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Coming to Turkey—Passing Through Turkey: Migration Routes and Spaces in the Cinema of Emigration 来到土耳其——穿越土耳其:移民电影中的移民路线与空间
IF 0.5
Arts Pub Date : 2025-09-19 DOI: 10.3390/arts14050113
Şölen Köseoğlu, Merve Kılıçbay
{"title":"Coming to Turkey—Passing Through Turkey: Migration Routes and Spaces in the Cinema of Emigration","authors":"Şölen Köseoğlu, Merve Kılıçbay","doi":"10.3390/arts14050113","DOIUrl":"https://doi.org/10.3390/arts14050113","url":null,"abstract":"International migration is a dynamic phenomenon that shapes urban spaces in Turkey. This study focuses on 18 films that depict the experiences of migrants who see Turkey as a transit country or a temporary stop, offering insights into their journeys and perspectives. Using a qualitative analysis of cinematic narratives and spatial representations, the study highlights key locations, such as Istanbul, the Aegean coasts, and occasionally the Black Sea, where migrants often find themselves in waiting spaces, like motels, barns, or warehouses, facing uncertainty, violence, and discrimination. By examining these spatial representations and symbolic elements, the study explores how cinema reflects migration’s social and urban impacts, demonstrating its potential as a tool for understanding this complex process.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2025-09-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145088952","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Race and Space in Rap: Conceptions of (Multi)Racial Identity and Urban Life in Rap Music 说唱中的种族与空间:说唱音乐中的(多重)种族身份与城市生活概念
IF 0.5
Arts Pub Date : 2025-09-18 DOI: 10.3390/arts14050112
Matthew Oware
{"title":"Race and Space in Rap: Conceptions of (Multi)Racial Identity and Urban Life in Rap Music","authors":"Matthew Oware","doi":"10.3390/arts14050112","DOIUrl":"https://doi.org/10.3390/arts14050112","url":null,"abstract":"Existing research focuses on how different actors infuse space and place with social meaning. In this paper, I examine how biracial rap artists Drake, Logic, and J. Cole construct their racial identities and depict urban areas in line with the strong-willed trope prevalent in rap discourse, drawing on theories and insights regarding the production of space. Specifically, I hypothesize that these artists will affirm a Black male identity and perceive place as a hazardous environment, embracing a specific motif in rap mythology. I conducted a content analysis of 386 songs from 2010 to 2023 and found that not all identify as Black and that two artists portray their surroundings as threatening. Nonetheless, each rapper incorporates their environment as a facet of their rap persona. Focusing on biracial artists enables an exploration of meaning-making at the intersection of racial identity and socio-spatial cultural production, thereby broadening our understanding of place.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"79 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2025-09-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145083912","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Coexistence of Tradition and Modernity for Cultural Sustainability: The Teochew Opera Approach in Malaysia 文化永续的传统与现代共存:马来西亚的潮剧之道
IF 0.5
Arts Pub Date : 2025-09-12 DOI: 10.3390/arts14050110
Ziqiao Lin, Mei Foong Ang
{"title":"Coexistence of Tradition and Modernity for Cultural Sustainability: The Teochew Opera Approach in Malaysia","authors":"Ziqiao Lin, Mei Foong Ang","doi":"10.3390/arts14050110","DOIUrl":"https://doi.org/10.3390/arts14050110","url":null,"abstract":"Traditional cultural practices, increasingly impacted by modernisation and urbanisation, are experiencing diminished transmission and declining interest among younger generations. Teochew opera in Malaysia is no exception, pressured under similar challenges in sustaining its relevance and appeal within contemporary society. Considering these shifts, the sustainable preservation and revitalisation of traditional arts has become a pressing concern for scholars and cultural practitioners alike. This study investigates strategies for sustaining Teochew opera in Malaysia, employing qualitative methods including participant observation and semi-structured interviews. The findings reveal that Teochew opera operates within a sacred and secular framework, serving religious rituals and cultural festivals. This duality allows for continuity through tradition in sacred settings and adaptation through innovation in secular contexts. The coexistence of these realms offers a blueprint for sustainable cultural evolution. While challenges such as low youth engagement and limited institutional support persist, the research underscores the potential of educational initiatives and community-driven efforts to renew interest and ensure continuity. The study contributes valuable insights for policymakers and cultural stakeholders seeking to safeguard intangible cultural heritage in pluralistic, rapidly modernising societies.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"82 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2025-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145072458","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Marginal Manipulations: Framing Byzantine Devotion Through Gentile Bellini’s Cardinal Bessarion with the Bessarion Reliquary 边缘操纵:通过外邦人贝利尼的红衣主教贝萨里奥和贝萨里奥圣物箱构建拜占庭的奉献
IF 0.5
Arts Pub Date : 2025-09-12 DOI: 10.3390/arts14050111
Ashley B. Offill
{"title":"Marginal Manipulations: Framing Byzantine Devotion Through Gentile Bellini’s Cardinal Bessarion with the Bessarion Reliquary","authors":"Ashley B. Offill","doi":"10.3390/arts14050111","DOIUrl":"https://doi.org/10.3390/arts14050111","url":null,"abstract":"In the early 1470s, Venetian artist Gentile Bellini painted Basilios Bessarion kneeling in front of the precious Byzantine reliquary that Bessarion donated to the Venetian Scuola di Santa Maria della Carità. This painting functioned as the cover to the tabernacle where the reliquary was stored. Rather than accurately depicting the sacred object, Bellini’s painting reworks the appearance of the reliquary in relation to the figures in the painting and reveals a disjunction between the relic and its cover. The reliquary becomes a somber, monumental object that has more presence as a looming entity than as a combination of parts and histories. This paper positions Bellini’s painted enclosure for the reliquary as a product of the blending of Venetian and Byzantine devotional practices and sacred objects. Bessarion’s reliquary was an aggregate object, and Bellini’s painting continues the reframing of Bessarion’s reliquary to serve as a visual contract of the connection between Bessarion and the Scuola di Santa Maria della Carità and, more broadly, Byzantium and Venice. Bellini’s painting ultimately seeks to capture the sacred mystique associated with Byzantine Orthodoxy while also establishing the reliquary within its Venetian, confraternal present.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"30 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2025-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145072457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Weight of Silence: Vermeer’s Theater of Stillness 寂静的重量:维米尔的寂静剧场
IF 0.5
Arts Pub Date : 2025-09-08 DOI: 10.3390/arts14050109
Yi Wu
{"title":"The Weight of Silence: Vermeer’s Theater of Stillness","authors":"Yi Wu","doi":"10.3390/arts14050109","DOIUrl":"https://doi.org/10.3390/arts14050109","url":null,"abstract":"As a painter of the Dutch Golden Age and a pivotal figure in the Northern Renaissance, Vermeer’s oeuvre inaugurated a maritime modernity in the wake of the Protestant Reformation through its odes and elegies to quotidian existence. This essay centers on Vermeer’s masterpiece, Woman Holding a Balance. It scrutinizes and probes the Baroque theater of the soul as depicted by Vermeer through the lens of a post-global, post-colonial Lebenswelt. Grounded in Deleuze’s The Fold, this essay endeavors to furnish a phenomenological and genealogical hermeneutic for Vermeer’s interior scenes. It does so by dissecting Vermeer’s theater of silence, his intrinsic use of light, the female figure behind the fabric, the politics of still life, and the theology and interplay of color. In so doing, this essay aspires to unearth the dialectical, oscillating utopian potential embedded within Vermeer’s imagery.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"71 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2025-09-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145025377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Confucian Aesthetics in Migration: Critical Strategies and Visual Translation in Malaysian Chinese Art 移民中的儒家美学:马来西亚华人艺术的批判策略与视觉翻译
IF 0.5
Arts Pub Date : 2025-09-04 DOI: 10.3390/arts14050108
Yuanyuan Zhang, Mumtaz Mokhtar
{"title":"Confucian Aesthetics in Migration: Critical Strategies and Visual Translation in Malaysian Chinese Art","authors":"Yuanyuan Zhang, Mumtaz Mokhtar","doi":"10.3390/arts14050108","DOIUrl":"https://doi.org/10.3390/arts14050108","url":null,"abstract":"Despite widespread recognition of Confucianism’s cultural importance among Malaysian Chinese communities, little is known about how its philosophical principles are reinterpreted and visually transformed by contemporary artists navigating postcolonial realities. This research addresses this gap through a mixed-method approach, combining quantitative data from 227 fine arts students, qualitative interviews with five representative Malaysian Chinese painters, and visual analysis of 50 key artworks. The results show that Confucianism functions not as a fixed doctrinal system but as a vital meta-framework that allows for the reimagining of core concepts, such as Ren (Benevolence) and He (Harmony), into tools for social critique and cultural negotiation. These ideas are expressed not through illustrative methods but via innovative symbolic and material strategies—ranging from fractured composition to technical experimentation—leading to a variety of personal styles rooted in a shared cultural logic. The study introduces a “critical translation” model for understanding the modernization of traditional philosophies within diaspora contexts, offering both theoretical insights and practical avenues for decolonizing arts education and fostering globally relevant, culturally authentic artistic practices.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"71 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2025-09-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145025485","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Topophilia—Space for Human Creation and Interpretation 乡土情结——人类创造与诠释的空间
IF 0.5
Arts Pub Date : 2025-09-03 DOI: 10.3390/arts14050105
Katarzyna Szymańska-Stułka
{"title":"Topophilia—Space for Human Creation and Interpretation","authors":"Katarzyna Szymańska-Stułka","doi":"10.3390/arts14050105","DOIUrl":"https://doi.org/10.3390/arts14050105","url":null,"abstract":"Topophilia, understood as a form of relationship between humans and their environment, can manifest in diverse ways—not only across various domains of art and life but also within the realm of music. This article seeks to expand the thesis of topophilia as a category defining the musical space of creation, performance, and perception of a musical work. Topophilia is seen here in the context of human activity in the artistic dimensions—philosophical, creative, architectural, and environmental. The methodological background is derived from the philosophy of place, phenomenology of perception, and musical analysis. This provides the opportunity to apply hermeneutic–philosophical analysis with elements of the theory of place. The thesis of this study is probably one of the first approaches to the category of topophilia in musical analysis, examining the style of composers, such as J.S. Bach, F. Chopin, K. Szymanowski, W. Lutosławski, A. Webern, and I. Xenakis, enriched with elements of musical performance.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"49 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2025-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145025378","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Questioning Global Modernist Art Studies Through Their Latest Output: Moroccan Modernism by Holiday Powers (2025) 通过最新作品质疑全球现代主义艺术研究:假日力量的摩洛哥现代主义(2025)
IF 0.5
Arts Pub Date : 2025-09-03 DOI: 10.3390/arts14050107
Valerie Gonzalez
{"title":"Questioning Global Modernist Art Studies Through Their Latest Output: Moroccan Modernism by Holiday Powers (2025)","authors":"Valerie Gonzalez","doi":"10.3390/arts14050107","DOIUrl":"https://doi.org/10.3390/arts14050107","url":null,"abstract":"This essay argues that Holiday Powers’ s Moroccan Modernism (2025) offers a compelling case study for rethinking global modernist art from a decolonial perspective, highlighting Morocco’s unique creative, esthetic, and philosophical forces. The questions and issues this book raises, and this essay addresses, revolve around the problematic of non-European modernism as both a phenomenon of decolonial politics of esthetics, in the Jacques Rancière sense, and an artistic movement born out of the history of Western art through the colonial imposition of the European conception of modernity and system of education. I take particular issue with the dominance of political history, identity discourse, and redundant postcolonial rhetoric that characterizes not only Powers’ narrative but also the account of other area modernisms. This dominance generates a tendency to misestimate art agency and to neglect the investigation of the complex creative, esthetic, and philosophical underpinnings of the modernist construct. A lucid revisiting of Orientalism is mandatory for tackling this understudied aspect of modernism. Yet, I also demonstrate the accomplishments of Moroccan Modernism as a cogent historical exposition of this construct in Morocco, upon the basis of which future studies can be undertaken.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"48 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2025-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145026064","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Smoke Shrouded: Reimagining Bamum Kii and the Troubled Legacies of the Cabinet of Curiosities in 21st Century Museums 烟雾笼罩:重新想象Bamum Kii和21世纪博物馆珍品柜的麻烦遗产
IF 0.5
Arts Pub Date : 2025-09-02 DOI: 10.3390/arts14050104
Deirdre A. Lafferty
{"title":"Smoke Shrouded: Reimagining Bamum Kii and the Troubled Legacies of the Cabinet of Curiosities in 21st Century Museums","authors":"Deirdre A. Lafferty","doi":"10.3390/arts14050104","DOIUrl":"https://doi.org/10.3390/arts14050104","url":null,"abstract":"Smoking tobacco is a prominent activity in Cameroon, with each region holding different views on the devices used for smoking. In Bamum, these vessels are called kiis. Many of these pipes, or kiis, have been removed from the kingdom and displayed without proper contextual information in Western institutions since the 1920s. This paper highlights discrepancies in academic pursuits regarding the kii and their decontextualized displays, while also providing ethical guidelines for their future displays. Understanding the intended purpose and cultural significance of a kii allows for the process of restitution in the form of ethical display to take place. Using the Heritage Context Retrieval Analysis (HeCRA) method, the research aim to explore the cultural origins of the kii in the GWU collection, retrieve its cultural context, critique the prevalent cabinet of curiosities display format used in displaying them in museums, and propose ethical frameworks for handling such devices, which are both utilitarian and culturally charged in 21st-century museums. This paper uncovers the true identity of a brass kii and dismantles the cabinet of curiosities and the alignment of African tangible heritage to oddities. The goal is to instigate a new approach to approaching such cultural objects by invoking their original spiritual and cultural symbolism in exhibitions outside of Bamum.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"57 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2025-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145025379","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From Pin-Up to Paragon: Maksim Gorky’s Evolving Image on Russian Picture Postcards 从海报到典范:马克西姆·高尔基在俄罗斯图片明信片上的形象演变
IF 0.5
Arts Pub Date : 2025-09-01 DOI: 10.3390/arts14050102
Donna Oliver
{"title":"From Pin-Up to Paragon: Maksim Gorky’s Evolving Image on Russian Picture Postcards","authors":"Donna Oliver","doi":"10.3390/arts14050102","DOIUrl":"https://doi.org/10.3390/arts14050102","url":null,"abstract":"By the end of the nineteenth century, picture postcards had become ubiquitous not only as an inexpensive means of communication but also as objects for collection. Literary postcards were especially popular in Russia, and the rapid proliferation of cards featuring portraits of contemporary writers helped feed celebrity culture, turning those images into sought-after commodities for consumption. At the same time, celebrating Russian cultural accomplishments through picture postcards also helped shape contemporary perspectives of nation and national identity. As a rising star on the literary scene at that time, Maksim Gorky quickly became an icon of contemporary Russian youth culture and, consequently, a popular subject for picture postcards. With his floppy hair and distinctive clothing, Gorky’s image itself demonstrated his difference from established traditional norms for the profession of “writer,” and his revolutionary leanings and unconventional life challenged the dominant mores of the time. In the Soviet period, as picture postcards continued to serve this function of shaping national identity and values, Gorky’s image was frequently used on state-issued postcards, both before and after his death, but this time in service to the state as the “father of Soviet literature” (and regardless of his uneven and at times ambivalent attitude toward that state). This paper examines the evolution in the use and function of Gorky’s images on pre-revolutionary and Soviet-era postcards. As an early icon of non-conformism and liberation, Gorky’s image ironically was co-opted by the Soviet regime to serve as a symbol of political orthodoxy and conformity.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"15 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2025-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145025381","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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