将会看到的,在随后的时代,它们的位置、形式和形状都随着不断发展的文化和礼仪的要求以及教堂建筑结构的变化而改变。抹大拉圣玛丽教堂特定风琴的历史是纪念性建筑、重建、保护和修复的丰富历史的产物,它准备在现在和未来的教区和音乐史上提供这一传统的延续,建议对其历史空间和乐器进行修复和翻新。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
History and Overview of the Unique Architecture of Pipe Organs in St. Mary Magdalene’s Church in Wrocław (Poland) from the Middle Ages to the Present Day
The historical pipe organ, an instrument of vast scale and complex construction, has a significant connection to liturgical celebration and to the history of European churches. It is also one of the few musical instruments considered to be a work of architecture. The evolution of organ building, especially in the seventeenth to nineteenth centuries, required deep knowledge of musical culture and technology. The significance of this relationship is illustrated by the example of the former and present organs of the church of St. Mary Magdalene in Wroclaw (Breslau). The first church organs appeared here in the Middle Ages, and as will be shown, in subsequent eras, their location, form, and décor were changed according to evolving cultural and liturgical mandates as well as changes to the structure of the church architecture. The history of the specific organs of the church of St. Mary Magdalene is the product of a rich history of monumental construction, reconstruction, conservation, and restoration, and it is poised to offer a continuation of this tradition in the present and future of the parish and in music history with proposed restorations and renovations of their historic space and instruments.
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来源期刊
Arts
Arts HUMANITIES, MULTIDISCIPLINARY-
自引率
40.00%
发文量
104
审稿时长
11 weeks
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